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Archive 2024 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?

  
 
Walie
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p.4 #1 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?




mdude85 wrote:
I don't think that the future is going to be in sensor resolution, or even lenses, I think it will be in AI. Right now that's mostly limited to subject tracking but eventually could expand into computational photography that enables the camera to intelligently choose exactly the right settings for the scene and make much faster edits within the camera.


It’s the computational photography stuff that makes me absolutely detest taking photos with my iPhone.



Apr 09, 2024 at 02:35 PM
BeatX
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p.4 #2 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


gdanmitchell wrote:
I’m not even sure what 10% increase in resolution means. 10% more line pairs per millimeter? 10% more pixels per inch? 10% larger print with the same resolution? Something else? A wild guess?


optyczne.pl are using imatest software and MTF50 function to determine resolution both sensor and lenses.

Rand47 wrote:
We live in different worlds, I think. My comparisons between cameras / sensors is only done “in print” at 20x30” as a minimum starting place. At that size, the 40mp is visibly better than earlier Fuji sensors, assuming equal skill at editing and file preparation for printing.

Rand


Unfortunately, I cannot verify your claims, only I can do is read them and take Your word for granted.
But You can very easy verify my claims, and You don't have to take my words for granted
Only accurate measurements or direct A/B comparison can establish the facts.


SGinNorcal wrote:
It seems like you are picking and choosing data and opinions to support your desired outcome. Nobody's real world opinion here seems to matter to you.


No, I just post solid data to backup my words.
I can show some sample images too, but seems like no one is interested (?)
You guys just take common opinion (opinion, not a fact) as granted and You duplicate this opinion over and over.

I'm interested to hear others opinion, but I'm ever more interested to verify those opinions by some sample images or measurements to backup those opinions.
Untill now all I can read are opinions.
So.. if You expect me to agree with Your opinion only by reading Your post, why don't You do the same with my posts?



Apr 09, 2024 at 03:21 PM
gdanmitchell
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p.4 #3 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


…imatest software and MTF50 function to determine resolution both sensor and lenses.

Your response is a non sequitur and doesn’t answer the question.

Further, it is a question about the supposed “facts” that you say you value more than mere “opinions.” Yet you are tossing around values like “10% increase in resolution” that you can’t explain or define.

When your undefined (and apparently undefinable) “facts” contradict substantial real-world empirical observations, your conclusions based on thos supposed “facts” are most certainly subject to question.



Apr 09, 2024 at 03:33 PM
SGinNorcal
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p.4 #4 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


BeatX wrote:
I'm interested to hear others opinion, but I'm ever more interested to verify those opinions by some sample images or measurements to backup those opinions.
Untill now all I can read are opinions.
So.. if You expect me to agree with Your opinion only by reading Your post, why don't You do the same with my posts?


I'm not trying to fight with you or suggest you shouldn't have your own opinion. But I find your upsample/downsample, viewed on a monitor example does not have much merit as a comparative tool for reasons others on this thread have described to you very well. I can't read the article you posted but I do know that different people can read lab reports and draw completely different conclusions, happens every day. What matters most to me is my own eyes. Second, what trusted subject matter experts have to say. Far down the list are lab reports. It's not that I don't believe in lab testing, I have an engineering degree and obviously respect science. But in my experience, unaccredited lab testing often doesn't do much to reflect actual use. Lab tests for anything must be carefully developed and validated to prove their relevance. This type of testing in the digital age has proven very difficult to do. Digital audio is an excellent example, often devices with excellent lab test results sound terrible. I've seen extremely high resolution digital photos look sterile and lifeless, does that show up on the lab test? I don't think anyone here will argue that if you don't care for the look of 40mp files, then don't get the camera. Its your rationale that doesn't seem to be working for anyone but you.



Apr 09, 2024 at 04:01 PM
mjm6
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p.4 #5 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


gdanmitchell wrote:
***blah, blah, blah***

In that case, a camera with, say, 13 stops of DR will be better, but it is not a night and day difference — it is a matter of degree.

***more blah, blah, blah***

Is it always worth picking the camera with the greatest DR? No. DR is but one of many aspects of camera performance that need to be evaluated as a whole and in relationship to the photographer's actual needs and practice.


EVERYTHING is about matters of degree. That you don't think DR is the most important aspect is fine for you but that isn't the only path to photography.

