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Adobe vs C1? How about some examples?

  
 
ruthenium
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p.3 #1 · Adobe vs C1? How about some examples?


The crop tool is in the toolbar immediately above the image, between the Hand and the WB color picker.

Something else that can be recommended is collecting all the regularly used tools in a custom palette. This means you don't have to switch all the time between the five separate default palettes (situated in the upper right corner).

"The NR in 4 was horrible at any of the settings" sounds unusual. I don't have any recent experience with high ISO night skies. Maybe this is a special case, yet I am honestly surprised. DeepPRIME XD/XD2s obliterates noise. Maybe it acts as a "star-eater"?



Aug 06, 2025 at 09:12 AM
ruthenium
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p.3 #2 · Adobe vs C1? How about some examples?


One small feature, possibly worth mentioning, is Protect Saturated Colors in Color/B&W Rendering. Moving this to the right, toward 100, makes the chosen color profile more "flat" (even the Neutral color).



Aug 06, 2025 at 09:24 AM
MarcosH
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p.3 #3 · Adobe vs C1? How about some examples?


I used to use Lightroom but switched to C1 a few years ago. I found I could a preferred look easier with C1, especially for studio portraits. C1 also has shortcuts where you can press a key and click and drag directly on the photo to change it's settings. For example, holding down 'Q' and dragging up with the mouse will increase exposure. These shortcuts have dramatically increased my speed in processing images. That said, I will probably leave C1 if they switch to a subscription model exclusively. I have a standalone license, but they seem to be pushing new customers towards subscriptions.

I've always preferred Adobe's library management tools.



Aug 28, 2025 at 02:52 PM
Goodrich
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p.3 #4 · Adobe vs C1? How about some examples?


I guess that there are two metrics of interest:

- what can the tool do with only auto adjustments applied to a batch of images (where Adobe’s Adaptive profiles are surprisingly good and where DXO’s auto settings are also picture postcard perfect, for land or cityscapes at least). C1 also produced a pleasing rendition of such images when I last used it.

- what can the app do in skilled hands. Here, it I find the Lightroom AI 🤖 for masking, or object removal, upright transformation, etc to be an important benefit. DXO has pretty good relighting tools such as clear view or the micro contrast enhancement which can have a big effect on the look of an image, once you know your way around them.



Aug 28, 2025 at 08:06 PM
ruthenium
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p.3 #5 · Adobe vs C1? How about some examples?


The interaction with Jack Flesher on the previous page made me try Capture One, about a week ago.
I liked the experience and have since heavily invested in Capture One (also purchased some of the Styles). This has been an unexpectedly quick adoption of new software. I actually tried Capture One three times in the past (but not recently) and didn't like the experience. I guess I might have changed since, or the latest Capture One might be different from the versions I tried in the past.
I don't yet have sufficient experience with Capture One to compare with DxO PL8 that has been my main processing tool until recently, but there are some distinct differences. The adjustments of highlights - midtones - shadows - black feel more precise in Capture One. I like the overall colors of Capture One. I also like the effects of some of the Styles - I think these can be useful.
DxO is better in noise reduction. I think one approach might be (1) batch-denoising in PL8 and exporting the denoised files as dng, then (2) correcting the dng in Capture One.
I have the feeling that some kinds of images (e.g. people, city) I may like more to process in Capture One, while there might be others (maybe some landscapes, macro) that would work better if processed in PL8.
Maybe I shall summarize the experience in a more detailed post later, when I learn Capture One better. So far the experience has been positive.



Aug 29, 2025 at 12:36 AM
mzbe
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p.3 #6 · Adobe vs C1? How about some examples?


gdanmitchell wrote:
If the differences were as stark as some make them out to be, this would be obvious to all.

My hunch is that both are quite powerful programs, and the difference is more in the interface preference of the user than in the actual power of the applications. In other words, a lot of it is Chevy truck versus Ford truck subjectivity.


I love the Chevy vs Ford analogy - though in this case, it's more like comparing a pickup truck to a Formula 1 car. Both will get you where you're going, but one handles the curves a bit better.

Don't get me wrong - I use ACR daily. But having spent way too many late nights pixel-peeping (yes, I'm that photographer), I've noticed a few quirks that might interest fellow gear nerds:

1. The de-bayering thing: At deeper zoom (I prefer 800% for this, getting older ...), ACR/LR's raw processing does show some interesting "creative choices" compared to C1. The gradations between pixels can get a bit choppy, and fine details sometimes go on vacation. I always thought this was the classic smooth-vs-sharp tradeoff, but ACR somehow manages to drop the ball on both.

