fredmiranda.com
Login

Moderated by: Fred Miranda
  New fredmiranda.com Mobile Site
  New Feature: SMS Notification alert
  New Feature: Buy & Sell Watchlist
  

FM Forums | Canon Forum | Join Upload & Sell

1       2              4       5       end
  

Archive 2022 · Has anyone regretted moving to an R7?

  
 
Jeff Nolten
Offline
• • • •
Upload & Sell: Off
p.3 #1 · Has anyone regretted moving to an R7?


To be fair the R5/6 have the same AF areas as the newer bodies and enable tracking limited to that area if servo is on. They lose eye tracking in these limited areas. The spot, single, and surrounds don't have tracking with servo, but the full area face and eye tracking can be configured to start its search from a single point. Seems like I've spent the last month studying all this.


Dec 20, 2022 at 03:03 PM
rscheffler
Online
• • • • • •
Upload & Sell: Off
p.3 #2 · Has anyone regretted moving to an R7?


Jeff Nolten wrote:
Seems like I've spent the last month studying all this.


Yeah, me too!

The big deal for me was the ability to toggle across multiple potential subjects the camera detects, but especially the ability to quickly switch which eye it's focusing on, because inevitably with the R5/6 I found about a third of the time it would pick the far/back eye instead of the near eye. And if the situation is consistent, you can assign the camera to focus on only the left or right eye every time. Though I have not yet had a situation to use this.

But most of the time I still use the R6II the same way I had the R5/6 configured: AF-ON BBF without subject/face/eye detection/tracking and * button with full area subject/face/eye detection/tracking starting from the manually positioned AF point.



Dec 20, 2022 at 03:27 PM
soccerphotos
Offline

Upload & Sell: On
p.3 #3 · Has anyone regretted moving to an R7?


rscheffler wrote:
What sports do you shoot (other than soccer), what lenses do you currently use with the R7? And what do you feel is holding you back with the R7?

The sports I primarily photograph are football and hockey and am coming from a 1DXII and 200-400 as my primary sports system. This fall I borrowed the R3, 5 and 6 FF mirrorless cameras from CPS, as well as the R7.

The R3 is the best overall experience with the fewest compromises. Its EVF feed is the smoothest and closest to an OVF experience and you can use e-shutter for virtually everything
...Show more

Thank you for this detailed response. I really would like to get the 200-400 to become my main lens. While I love the 300mm and have a chance at a RF400mm F/2.8, if I can make the 200-400 my main lens that would make my life a lot easier. I'm concerned at giving up the F/2.8 during night games (but have been told by a newspaper sports photographer that if he could get an R3 for his 200-400, he would use that and not his 400mm F/2.8)

I mainly shoot soccer, but also shoot football and baseball and just recently have done some hockey and basketball. Basketball i'd go with the 70-200. I did hockey with the 70-200 and it was ok, but felt I wanted more reach at times.

I would agree on the R7 and shutter role. I don't use the Electronic shutter because of this. I lost a few really good action shots on goal due to the ball being off and that really frustrated me.

Having lens just setting around bother me. I don't like the two camera set-up and those the interest in the 200-400. If the R5 or R3 is the way to go, I'd rather spend some cash on that and really lock in a good set-up. Having never shot a FF, perhaps that is also my concern and why I went with the R7 - which besides being a little less impressive at the night games - I have liked overall. But, my budget is able to go with a better camera if it helps my overall set-up.

From what you wrote - perhaps the R3 is way to much camera for what I need but would also keep me from being frustrated at night and allow me to not have to go with a prime or two cameras at night.

The R5 is really interesting with the 45mp but if the R3 stacked covers me and the 24mp is fine, then i'm good too.

The idea of the R6M2 i have to look into now.






Dec 20, 2022 at 03:29 PM
Pinky Boy
Offline

Upload & Sell: Off
p.3 #4 · Has anyone regretted moving to an R7?


My friend bought one and returned it the next day, the shutter sound drove him nuts
I have to admit it's quite distracting for a MILC camera, and because the readout is so slow, you can really use the electronic shutter much



Dec 20, 2022 at 04:04 PM
rscheffler
Online
• • • • • •
Upload & Sell: Off
p.3 #5 · Has anyone regretted moving to an R7?


