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Archive 2025 · Listening to the Universe

  
 
Stefan Official
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p.1 #1 · Listening to the Universe


I had two specific scenes in mind and waited months for the perfect time window. When the weather finally aligned, I left – 4.5 hours of driving, four nights on the road. Then: two breakdowns on two separate nights. Two tow trucks, two taxis (130 euros each), 600 euros in repair costs. Barely any sleep during the day because I had to deal with repairs.

Of course, there was also a public holiday in between. Great timing. Garages were closed, no rental cars anywhere – more lost time.

After a night of photography, I arrived at the garage Friday morning at 7 a.m., where my car had already been dropped off. I wanted to sleep, but had to organize everything. Getting parts wasn’t easy if they weren’t in stock. I needed the car back as quickly as possible.

Luckily, the garage had a clever idea: they gave me a rental car for 25 euros to drive 40 km to pick up parts from another shop. It was fast and cost-effective, and I was honestly thankful.

The team was extremely helpful. By 2 p.m., everything was fixed, cleaned, and ready. I hadn’t slept in 28 hours and felt like a zombie-robot hybrid.

And then finally: a clear night. Everything was set up, calibrated, tracking active. I was ready. Or so I thought. Just before midnight, a beam of light lit up the scene. For a second, I thought: the UFO has arrived.

But no, it was a tractor. A farmer started plowing the field next to me. At midnight. In complete darkness.

Seriously? I came here once in my life, everything finally fits, and then... a tractor. I honestly thought the universe was testing me.

But 30 minutes later, silence. I managed to capture the Milky Way just in time. The core is visible only two hours per night. No margin for error.

To make it all work, I photographed the sky and foreground separately. Star tracking makes the sky sharp but blurs the landscape – so: two exposures, double the work.

The final image consists of two parts: a 3× mosaic for the foreground and a tracked single exposure for the sky. My goal was a visual harmony between Milky Way, antennas, and landscape – precise, cinematic, and filled with that silent, dreamlike sense of awe you get in great film moments.

The second image will follow in a few days. For now, I need sleep. And hope the tractor isn’t on fredmiranda😊

Technical Data:
📷 Camera: Sony Alpha 7R V
🔭 Lenses:
– Sony FE 14mm F1.8 GM (foreground)
– Sony FE 28–70mm F2.0 GM (sky)
🗻 Mount: Benro Cyanbird Carbon Tripod + Benro Polaris Astro Tracker
➕ Panorama: 3× mosaic (untracked, 65% overlap), sky as single tracked frame
✂️ Stitched in: PTGui
🌌 Aperture: f/2.5
🌙 ISO: 200 (sky), 100 (foreground)
⏱️ Exposure per frame: 6 minutes (sky), 12 minutes (foreground)
🕒 Total exposure time: 42 minutes



Listening to the Universe by Stefan Zimmermann Official, auf Flickr



May 04, 2025 at 08:26 AM
junglialoh
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p.1 #2 · Listening to the Universe


Wonderful Job is beautifully done that shows clean Mily Way band of myriad stars


May 04, 2025 at 09:26 AM
Karl Witt
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p.1 #3 · Listening to the Universe


Which light is the tractor?

The image is incredible, I have a ton of respect for your planning and efforts and completion of this image!! Talking about overcoming challenges this goes well beyond. A masterful set of exposures and combining of images. I have not the slightest knowledge of this type of photography so find me here with my jaw on the floor
Wow
Totally amazing IMO!! YGMV
Karl



May 05, 2025 at 07:35 AM
Stefan Official
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p.1 #4 · Listening to the Universe


Thank you both very much for the thoughtful comments. It really means a lot. I'm glad the atmosphere came through. The location felt quiet but connected to something far beyond. I tried to honor that.

@Karl Witt – your comment absolutely made my day. I laughed at “jaw on the floor” and read it twice just to make sure I didn't dream it.


Right after this reply, I’ll be posting a second night image. Totally different vibe: no giant dishes, no signals to the stars, just a silent alpine lake beneath the Milky Way.
You can find it by scrolling one post down. I’ll also include a short backstory and a few details on how it came together. Hope it resonates with you too.