2. Highlight recovery drama: When you've got partial overexposure (not all channels blown), ACR/LR gets nervous and desaturates those recovery pixels like it's afraid of commitment. C1 keeps the saturation party going. It's the difference between a boring white sunset and that gorgeous yellow/orange one that makes you look like a hero on Instagram.

3. The mystery curve: ACR/LR has this built-in tonal curve that's like that friend who always "helps" even when you didn't ask. Even with linear settings, it's still there, doing its thing. With my Leica Monochrom work, C1's linear profile gives me a wider tonal spectrum - and while C1 isn't perfectly linear either, it's less of a backseat driver.

4. Edge aliasing adventures: Sometimes ACR/LR gets creative with edge halos in ways that make you question reality. It's so noticeable that Andy Astbury suggests running DXO Pure Raw at "do nothing" settings just to bypass ACR/LR's first step entirely. When a respected educator says "just skip the first part of this workflow," that's... telling. (Link:

&t=1102s)

5. The professional colorist's workaround: Here's where it gets really entertaining - the latest Dehancer manual has specific ACR/LR "damage control" settings: Exposure -1, Contrast -40, Blacks +60, Linear curve. Meanwhile, the C1 instructions? Just "use linear profile."
(That Exposure -1 is working around the highlight issues I mentioned, Contrast -40 tames Adobe's enthusiastic house curve, and Blacks +60 tries to undo some of the exposure compensation damage.)

When your software requires a ritual involving negative exposure, flattened contrast, and lifted blacks just to get workable results... well, let's just say that's not exactly a ringing endorsement!
What's next - animal sacrifices during a full moon (Adobe will sell you a (life)stock subscription for that, I'm sure ..).

ACR/LR gets the job done and has features that make life easier in many ways. Busy photographers can absolutely deal with its quality. But if you're doing serious color work or want to squeeze every tone and color from your files, these quirks are worth knowing about.

Note that I only mentioned the most basic nuisances that cannot be worked around (except by running PureRaw, etc. ...) - if those don't matter for your needs, ACR/LR is A-OK. If not, perhaps selectively, know where to find something different (e.g., the free and open source RawTherapee is equal or even better than C1 in terms of those basic capabilities. Just don't mention the user interface ...).

Anyone else notice similar things, or am I just being ridiculously obsessive about pixels again?



Aug 29, 2025 at 02:12 AM
ruthenium
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p.3 #7 · Adobe vs C1? How about some examples?


Here are examples (if anyone should be interested) of a contrasty scene processed in DxO PL8 and Capture One.
In both, I did very little:
1) PL8, clicked on DeepPRIME XD/XD2s, clicked on DxO Smart Lighting --> Light, moved Midtones to 10 and Shadows to 5, contrast in Highlights to +20, Sharpening was at 0. Color profile Generic --> Neutral Color.
2) Capture One, clicked on Auto Adjust --> High Dynamic Range, moved Shadows to 10.
3) This third image was processed as in 2), then I added a Style: Oslo (25%)

The corresponding three images are given below. These are jpegs at 90%, unresized.





Processed in DxO PL8

  OM-1MarkII     LEICA DG 10-25/F1.7 lens    25mm    f/2.8    1/2s    200 ISO    0.0 EV  







Processed in Capture One

  OM-1MarkII    LEICA DG 10-25/F1.7 lens    25mm    f/2.8    1/2s    200 ISO    0.0 EV  







Processed in Capture One with added Oslo(25%) style

  OM-1MarkII    LEICA DG 10-25/F1.7 lens    25mm    f/2.8    1/2s    200 ISO    0.0 EV  




Aug 29, 2025 at 03:31 AM
ruthenium
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p.3 #8 · Adobe vs C1? How about some examples?


and this is what I obtained from Adobe Camera raw via Photoshop after clicking on Auto





  OM-1MarkII    LEICA DG 10-25/F1.7 lens    25mm    f/2.8    1/2s    200 ISO    0.0 EV  




Aug 29, 2025 at 03:46 AM
ruthenium
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p.3 #9 · Adobe vs C1? How about some examples?


here is a link to the raw file (_8237423.ORF), if this is of interest:
https://drive.google.com/file/d/11b27XwplkPPAeeZBF-MXp0GAA9krDmIb/view?usp=share_link



Aug 29, 2025 at 03:53 AM
mzbe
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p.3 #10 · Adobe vs C1? How about some examples?


ruthenium wrote:
here is a link to the raw file (_8237423.ORF), if this is of interest:
https://drive.google.com/file/d/11b27XwplkPPAeeZBF-MXp0GAA9krDmIb/view?usp=share_link


Thanks. The highlights are part of the highlights, here is with +2 exposure (zero other adjustments). See my previous message, there is a winner here:



ACR - C1 comparison, ev plus 2 by L31C4, on Flickr


The issue is not just limited to highlights in high contrast scenes like this. Try a picture of a bright red object. The red channel blows easily at moderate exposure settings, provoking a predictable LightRoom fail; Capture One is one of the few tools that behaves reasonably in this scenario ...



