Thanks for bumping. I really enjoy your photographs. They convey a mood which elevates the impact of your work.
fjablo wrote:
Can't allow this thread to drop to page 2, so here are some fresh pics from Venice. First one with the AF-D 28-70mm 3.5-4.5, the other ones with the CV 35mm 1.5 (6bit coded as Leica Summilux 35)
And here's the full album with pictures made with other cameras (the one with the Ricoh are my favorite from this trip): https://flic.kr/s/aHBqjBSPa4
theopwildebeest wrote:
That orange flare (almost) makes the LLL worth the price of admission!
Lovely work embracing the character of the lens.
Haha! Thank you. I’m still in the testing phase, I don’t know the lens well enough already but it sure has all the quirks I like in one package, some not easy to come by even by old design standard.
What is the most premium looking and feeling grip for the ZF?
I have the Iborrys leather off amazon and really like it and then I have the small rig for when I take hiking to expose it to harsh elements or don't want to look like I'm carrying some nice gear
Got the Artralab 35/1.4 in...one of those lenses where the files look a lot better on the computer than they do on the back of the screen. The focus throw feels paper thin all the way through f8 unlike a bunch of other lenses. Kinda flares wide open too I'll post up the full review when I get there in like a month. I really like editing its pics with filmic looks, really matches the rendering well.
Love the look of both foregrounds. Did you do some dodging and burning on the files, or all natural light?
fjablo wrote:
Some more pictures from Norway. Lofoten, specifically..
I broke my tripod on the day before the 2nd picture was taken so that was handheld. The IBIS somehow caused a weird effect where the stone in the middle is sharp but everything else has motion blur. I actually like it
Last week I used the Zf in 1x1 image area mode, as a assistant while compairing two 6x6 cameras (Tessar vs triotar lenses). Its realy insipring with the B/W switch.