Pissing about over pedantic definitions of resolution is all well and good but is pointless for most people once they are past some level of performance, like 16MP, 21MP, 24MP... whatever. Hell, 6MP was perfectly good for basic web display... It becomes an irrelevance but if people wish to think about it and debate it, that is fine. For some people it will be a worthwhile improvement and for others merely a casual distraction, but for some people, it is a crippling red herring that they need to gain perspective over.

That you don't think DR is terribly important is fine for you because I won't judge you or anyone else on it. From my pespective, it just means to me that you may not have a terribly challenging shooting style, subject matter, or needs for the files later on, or possibly you aren't too critical of the work you produce in ways that I might be.

I find the better performance on the fringes of the file useful for the images I make so I value it pretty highly. It's not night and day differences, but given one with better DR compared to one with worse DR performance, I chose the system with higher DR even though it meant buying into a larger camera and a new lens system, etc.

And, it's worth it for that reason alone and despite the higher cost and weight, IMO.



Apr 09, 2024 at 04:44 PM
chiron
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p.4 #6 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


The sensors in the GFX 100S and 100 II are about 70% larger than full-frame sensors. Full-frame sensors are about 60% larger than APS-C sensors.

This suggests that those arguing the medium format of the GFX is not visually better in its output than full-frame sensors should also believe that full-frame sensors are not visibly different in their output than APS-C sensors.

APS-C sensors are about 62% larger than Micro Four-Thirds sensors. Thus, those who see no difference in medium format compared to full-frame should see no difference between APS-C and Micro Four-Thirds.

Since they see no differences in image quality anywhere--that is, they see the different sensor sizes as visually equivalent--then transitively they should see Micro Four-Thirds as the equivalent of both full-frame and medium format.

Reductio ad absurdum.

Or, where do they draw the line, and why do they draw it there?

In my view, with any of the above formats, there can be images of particular subject matter and lighting and display and camera settings that are not easily distinguished from another format. But with certain kinds of subject matter, lighting, display, and settings there are differences that seem very clear to me. This is especially true when looking at a sufficient number of different photographs in any one format.



Apr 09, 2024 at 06:32 PM
Jack Flesher
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p.4 #7 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


My guess is,

That shooters that can’t justify the expenditure for whatever digital device that is subsequent/newer/enhanced/bigger/better/more compered to whatever they already own, will have less reason to find it superior to whatever tech they own at present.



Apr 09, 2024 at 08:04 PM
BeatX
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p.4 #8 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?




Your response is a non sequitur and doesn’t answer the question.

Further, it is a question about the supposed “facts” that you say you value more than mere “opinions.” Yet you are tossing around values like “10% increase in resolution” that you can’t explain or define.

When your undefined (and apparently undefinable) “facts” contradict substantial real-world empirical observations, your conclusions based on thos supposed “facts” are most certainly subject to question.


You asked a question and I answered it.
You didn't ask me to explain the answer.
Although I know exactly what you are getting at, because the explanation of the answer is in the link I pasted.
You just want to clearly prove to me and others, that I don't know what I'm talking about.
Well, ok, so be it - if it satisfies you... I don't have enough knowledge to understand all the technical intricacies related to the measurement methodology of optical devices and sensors.

This does not change the fact that I do not need to know all these technical details to understand simple conclusions from these measurements and experiments.
If smarter people than me measured the X-Trans V and X-Trans IV sensor, and wrote in the summary that the real resolution gain between them is 10%, then there is nothing to discuss further.
If you do not have hard evidence that the measurements from optyczne.pl are wrong, you should assume that they are valid until someone discredits them.
This is how science works.

Anyway, here in this video someone did a similar experiment with Fuji sensors comparison, where the conclusions coincide exactly with my observations and measurements from optyczne.pl
I strongly encourage You to watch this video.
You will be surprised, as I was.

?si=gk2T4xAMLO5wrAjU

And when it comes to so-called empirical measurements (based on your senses), they are very inaccurate because human senses are downright primitive among the mammalian world.
They are very easy to fool (it is called illusion)
In addition, the signals sent from your sense organs to the brain, which interprets these signals and thus creates your reality, are often distorted by your prejudices, beliefs, faith, or under the influence of someone else's opinion (or the placebo effect).
This is why I don't fully trust my senses... but that's just me.
I trust measurements and experiences to find out the real state of affairs.