Aug 29, 2025 at 09:32 AM
 


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davidrwilliams
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p.3 #11 · Adobe vs C1? How about some examples?


Thanks for posting your comparisons.

As always, it seems as though ACR/LR auto defaults aim for what I consider to be a cartoon-esque appearance (or at least heavily CGI-processed look) which I don't care for in the least.

There are good reasons to like ACR/LR, but to my taste, the auto defaults are definitely not one of them.



Aug 29, 2025 at 12:11 PM
Kenneth Lee
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p.3 #12 · Adobe vs C1? How about some examples?


davidrwilliams wrote:
Thanks for posting your comparisons.

As always, it seems as though ACR/LR auto defaults aim for what I consider to be a cartoon-esque appearance (or at least heavily CGI-processed look) which I don't care for in the least.

There are good reasons to like ACR/LR, but to my taste, the auto defaults are definitely not one of them.


What he said !

Not to beat a dead horse, but in my experience, using a linear profile when converting from raw, generally recovers several stops of dynamic range recorded by the camera but discarded by the Adobe profiles. It's not a push-button approach, but when it really matters, it's nice to see what the sensor actually captured.






Adobe Standard on the left, linear profile on the right

See Linear Profiles: Natural Tones at https://www.kennethleegallery.com/index.php#linearDNG

I don't know why links are broken: you may have to copy and paste.

Edited on Aug 29, 2025 at 03:55 PM · View previous versions



Aug 29, 2025 at 03:46 PM
az-dave
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p.3 #13 · Adobe vs C1? How about some examples?


Kenneth Lee wrote:
What he said !

Not to beat a dead horse, but in my experience, using a linear profile when converting from raw, generally recovers several stops of dynamic range recorded by the camera but discarded by the Adobe profiles. It's not a push-button approach, but when it really matters, it's nice to see what the sensor actually captured.

See Linear Profiles: Natural Tones at https://www.kennethleegallery.com/index.php#linearDNG

I don't know why links are broken: you may have to copy and paste.


How do you find the linear profile compared to the adaptive profiles?

Dave



Aug 29, 2025 at 03:51 PM
Kenneth Lee
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p.3 #14 · Adobe vs C1? How about some examples?


az-dave wrote:
How do you find the linear profile compared to the adaptive profiles?

Dave


I haven't studied them carefully but at times they seem worse than the standard Adobe profiles, which puts them in last place among the options, IMHO.



Aug 29, 2025 at 03:57 PM
Kenneth Lee
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p.3 #15 · Adobe vs C1? How about some examples?


My suspicion is that the Adobe profiles - any canned profile really - are designed to ensure that typical photos look presentable to the average person: "snappy" and clear.

As we broaden our expectations, even the best AI isn't always going to ring the bell. Maybe it will in future releases.

By then I'm not sure what will be left for photographers, since a robot will probably take the photo "better" too... if there is any need to "take" photos by then ;-)



Aug 29, 2025 at 04:03 PM
chiron
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p.3 #16 · Adobe vs C1? How about some examples?


ruthenium wrote:
and this is what I obtained from Adobe Camera raw via Photoshop after clicking on Auto


Do I understand correctly that the DXO and the C1 images received multiple adjustments after clicking an auto-adjust function? But the Lightroom file did not receive any adjustments after clicking Auto?

Why did you do it that way? It seems to obviate any basis for comparison of the three programs.



Aug 29, 2025 at 05:06 PM
mzbe
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p.3 #17 · Adobe vs C1? How about some examples?


Kenneth Lee wrote:
My suspicion is that the Adobe profiles - any canned profile really - are designed to ensure that typical photos look presentable to the average person: "snappy" and clear.

As we broaden our expectations, even the best AI isn't always going to ring the bell. Maybe it will in future releases.

By then I'm not sure what will be left for photographers, since a robot will probably take the photo "better" too... if there is any need to "take" photos by then ;-)


Kenneth, at this rate the robots will be critiquing our compositions while serving us coffee! "Your rule of thirds is showing, human." 🤖

I've got Cobalt-Imaging profiles for LR/ACR and CaptureOne (including linear ones) - they're definitely a step up from the stock profiles.
But here's the thing - even great profiles can't fix some of Adobe's raw conversion quirks. So, in the spirit of Friday entertainment...