The Island Beneath the Galaxy
I was completely alone that night. Around 10 pm, a few distant headlamps were still visible around the lake, but after midnight, everything fell completely silent. No traffic, no artificial noise – just nature, stillness, and the feeling of being alone with the universe.

Around 5 am, people slowly started to return. You wouldn’t believe how many are already out that early. A small group in their early twenties asked me how to get down to the lake. The entrance to the trail isn’t obvious if you don’t follow the official direction. I asked what brought them here so early. Their answer: “Just bringing a camping chair to the shore and enjoying the day.”

But back to the photo.
My first long exposure was disappointing. The scene was bright, but everything looked flat and lifeless – no contrast, no highlights. That’s not what I had envisioned.

So I started painting the island and the water with a warm white flashlight. I quickly realized: this is much trickier than it sounds. Just a few seconds too much or too little can ruin the entire mood.

The lake’s signature color – a turquoise-green tone that makes Eibsee so special – only appeared at very specific angles. I underestimated that. Just pointing the light at the water wasn’t enough.

I ended up lighting the scene from roughly ten meters to the left and right of the tripod. One-sided lighting instantly felt off and unbalanced.

One thing I didn’t expect: how hard it would be to find a stable surface for the tripod. The shoreline was full of loose rocks that shifted under even slight pressure. Once a few stones were removed, the soft, muddy ground underneath made things worse. I spent about 30 minutes carefully wedging stones together to get a reasonably stable base.

That alone was harder than I thought – even stepping on nearby rocks while walking back to the tripod could shake the setup and ruin the alignment.

And when you’re shooting long exposures with tracked stars, any small movement means the calibrated tracking is instantly off – and you have to start all over again.

After about two and a half hours and several 12-minute exposures, I finally had a foreground I was happy with.

Around 2 am, the Milky Way began to rise over the horizon – calm, massive, and breathtaking.

I learned a lot that night. Painting with light is precision work – and it’s worth every second.

Photographed at Lake Eibsee, nestled beneath the Zugspitze – the highest mountain in Germany – in the Bavarian Alps.


🔧 Technical Information
📷 Camera: Sony Alpha 7R V
🔭 Lenses:
– Sony FE 14 mm f/1.8 GM (foreground)
– Sony FE 28–70 mm f/2.0 GM (sky)
🗻 Mount: Benro Cyanbird Carbon Tripod + Benro Polaris Astro Tracker
🌌 Sky: single exposure, tracked
️ Foreground: single exposure, untracked
🌙 Aperture: f/2.0
ISO: 200 (sky), 100 (foreground)
⏱️ Exposure time per frame: 6 min (sky), 12 min (foreground)
🕒 Total exposure time: 18 minutes
📍 Location: Lake Eibsee, below Zugspitze (2,962 m), Bavaria, Germany


The Island Beneath the Galaxy by Stefan Zimmermann Official, auf Flickr



May 08, 2025 at 11:31 AM
davekone
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p.1 #5 · Listening to the Universe


Gorgeous. I'm waiting for the Bad Robot to come running around the field


May 23, 2025 at 02:06 PM
jaggedhorizon
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p.1 #6 · Listening to the Universe


Wow. Lots of respect for your efforts, and admiration for the results. These are seriously good.

I guessed Eibsee for the second image before I saw the text - I had been there last autumn (but only photographed it before sunrise)



May 24, 2025 at 10:33 AM
Stefan Official
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p.1 #7 · Listening to the Universe


davekone wrote:
Gorgeous. I'm waiting for the Bad Robot to come running around the field


Haha, exactly – just waiting for Bad Robot to run across the field! I was really going for that cinematic vibe, like a sci-fi movie scene.



jaggedhorizon wrote:
Wow. Lots of respect for your efforts, and admiration for the results. These are seriously good.

I guessed Eibsee for the second image before I saw the text - I had been there last autumn (but only photographed it before sunrise)


Thanks a lot, really appreciate it! And yep – good eye, that’s the Eibsee. It has such a magical vibe at night. Did you ever post your shot from back then? Would love to see how it looked at sunrise.




May 25, 2025 at 08:05 AM





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