@soccerphotos Because it's a big shift in equipment, I'd still suggest a transition period to be sure it's working for you.

As I think I mentioned, I used various 400/2.8s for decades. They are technically sharper than the 200-400, particularly with TC use, and the newer ones rack focus faster. This is also a technical discussion forum where sometimes technical qualities are given higher priority than they may deserve in actual use, which is where some experience with all of these options really helps a lot.

Bottom line, I will never go back to super-tele primes (for sports in non-reach limited situations) if I have a choice because of the flexibility and convenience the 200-400 offers at very similar image quality. When I first got the 200-400, my game coverage productivity with it increased considerably because I could cover more of the field faster than with a prime. And that flexibility was particularly valuable with the 'low' resolution of 18-20MP at the time.

The R5's increased resolution basically lets you crop a ~20-24MP vertical frame out of a full horizontal image, so that's something going for it. But it does nothing for you when the action is too close for whatever prime you're using. You could pair it with another R5 and 70-200 for near action and crop that as needed.

But you still have the limitations of its non-stacked sensor with respect to peak fps rates (if that matters to you), or potential e-shutter distortion, for the sports you're shooting.

I'd say the R3 because of the potential variety of sports, the budget allows (I feel like you'll eventually end up with the R3 anyway, so just cut to the chase), but also because your primary focus appears to be soccer. That big, perfectly round ball is going to be brutal with any non-stacked sensor camera in e-shutter mode (same with basketballs, baseballs, bats and hockey sticks). And I think even the R3 may possibly show some distortion if the speed of the object is fast enough.

Based on various online tests and what I've seen myself with the R6II compared to the R5 and R6, while the R6II has faster sensor readout, it's not two or four times faster, where it would make a real difference. It's something around 1/80 vs. 1/60 for the R5 and 1/50 for the R6, IIRC. So, for my requirements shooting football, because the ball is oblong and often not in the air, some distortion is acceptable and not overly noticeable. Where I see it most is when the football is kicked on punts or kickoffs. Given that soccer balls are kicked, sometimes at tremendous force, it's precisely the 'danger' area where non-stacked e-shutter fails. When I shoot hockey, I use EFCS and low fps rates because I'm doing on-site sales with print on demand. No one wants to look through a long 20fps burst of someone else's kid. So I totally avoid e-shutter there.

In respect to 'reach' with APS-C vs. FF, you should also consider the quality of the images you'll get when the action is far away, vs. closer.

There are a bunch of variables to this too, like if it's outside, if it's hot and sunny, if it's a game on artificial turf (which most teams/schools now use) instead of natural turf and what the background looks like.

Artificial turf on a warm, sunny day will result in a lot of heat radiating off the turf, which degrades image sharpness the farther away the subject and the longer the lens. (It can also happen in the winter. What is important is if there is significant heat differential causing atmospheric distortion.) And at such distances, the ratio of camera to subject to background distances shifts the subject closer to the background, resulting in less background blur and subject isolation. So while you'll have more reach with the R7 or R5, the aesthetic qualities of the photos won't be as appealing compared to when the action is closer on the near half of the field where you'll benefit from more background blur for better subject isolation (and the 'pro' look to the photos), and less atmospheric distortion caused by heat radiating off the field.

There are a bunch of considerations for each sport, venue, time of day, but in general my opinion is that action looks better when it's closer to you, within the 'sweet spot' of the lens. And with the 200-400, you have a larger sweet spot to work with. A crop sensor is the same as cropping the same area out of a FF image. To avoid cutting off subject content when you make the crop, the subject either has to be farther away, or you use a wider focal length, both of which diminish background blur. With FF, you can shoot tighter with longer lenses and the subject closer to you, thus blurring the background more.

This generally assumes your intent is making 'pretty' photos of game action and are not required to capture all key game moments. If this is the case, then you have the luxury of being more picky about where you position yourself, what areas of the field you cover and the type of action.