<tongue_firmly_in_cheek>

My Top 10 Adobe Raw Converter "Features" That Totally Don't Make Me Want to Flip Tables:


  1. Highlights get nuked harder than microwave popcorn (PSA: linear still means 255=255, shocking revelation!)
  2. Pixel/sub-pixel detail rendering (de-bayering) courtesy of a potato grater - did they outsource this to 1995?
  3. Edge halos so prominent, your subjects look like medieval saints (see that Andy Astbury YT link for the full glory)
  4. Noise reduction that treats "color accuracy" as more of a guideline than actual rule
  5. No luma curve because... who needs what C1, DXO, Silkypix users take for granted?
  6. Black/white points tied to saturation in an unholy alliance - RGB curves or bust!
  7. Gamma control? That's adorable. Adobe knows what's best for you, dear user
  8. Monochrome sensors get the "you'll eat your vegetables and like it" treatment (no custom profiles, just XMP on top)
  9. Adjustment impact control from the dial-up era - one adjustment at a time, please! (C1 -> layers)
  10. 2000K minimum temp because apparently candlelight is a myth (hello, Photoshop sandwich workaround!)

</tongue_firmly_in_cheek>

If you find yourself fighting (m)any of these, it's worth trying other converters to see if they better match your needs ..

What basic quirks have others noticed that I missed?



Aug 29, 2025 at 06:19 PM
ruthenium
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p.3 #18 · Adobe vs C1? How about some examples?


chiron wrote:
Do I understand correctly that the DXO and the C1 images received multiple adjustments after clicking an auto-adjust function? But the Lightroom file did not receive any adjustments after clicking Auto?

Why did you do it that way? It seems to obviate any basis for comparison of the three programs.


Define the "basis", and I shall process the raw file accordingly.
To answer your question:

C1 did not receive "multiple adjustments." I clicked on Auto Adjust where a single option was checked - High Dynamic Range. The other three options, Contrast&Brightness, Exposure, and White Balance, were un-checked (in my limited so far experience, I find these better to keep unchecked). The only added correction was Shadow moved to 10, to gently lift the shadows. I believe what I did is close to the bare minimum, the "basis" for comparison.

Adobe I know the least. I subscribed the Photography package last December but the complexity of the interaction with multiple programs has kept me away from using it. I cannot use Lr because this is a catalog, and I don't need this. There is no standalone photography processing app in the Adobe package. The processing part, Adobe Camera Raw is accessible only through other apps (Lr, Br, Ps) that all do something else. I find the approach confusing, time consuming, and unnecessarely complicated. Maybe this is just me, not Adobe, but I wish Adobe Camera Raw was a standalone raw processing app,
Thus, I opened the file, and clicked on Auto, with the default Adobe Color profile. Is this the "base"? - no, because there are more different profiles (e.g., Adobe Standard, Adobe Landscape ...). Which one would you consider the "base"? Adobe Color is offered by default; thus, this seems to be the top choice and I used it. Do I prefer the colors? No, in comparison, I don't quite like the yellowish colors of Adobe Color.

The last, DxO Photolab 8 has four pre-defined profiles/starting points: No Corrections, DxO Style - Natural, DxO Standard, and Neutral Colors. I used No Corrections as the "base" then added denoising with DeepPRIME XD/XD2s, adjusted light by clicking on DxO Smart Lighting --> Light (this is similar to Auto Adjust --> High Dynamic Range in C1), moved Midtones to 10 and Shadows to 5, contrast in Highlights to +20, Sharpening was at 0. The Color profile was the basic Generic --> Neutral Color. If I selected any of the Natural, Standard, or Neutral, then the appearance would have changed.

Hopefully, I explained what I had done in sufficient details.
The bottom line: there is no common "basis" between the three programs. Even the very minimal corrections can be done slightly differently by using one or the other "standard" profile.
As a result, there is no simple FAIR way of comparing the three programs. The devil is in the details, when the analysis becomes increasingly technical (as we have seen in the above posts).
For 99% of the users (I believe) the reason to use one of the three programs is simple. Most probably started using one, and they "like" it (or have a catalog built on one of these), and wouldn't be interested enough in investing time into learning a different piece of software.

The last thing: I provided the raw file, and anyone interested can post their own "fair" comparison (and tell me that I utterly failed in mine).