Simple experiment: one of these files is the original from the X-Trans V semsor, the other is processed (downscaled to 26Mpix, and upscaled to 40Mpix)
Please let me know which file is which:

1)


2)


Here, after a very thorough analysis, you will probably find tiny differences (and at the same time compare these differences with your empirical observations and measurement results from optyczne.pl)
I would like to point out that I used one of the sharpest UWA lenses for Fuji X: Viltrox 13/1.4 stopped down to its peak performance @f/5.6

If X-Trans V sensors provide such a gain in the fine detail like everybody hype (compared to previous sensor generations), such destructive photo processing as downscaling/upscaling should deprive original file of all details that X-Trans V sensor supposedly records
Meanwhile, as everyone can see, there is practically no loss of detail.
Hence the conclusion that these details were never recorded into the original file (probably due to lens optical limitations - I think so)

And here's a curiosity, optical illusions:

?si=nGlw5u8e5o9h8ptz

This is how much You can trust your eyes (meaning how easily you can be fooled by your senses, even though you think you see and hear everything clearly)

Edited on Apr 10, 2024 at 07:12 AM · View previous versions



Apr 09, 2024 at 09:08 PM
BeatX
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p.4 #9 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


SGinNorcal wrote:
I'm not trying to fight with you or suggest you shouldn't have your own opinion. But I find your upsample/downsample, viewed on a monitor example does not have much merit as a comparative tool for reasons others on this thread have described to you very well. I can't read the article you posted but I do know that different people can read lab reports and draw completely different conclusions, happens every day. What matters most to me is my own eyes. Second, what trusted subject matter experts have to say. Far down the list are lab reports. It's not that
...Show more

Thank You for answer

I think I included everything I wanted to say in my previous post, where you will find answers to your post

For myself, I can only write that many years ago I used to be an all-hearing dying hard audiophile, who blindly believed in the reviews I read in the industry press and opinions I found on the Internet, about how electronic devices sounds (amplifiers, DAC's, CD players etc)
Until someone opened my eyes and made me realize what blind ABX tests are, and how much you actually hear and how much you think you hear.

It's the same story with photography or any other hobby.
People simply want to believe what they see, and reject inconvenient facts or conclusions from experiments.

*EDIT*

Sorry for OT.



Apr 09, 2024 at 09:25 PM
architekt
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p.4 #10 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


chiron wrote:
The sensors in the GFX 100S and 100 II are about 70% larger than full-frame sensors. Full-frame sensors are about 60% larger than APS-C sensors.
.


https://en.wikipedia.org/wiki/Image_sensor_format#/media/File:SensorSizes.svg

full frame sensor area is 864 mm^2
aps-c sensor area is 370 mm^2
fuji's GFX sensor area is 1452 mm^2

so GFX area is 1.67 * full frame size and
full frame is 2.34 * aps-c size.

Let me do some basic math for you. you are welcome



Apr 09, 2024 at 10:25 PM
Geoff D F
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p.4 #11 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


chiron wrote:
The sensors in the GFX 100S and 100 II are about 70% larger than full-frame sensors. Full-frame sensors are about 60% larger than APS-C sensors.

This suggests that those arguing the medium format of the GFX is not visually better in its output than full-frame sensors should also believe that full-frame sensors are not visibly different in their output than APS-C sensors.

APS-C sensors are about 62% larger than Micro Four-Thirds sensors. Thus, those who see no difference in medium format compared to full-frame should see no difference between APS-C and Micro Four-Thirds.

Since they see no differences in image quality anywhere--that is,
...Show more

It's funny that you mention this as I own both a quite old 16mp M4/3 camera and a FF 43mp Sony A7Riii. And my conclusion is that for many use cases the results from the M4/3 camera will look just as good as the FF Sony. To take an extreme example, if one shoots large format 10x8 film and 35mm and then prints both to cheap 6x4 paper, apart from possible depth of field issues you probably won't notice any difference because the smaller format has not been stretched to the point where its limitations are visible in any way.

