RustyBug wrote:
These two would make a great pairing for discourse on color vs. mono ... and how / why / where the eye gets drawn.
Definitely a "Classic Steve" for me.
Thanks Kent. In the old days, photographers like Meyrowitz and Winogrand sometimes carried two cameras around their necks, one with B&W film and the other with color. They liked to compare the results which can be quite different. Cost and difficulty of processing and printing in those days was a consideration. It sometimes is a conundrum, which way to go, and probably much a matter of personal taste. For me, I "see" in color for the most part, occasionally going to the "dark" side.
I really like both versions but the black and white lends itself well to the nostalgia of the pay phones.
Operator, oh, let's forget about this call
There's no one there I really wanted to talk to
Thank you for your time
Ah, you've been so much more than kind
You can keep the dime
-Jim Croce
Butchdog wrote:
I really like both versions but the black and white lends itself well to the nostalgia of the pay phones.
Operator, oh, let's forget about this call
There's no one there I really wanted to talk to
Thank you for your time
Ah, you've been so much more than kind
You can keep the dime
-Jim Croce
Your take much appreciated Butch, as well as the accompanying song lyrics, so funny.
eeneryma wrote:
Thanks Kent, and for the B&W suggestion. Here goes
Oh now this is special Steve! Not that the color one has any negatives, it is just how I saw public telephones and telephone booths when they were a part of the environment!
Super conversion!
Dan