Aug 29, 2025 at 07:06 PM
chiron
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p.3 #19 · Adobe vs C1? How about some examples?


ruthenium wrote:
Define the "basis", and I shall process the raw file accordingly.
To answer your question:

C1 did not receive "multiple adjustments." I clicked on Auto Adjust where a single option was checked - High Dynamic Range. The other three options, Contrast&Brightness, Exposure, and White Balance, were un-checked (in my limited so far experience, I find these better to keep unchecked). The only added correction was Shadow moved to 10, to gently lift the shadows. I believe what I did is close to the bare minimum, the "basis" for comparison.

Adobe I know the least. I subscribed the Photography package last December but
...Show more

No offense intended and I'm not trying to give you a hard time, and I like your photograph very much--I think it is beautiful--but it seems to me you edited the DXO and C1 images to taste and left the LRC image on full auto without adjusting it to taste. The result was the LRC image appears overly bright, which is what i usually feel about unadjusted DXO Smart Light also. I don't use or know C1.

But with the first C1 image, unchecking three of the auto functions means it is no longer really operating as Auto. I would count turning off Contrast & Brightness, Exposure, and White Balance as three adjustments to the Auto function; setting Shadows to 10 is a fourth adjustment.

With the second C1 image, in addition to the above, you added the Oslo Style preset.

With the DXO image, I count 5 or 6 adjustments after the application of the auto Smart Light function.

By placing the four images together in a thread about comparing postprocessing programs, you are of course inviting comparison. But the files are edited so differently that no comparison of programs is meaningful.

I would suggest that a better comparison would be either to set all programs on full Auto, with all functions enabled, the same color renderings chosen (Adobe has them also), the intensity of the DXO Smart Light set to 100, etc., etc, so that the settings of the programs are as close as possible; or, edit all of the images to taste.

I think your examples are interesting to look at, but in terms of comparing programs they may tend to support @gdanmitchell to the point that all of the programs are powerful and that differences come down to the preferences and skills of different users.



Aug 29, 2025 at 07:42 PM
ruthenium
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p.3 #20 · Adobe vs C1? How about some examples?


chiron wrote:
No offense intended and I'm not trying to give you a hard time, and I like your photograph very much--I think it is beautiful--but it seems to me you edited the DXO and C1 images to taste and left the LRC image on full auto without adjusting it to taste. The result was the LRC image appears overly bright, which is what i usually feel about unadjusted DXO Smart Light also. I don't use or know C1.

But with the first C1 image, unchecking three of the auto functions means it is no longer really operating as Auto. I would
...Show more

Unfortunately, it is impossible to have "the same color renderings" in the three programs. The proprietary built-in profiles are different, and this is one of the main points of interest: which program gives the colors that you like best?
It is this color rendering that I wanted to preserve. Whatever changes I made (like denoising, lifting shadows), I did not adjust the colors. Another point of interest is the dynamic range, or how the three programs "naturally" deal with the highlights and shadows (with minimal manual adjustments).

I disagree with "it seems to me you edited the DXO and C1 images to taste" - no I didn't.

DxO PL8 doesn't have a full "Auto" - one must pick from No Corrections, DxO Style - Natural, DxO Standard, Neutral Colors. These will give different colors, and if I should recommend something that should be start with No Corrections.

I don't see why enabling all Auto Ajust items in Capture One must be required. I took the most conservative approach and enabled only "High Dynamic Range" then gently lifted the shadows.
Again, I would like to emphasize that my approach was to apply the very minimum of corrections, rather than "edit to taste."

Editing "all of the images to taste" is a good and useful alternative to my minimal approach. However, this would require either someone who is an expert in Lr, C1, and PL8 (is there anyone?), or the involvement of experts in each of the programs.
I provided the raw file, thus anyone interested in demonstrating their expertise with Lr or C1 is welcome to post their expertly processed jpegs.

I fully "support @gdanmitchell@ to the point that all of the programs are powerful and that differences come down to the preferences and skills of different users." This doesn't mean that I believe that Lr, C1, PL8 all excel in every possible way. No. For example, even after spending a few days with C1, I can tell that the denoising in PL8 is so much superior that one may want to denoise in PL8 then feed the dng output to C1, when working with high-ISO images. The same can probably be done in the Adobe software, but I believe that DxO offers a more simple, efficient, and faster way of batch denoising with output to dng. What I see as a particular strength of C1 vs PL8 is how remarcably well C1 works when adjusting highlights and shadows. I have the impression that C1 can recover extreme highlights and extreme shadows much better than PL8. Unfortunately, as I already mentioned this above, my experience with the Adobe software is insufficient to comment on any particular strengths of Lr.

Please, don't criticize me for responding to your request "Adobe vs C1? How about some examples?" I did my best, and if other FMers can post more meaningful comparisons that would be nice. Thus, try to encourage others to post alternative comparisons.



Aug 29, 2025 at 11:56 PM
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