We are kind of at the point now with digital sensors. I suspect most people are viewing on at most 4k screens, which display around 8 mp, or not printing above 13x19 at which size M4/3's limitations are not going to be apparent. I've done tests myself shooting the same subject with 16mp M4/3 and 43MP FF Sony and then viewing on my 4k 28inch screen and couldn't really see any difference. Curiously in the past I had assumed I could see some difference, but I attribute that to bias in that when I saw an image I liked that was shot on FF I attributed it to the format, whereas images that I didn't like so much I had attributed to bad technique, but was applying the reverse bias to M4/3 - where I saw a shot I liked I had attributed it to technique and where I didn't like it for whatever reason I attributed it to the format.

Sure differences will apply if you are stretching the limits, but how many people have a large 8k screen (which displays around 33mp) or printing above 24x36 inches, where well shot M4/3 might be starting to tap out?

I think most people who own cameras in multiple formats, will point to issues such as depth of field, dynamic range, options to severely crop or desire to print very large as possible reasons to go one way or another. But I don't think any of them claim that larger formats are better for the average photographic use case - that is, screen viewing, normal print sizes, posting to social media, etc.



Apr 10, 2024 at 12:08 AM
Geoff D F
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p.4 #12 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


architekt wrote:
GFX cameras have shallower depth of field than you expect from apsc or 35mm cameras, I found myself either needing to focus stacking more or when I do not have tripod, accept some extreme part of the frame is slightly out of focus.


Does this hold when considering many GFX lenses are f2.8 or f4 (and very expensive) compared to widely available f1.4 lenses for APS-C and FF? I ask this genuinely as I am thinking of picking a GFX myself and this would be one of the attractions.



Apr 10, 2024 at 01:22 AM
Peter Figen
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p.4 #13 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


Geoff D F wrote:
Does this hold when considering many GFX lenses are f2.8 or f4 (and very expensive) compared to widely available f1.4 lenses for APS-C and FF? I ask this genuinely as I am thinking of picking a GFX myself and this would be one of the attractions.


Turn this whole idea on its head. If all you were shooting was medium format film or digital, what you'd be used to would be the inherent depth of field afforded to the medium format film or sensor size, and then when you shot full frame or smaller you'd get more depth of field than you expected, which could be a good thing or maybe not.

Since there's approximately, more or less difference in effective depth of field between the medium format GFX and full frame 35mm and a little more going to the smaller sensor sizes, the (generally) slower lenses for the GFX will come pretty close to the same depth of field as the faster lenses on the smaller cameras, more or less. You will still have the light gathering of the actual f/stop of course.

There is a thing as too little depth of field depending on your point of view, and there are also some really great, fast non Fuji lenses like a Canon 85mm 1.4, a Sigma 105mm 1.4 or 135mm 1.8 or a Canon 200mm 2.0 or a bunch of Nikon and other fast lenses that will give you both equivalent subject separation and light gathering capabilities.

Sometimes you just need to make a commitment to a system like the GFX and immerse yourself in it for a year to give it a real chance and then make your long term decision. While it's not perfect, overall i cannot imagine going back the full frame cameras, unless, y'know, I was shooting sports full time.



Apr 10, 2024 at 02:07 AM
mdude85
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p.4 #14 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


Geoff D F wrote:
Does this hold when considering many GFX lenses are f2.8 or f4 (and very expensive) compared to widely available f1.4 lenses for APS-C and FF? I ask this genuinely as I am thinking of picking a GFX myself and this would be one of the attractions.


For the most part no... you can get pretty much the same depth of field using an APS-C lens at f1.4 as a GFX lens at f2.8 if you correct for the crop factor of the APS-C sensor relative to the GFX.

The out of focus areas, and the transitions between in focus and out of focus areas might look a little different but that's because of the lenses. The compression and lens distortion might look a bit different as well. Again, the lenses.

People tend to invest in the GFX system because of the better image quality (some say the best image quality of any mirrorless system).



Apr 10, 2024 at 07:57 AM
gdanmitchell
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p.4 #15 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


First, congratulations on creating a post almost as long as mine. ;-)

Second, you are correct. Too many people have a hard time with this truth, namely that today’s cameras (and lenses, in many cases) are so much better than what we worked with in the past that the differences are both real… and most often invisible — except in edge cases and/or specific use cases.

This is extremely relevant to the initial question in this thread — about whether a specific user should move to a GFX system to photograph “landscapes.” Two or more things can be simultaneously true in this regard:

1. A larger 33x44 100MP sensor camera is capable of recording more detail than a camera with a smaller sensor and/or fewer sensor photo sites. It may also be capable of handling a larger dynamic range with aplomb.

