"We''re trying to set a tone to let other cinematographers and directors even take it further but keeping within the syntax of the show,” notes Cameron. Daytime interiors and exteriors were captured with KODAK VISION3 50D Color Negative Film 5203 while everything else was shot on KODAK VISION3 500T Color Negative Film 5219 and KODAK VISION3 250D Color Negative Film 5207. "I've been using 7219 for years and only push it half a stop. I know when my eye sees something what's going to render and what color is going to fadeaway more. 5203 is one of the most perfect film stocks ever made that is virtually without any grain; the color rendering of skin tones and the contrast is absolutely gorgeous."
p.2 #9 · Wes Anderson's Asteroid City shot on film
ottokbre wrote:
OK I take it all back Oppenheimer is the film photographer's movie. All that blown out Double-X and saturated interiors shot on Vision3. Wow.
I’m going to try to see it in the next couple of days.