Also, while the 200-400 is very flexible, it isn't necessarily ideal for some sports. For example, if you can only shoot hockey through the often very beat up glass, stick with a 70-200 or 24-105 and wait for the action to come closer. If the rink has camera cutouts, the 200-400 is too physically wide to comfortably use those and you're better off with a more conventional lens. All of the youth hockey I shoot is from the benches, and there the 200-400 covers both goals and most of the ice very nicely. But I give up the attack coming right at me across center ice. For basketball I'd only use it for far court action, but then you run into the messy background situation again (which may or may not be important to you).

Bottom line is that whatever you decide will be based on a number of priorities and compromises. There isn't one absolute best solution. IMO, you take what you have and tailor your coverage to the strengths of your equipment (if you're able to pick your shooting positions to do so). That might mean you ignore far field action, or anything that is closer than a certain distance.



Dec 20, 2022 at 04:24 PM
soccerphotos
Offline

Upload & Sell: On
p.3 #6 · Has anyone regretted moving to an R7?


rscheffler wrote:
@soccerphotos@ Because it's a big shift in equipment, I'd still suggest a transition period to be sure it's working for you.

As I think I mentioned, I used various 400/2.8s for decades. They are technically sharper than the 200-400, particularly with TC use, and the newer ones rack focus faster. This is also a technical discussion forum where sometimes technical qualities are given higher priority than they may deserve in actual use, which is where some experience with all of these options really helps a lot.

Bottom line, I will never go back to super-tele primes (for sports in non-reach
...Show more

I truly respect you taking the time for that detail feedback. It helped make what I was leaning to the option I'm going with - and that is the R3 (as you mentioned, I was likely going to end up there anyway). For the sports I'm covering this gives me the greatest flexibility and options. Thank you again for the feedback.




Dec 20, 2022 at 04:54 PM
rscheffler
Online
• • • • • •
Upload & Sell: Off
p.3 #7 · Has anyone regretted moving to an R7?


soccerphotos wrote:
I truly respect you taking the time for that detail feedback. It helped make what I was leaning to the option I'm going with - and that is the R3 (as you mentioned, I was likely going to end up there anyway). For the sports I'm covering this gives me the greatest flexibility and options. Thank you again for the feedback.


Glad I could help (spend your money! ). If you're still tempted by higher resolution, then perhaps wait for the R5 replacement. But chances are it will not be stacked sensor and no guarantee it will have significant rolling shutter improvement. Given the Sony a1 has been out for some time, and now also the Nikon Z9, I'd be really surprised if Canon doesn't release a similar resolution stacked sensor camera sooner than later.

When I used the R5 for football, I didn't think the higher resolution made a huge difference in the conditions I used it, which were not full sun, nor ideal for achieving really high shutter speeds (1/4000 or more). The higher resolution just seemed to show more micro-blur from subject movement. At least for me with sports photos, I'm not after the level of absolute sharpness that many bird/wildlife photographers are with feather and fur detail. That said, a 45MP image downsized to 24MP, all else being equal, will look sharper. But you have to weigh that against the various pros and cons of each camera.

I think with the R3 you're going to be 'OMG this is fast!' the first few times, but you'll get used to it and then want something even better, eventually.



Dec 20, 2022 at 06:38 PM
Jim McCann
Offline
• • •
Upload & Sell: Off
p.3 #8 · Has anyone regretted moving to an R7?


Soccerphotos,

I shoot predominantly outdoors subjects like fly fishing, bird dogs/hunting, and wildlife, with only occasional portrait work. I've always had three camera bodies available to me over the last 40 years and I haven't changed my expensive ways. When possible I'll be shooting with an R5, but I like having the R7 available for extra reach.



Dec 20, 2022 at 07:17 PM
bobbytan
Offline
• • • • • •
Upload & Sell: Off
p.3 #9 · Has anyone regretted moving to an R7?


I avoided any buyer’s remorse by canceling my pre-order with B&H after waiting about 2 months or so. I had thought about replacing my R5 with the R7 but eventually decided I am really better off with my R5. No regrets there!