2. The difference between the photographs created with two systems (say miniMF and FF) is objectively quite small and is unlikely to be visible in one’s final output (be it print or screen) unless the images are presented at very large sizes approaching the (subjective) limits of reproduction size.

3. For a photographer whose primary need is to be able to produce highly detailed and extremely large that can be a bit larger than FF-sourced images, the miniMF format can be just the ticket, especially if their work process and ancillary equipment needs are compatible with the larger format systems.

4. For many photographers producing quite large and detailed work the image quality pluses of the larger systems are outweighed by the pluses of smaller systems: excellent image quality, somewhat more portable gear, availability of a wider range of lenses and other accessories, lower costs, etc.

The main I problem folks seem to have is from trying to determine the “best” option using one-dimensional criteria, combined with a notion that if one thing is “better” than another that them absolutely must get the better thing, whether or not the ways that the “better” thing is superior have any substantial effect on their photography.

If the real incremental image improvement from a larger format will change your photography in ways that are, on balance, positive… then go for it. On the other hand, if one aspect is better in ways that aren’t going to make a difference in your photographs but may impede other aspects of your photography, put the brakes on.

No format is “better” than any other format in a generalized way. Every format has pluses and minuses. If that wasn’t true we’d see lots of people doing sports photography with 8x10 view cameras.

Dan

- - -

Unrelated to your post — and addressing a different person in this thread — I see another person has again posted absolutely gigantic files into this FM thread. Please don’t do that. It is a waste of everyone’s time. Virtually no one is looking at FM discussion threads on a screen that it big enough to display those images as posted.

I work on photographs on a system with two 27” monitors… and I cannot see those images in full there. I usually do my non-photographic work on a laptop or an iPad Pro… on which I probably can’t see more than 5% of those gigantic images. (I just checked. I see less than 1/30 of each image on my screen. In other words, to see the whole thing I must scroll vertically 5 1/5 times and horizontally more than six times.)

It is entirely unnecessary to post such humongous images here. If the point is to demonstrate detail or something else that is only visible at high magnifications, please respect other FM users enough to crop the damned files to something approaching a normal screen size. If you believe that a few people might actually want to inspect your monumental files, just give both of them a link to download it.

And, to the same poster, you still have not answered my very basic question — and your images don’t address it either — regarding what is meant b the claim of a 10% better image in your earlier post. Answering that should be simple and take no more than one sentence of a short paragraph.

Needless to say, this kind of “participation” in the thread warranted a click on the “hide” link.

Geoff D F wrote:
It's funny that you mention this as I own both a quite old 16mp M4/3 camera and a FF 43mp Sony A7Riii. And my conclusion is that for many use cases the results from the M4/3 camera will look just as good as the FF Sony. To take an extreme example, if one shoots large format 10x8 film and 35mm and then prints both to cheap 6x4 paper, apart from possible depth of field issues you probably won't notice any difference because the smaller format has not been stretched to the point where its limitations are visible in
...Show more



Apr 10, 2024 at 09:27 AM
BeatX
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p.4 #16 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


gdanmitchell wrote:
First, congratulations on creating a post almost as long as mine. ;-)


Thank You

gdanmitchell wrote:
Unrelated to your post — and addressing a different person in this thread — I see another person has again posted absolutely gigantic files into this FM thread. Please don’t do that. It is a waste of everyone’s time. Virtually no one is looking at FM discussion threads on a screen that it big enough to display those images as posted.

I work on photographs on a system with two 27” monitors… and I cannot see those images in full there. I usually do my non-photographic work on a laptop or an iPad Pro… on which I probably can’t see more
...Show more

Sure thing, next time I will post just links without html tags - no problem

gdanmitchell wrote:
And, to the same poster, you still have not answered my very basic question — and your images don’t address it either — regarding what is meant b the claim of a 10% better image in your earlier post. Answering that should be simple and take no more than one sentence of a short paragraph.


