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p.2 #20 · p.2 #20 · New Cosina Voigtländer 50/1.2 for Fuji X announced for September | |
Juha Kannisto wrote:
This weekend I was able to shoot much more with the lens on both days so here are links to albums with a lot more samples. Most of them were taken at either f4 or f1.2 and a handful were on in-between apertures. I used C1 Pro to apply my preferred Fuji Film Simulations on them (some different ones depending on each photo) and I adjusted exposure a bit on some of them and exported the files from Raw. No other processing and I have all noise reduction turned off in C1 Pro.
On Saturday I shot a bit at Ebisu, then went to Ginza and walked back from there and took a lot of photos on the way. There were some bits of sunshine here and there but the weather wasn't as good as it was on Sunday.
Today (Sunday) I shot some local Matsuri action (traditional Japanese festivals around Shibuya) and some other stuff around Ebisu, Shibuya and Daikanyama. It was a bit hard to focus on the moving festival action fast enough with this manual focus lens on my X-S10 and some of my Matsuri action shot didn't have the focus exactly on target, but that was to be expected. Usually I'd shoot this kind of action with AF instead but this time I wanted to use the new lens.
Sunday: https://photos.app.goo.gl/okY2sY1zGy8MTFxA7
Saturday: https://photos.app.goo.gl/UGBr69JnyWnpY7Ye9
I'm very happy with the results I got with the lens. I also think it is very resistant to flare, I took some test shots directly at sun and there wasn't much loss of contrast or veiling flare at all. I didn't include those shots in these albums though. Looking forward to using the lens more ...Show more →
Thank you for sharing those samples, Juha! My copy of the lens performs similarly to yours in terms of resolution, contrast, and rendering. Regarding the rendering, I particularly appreciate the uncorrected spherical aberration when the lens is wide open. This effect is more noticeable at close distances but remains present at all distances at f/1.2 and f/1.4. It results in images with slightly lower contrast, which I find very pleasing for portrait photography.
The transition zone in the bokeh is not extremely smooth, which aligns with my preference. However, when focusing on a subject at close distances, the blur effectively smooths things out. At medium and long distances, I do observe some outlining, which adds a unique character to the images but doesn't become distracting. I believe the 50/1.2 lens has a bit more character compared to the 75/1.9 Ultron. I plan to conduct a side-by-side comparison to further evaluate their differences.
I'm glad Cosina developed compact lenses with more character for the X-mount differentiating itself from the well-corrected, modern and also impressive Fuji AF lenses.
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