Dec 23, 2022 at 10:50 AM
Zenon Char
Offline
• • • • • •
Upload & Sell: Off
p.3 #10 · Has anyone regretted moving to an R7?


bobbytan wrote:
I avoided any buyer’s remorse by canceling my pre-order with B&H after waiting about 2 months or so. I had thought about replacing my R5 with the R7 but eventually decided I am really better off with my R5. No regrets there!


I doubt I would have replaced my R5 for the R7 but my combo now the R7 and R6II.



Dec 23, 2022 at 01:06 PM
macentropist
Offline
• • •
Upload & Sell: On
p.3 #11 · Has anyone regretted moving to an R7?


Zenon Char wrote:
I should add. For a hobby photographer part of the fun is getting a new toy.


I loved my 90D, butt the R7 kicks its ass

It focuses ffs



Dec 23, 2022 at 01:33 PM
Gochugogi
Offline
• • • • • •
Upload & Sell: Off
p.3 #12 · Has anyone regretted moving to an R7?


I just sold my 90D and, while the R7 certainly has better video and AF, R7 and 90D still image quality are pretty much the same. I miss the 90D optical VF when shooting on the beach, but most of the time the EVF is fine, especially as light gets dimmer.


Dec 23, 2022 at 01:45 PM
Jeff Nolten
Offline
• • • •
Upload & Sell: Off
p.3 #13 · Has anyone regretted moving to an R7?


Because of the M6II I purchased the 90D. Because of those two I bought the R7. I then sold the M, my wife's 77D and my now double backup 80D. Because of the R7 I bought the R5. This makes the 6D2 double backup so it'll probably get sold along with some more EF lenses. My 90D and 5D4 will remain backups for the foreseeable future along with my core EF, EF-S lenses. They all work so well.

I'm happy with this transition, no remorse. My wife and my travel kit is smaller, lighter, and more capable, expanding the shooting situations. The image quality should be as good, but it will probably take me 6 months to a year to fully evaluate. I'm slow. I'll only sell my EF stuff when it is truly lonely from lack of use.

An example of the expanded capability: I'll probably sell my TSE 24 II which should reimburse me for the RF 14-35. Logic, the TSE is basically a 15 mm lens that one can move the focal area around in. The 14-35 on the R5 with its 45 MP will let me crop around in a 14 mm image just as well. Tilt function? Well, focus stacking. And I'm much more likely to have the 14-35 or perhaps the 16 with me. I can easily crop the 16 to a 24 FOV fitting nicely against my 24-105. Well, that's the theory. It will take me a while to see if this works to my satisfaction.



Dec 23, 2022 at 02:31 PM
EB-1
Online
• • • • • • •
Upload & Sell: Off
p.3 #14 · Has anyone regretted moving to an R7?


Jeff Nolten wrote:
I'll add that EB-1's comments in various posts got me investigating the R5 over the R6II. I'll use the R7 more than he will it appears.


I will be doing another trip soon with a different setup than what I used this summer, namely the 500/4 instead of the 600/4 (before I had an R7). I expect to use the 500/4 +1.4x on the R7 more for maximum reach. We'll see how the percentages add up. Air quality becomes a limiting factor much of the time for distant subjects with long teles, TCs, and hi-res bodies.

Another issue is that I'm not so focused on low weight. However, I am short waisted and don't prefer most of the taller packs needed for the 600/4 lenses.

EBH



Dec 23, 2022 at 09:41 PM
armd
Offline
• • • •
Upload & Sell: Off
p.3 #15 · Has anyone regretted moving to an R7?


EB-1 wrote:
I will be doing another trip soon with a different setup than what I used this summer, namely the 500/4 instead of the 600/4 (before I had an R7). I expect to use the 500/4 +1.4x on the R7 more for maximum reach. We'll see how the percentages add up. Air quality becomes a limiting factor much of the time for distant subjects with long teles, TCs, and hi-res bodies.

Another issue is that I'm not so focused on low weight. However, I am short waisted and don't prefer most of the taller packs needed for the 600/4 lenses.