This more or less means that the benefits from X-Trans V 40Mpix sensor is symbolic,in terms of the possibility of printing in large sizes (larger than A3, and viewed from close range), or the possibility of heavy cropping images without loss of all this fine details.
In principle - as practice shows, almost identical results will be obtained by upscaling a 26Mpix file to a 40Mpix file.
X-Trans V sensor gives almost zero profits in any area, but in the same time causes more troubles like file bigger file size, slightly less DR, slightly more noise in high ISO, and diffraction kicks in earlier (key issue for landscape or macro photography)
X-Trans V 40Mpis sensor in practice is like upscaling 26Mpix sensor to 40Mpix (files are just bigger, and nothing more)

I hope that now my answer and opinion is sufficient for You, and does not require further explanation



Apr 10, 2024 at 09:50 AM
RoamingScott
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p.4 #17 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


All one needs to do is browse the GFX Images or GFX Landscapes image threads. The sad truth is many of those photos would be better if taken on full frame with more skill behind the camera. There are scant few exceptions, unfortunately.

The photographer makes the final image, not the camera. You're always better off investing in yourself first, improving your post processing skills, developing your photographic eye through repetition, etc. Only once you are absolutely sure that you are pushing the boundaries of your gear does a serious conversation about the pros and cons of switching formats start to make sense.

And more often than not, simply GETTING to the scene of an epic landscape location is the hardest part...a skilled photographer will seize the opportunity with whatever gear they have on them.

Edited on Apr 10, 2024 at 09:56 AM · View previous versions



Apr 10, 2024 at 09:53 AM
architekt
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p.4 #18 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?




mdude85 wrote:
For the most part no... you can get pretty much the same depth of field using an APS-C lens at f1.4 as a GFX lens at f2.8 if you correct for the crop factor of the APS-C sensor relative to the GFX.

The out of focus areas, and the transitions between in focus and out of focus areas might look a little different but that's because of the lenses. The compression and lens distortion might look a bit different as well. Again, the lenses.

People tend to invest in the GFX system because of the better image quality (some say the best
...Show more

For example, in a landscape shot, you have some river rocks in the foreground and some mountains on the background. On apsc, if we shot the scene at f11, everything will be more or less in focus, however, on miniMF, we need to use f22 to achieve the same, I am uncomfortable shooting at f22 for any camera, worrying about diffraction, high ISO etc, so I either have to find a tripod and do focus stacking or just set f13, focus on mountains and accept foreground river rocks will be a bit out of focus.



Apr 10, 2024 at 09:55 AM
Jack Flesher
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p.4 #19 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


@BeatX count me as another who does not understand the logic of downscaling then upscaling a file, as both processes are destructive and will impair the final file over a native one? If you want to prove your point, please post the 40mp file directly compared to the uprezzed 26. IOW, the BEST 40mp files each cam is capable of, not a degraded 40 compared to an uprezzed 26…

In your images above, pic 1 has more noise but also more visible detail, while 2 is cleaner but with less detail. But because of your methodology, I think it’s a moot point of differences.



Apr 10, 2024 at 10:26 AM
gdanmitchell
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p.4 #20 · Worth it to Upgrade from Fujifilm X to GFX Series for Landscapes?


architekt wrote:
For example, in a landscape shot, you have some river rocks in the foreground and some mountains on the background. On apsc, if we shot the scene at f11, everything will be more or less in focus, however, on miniMF, we need to use f22 to achieve the same, I am uncomfortable shooting at f22 for any camera, worrying about diffraction, high ISO etc, so I either have to find a tripod and do focus stacking or just set f13, focus on mountains and accept foreground river rocks will be a bit out of focus.


At f/22 on miniMF diffraction is “smaller” relative to frame width than it is on an image shot at f/22 on a smaller format.

In round numbers, f/22 on miniFF is roughly similar to f/16 on FF and roughly similar to f/11 on APS-C. In a situation where the subject is in a flat plane or in which increasing DOF isn’t important (or counter to the photographers intent) none of these would be best choices. But in situations where increasing DOF is more important than maximizing detail in the plane of focus, all three could be the best option.

People often over-estimate the effect of the loss of maximum detail at small apertures to be seen in final output, particularly after competent post-processing.

As in virtually all things photographic, it is a matter of balancing competing priorities in ways that produce the desired result. In some cases this might be narrow DOF and/or maximum point sharpness in the plane of focus. In other cases it might be producing greater DOF and, in turn, a sense that the overall image is subjectively sharper.



Apr 10, 2024 at 11:07 AM
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