EBH


I'll be interested to hear your experiences. FWIW, I didn't have a lot of great success with any EF lenses adapted to the R7 though perhaps the later FW's improve the situation. The 500 f/4 IS II in particular was not as good as the same lens+1.4tc on the R5. I much prefer the 100-500 on the R7 though the f/7.1 is a killer for lower light.



Dec 23, 2022 at 11:20 PM
Jeff Nolten
Offline
• • • •
Upload & Sell: Off
p.3 #16 · Has anyone regretted moving to an R7?


EB-1 wrote:
I will be doing another trip soon with a different setup than what I used this summer, namely the 500/4 instead of the 600/4 (before I had an R7). I expect to use the 500/4 +1.4x on the R7 more for maximum reach. We'll see how the percentages add up. ...


I'll be interested in your experiences as well. I have never used any of the big white primes. I found my R7 worked well on the EF 100-400 but IS is better with the 100-500 as expected. I also used it with the EF 24-70 f4 with new puppies and the tracking worked well. I really like it with the EF-S 10-18 and 35 macro though these are not pro lenses. I'll use it most with the RF 100-400. For me IQ vs weight is always a tradeoff.

Every new camera is an experiment.

Edit: I'll add that I've been playing with the kit 18-150. It is not a bad lens, on par with the EF-S lenses. It is slow at longer FLs but is still f5.6 at 60 mm (100 mm equiv). It also focuses extremely close at this FL, greater magnification than at 150 mm. Paired with the RF 100-400 it weighs just 3.4 lb or 3 ¾ with the RF 16 f2.8. I know this is of no interest to the L prime crowd but it makes for a very capable day hiking combo, especially considering its focus stacking and panorama abilities. I'd love it if Canon came out with an RF-S 11-22 equivalent to the EF-M version. I'm afraid that if they ever did, they'd dumb it down as seems their habit with "consumer" lenses.

⬇︎ Also note that it is still a.m. Xmas eve here. ⬇︎

Edited on Dec 24, 2022 at 01:09 PM · View previous versions



Dec 24, 2022 at 12:54 AM
EB-1
Online
• • • • • • •
Upload & Sell: Off
p.3 #17 · Has anyone regretted moving to an R7?


armd wrote:
I'll be interested to hear your experiences. FWIW, I didn't have a lot of great success with any EF lenses adapted to the R7 though perhaps the later FW's improve the situation. The 500 f/4 IS II in particular was not as good as the same lens+1.4tc on the R5. I much prefer the 100-500 on the R7 though the f/7.1 is a killer for lower light.


What was the issue, the AF or other?

EBH



Dec 24, 2022 at 12:32 PM
Zenon Char
Offline
• • • • • •
Upload & Sell: Off
p.3 #18 · Has anyone regretted moving to an R7?


So I have to ask. I was aware of the loud shutter. I can feel it vibrate through the lens into my hand. I'm assuming this is normal. I'm OK with it as I've read about how to minimize the effects. I've done some tests at home and getting sharp results.


Dec 24, 2022 at 01:45 PM
Zenon Char
Offline
• • • • • •
Upload & Sell: Off
p.3 #19 · Has anyone regretted moving to an R7?


Zenon Char wrote:
So I have to ask. I was aware of the loud shutter. I can feel it vibrate through the lens into my hand. I'm assuming this is normal. I'm OK with it as I've read about how to minimize the effects. I've done some tests at home and getting sharp results.


Mine sounds the same as this.

https://www.diyphotography.net/this-is-what-the-canon-eos-r7-shutter-sounds-like/



Dec 24, 2022 at 02:15 PM
EB-1
Online
• • • • • • •
Upload & Sell: Off
p.3 #20 · Has anyone regretted moving to an R7?


The body is lightweight and flimsy, and operating with a 15FPS shutter. I don't think it is particularly loud/vibrating considering those attributes. The R5 is more solidly constructed and 12FPS.

EBH



Dec 24, 2022 at 05:03 PM
1       2              4       5       end




FM Forums | Canon Forum | Join Upload & Sell

1       2              4       5       end
    
 

Welcome back
Log in to your account