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Archive 2019 · Why Nikon?

  
 
Oscarsmadness
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p.6 #1 · Why Nikon?


I started on my dad's FM2. I did try Canon when I did stuff for the school newspaper back then, and I was quite impressed (this was during the glory days of the 5D II). The economics of switching was not favorable for me then, so I stayed with Nikon.

Fuji does look appealing these days though. I've been wanting some happy medium between my iPhone and my heavy FX format moneymaking equipment.



Mar 02, 2020 at 03:15 PM
dan8103
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p.6 #2 · Why Nikon?


Wow. What a memory drill here.
I was given a Kodak Signet 35mm for my 8th grade graduation (‘68). My parents did a 50-50 match with earnings from my first job to buy a mamiya/sekor 500TL SLR (‘70). First enlarger here.
I bought my first Nikon F, 50mm f/2, and a Gossen Luna Pro in 1972.
Later, FM, FE2, F3HP. Rode those last two till late ‘90s.
Life curtailed my photgraphy until 2012, started back with D7000, sold for D600 (a good one with no sensor issues). Lastly, D750 and D810.

Oh, why? I’d always wanted a Nikon since high school.



Mar 04, 2020 at 09:32 AM
hatch1921
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p.6 #3 · Why Nikon?


Shooting history/camera bodies
1. Canon 20D
2. Canon 5D
3. Canon 5D2
4. Canon 5D3
5. Canon 5DS
6. Nikon D850

I sold off most of my Canon gear...the 5DS at the time and most of the lenses. I wasn't shooting at the time with a focus on school/work/life. This afforded me the opportunity to explore other brands. The initial plan was to go with Sony and the A7R3. The thought of being able to shoot adapted lenses was/is appealing. I picked up the Sony and the ergonomics...it was a "no go" for sure. I didn't like the way the camera felt in the hand. This pointed me in the direction of Nikon. I picked up the D850..it felt great in the hands and the feature set was above and beyond anything Canon had on the market. I love the D850 and hopefully...Nikon will come out with a mirrorless version of the D850 or better in the near future. So far... no regrets making the move to Nikon. The D850 is fantastic IMO.

Just my $.02
Hatch




Mar 04, 2020 at 10:09 AM
anitrone
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p.6 #4 · Why Nikon?


I've had a Sony DSC-F707 and a Canon Rebel just didnt enjoy making photos, the feel just wasnt there.

After learning about Nikon I've just always loved the feel of a Nikon in my hands. I've had everything from the FE, FA, FM, and F3HP.

The D70 was my first move into digital with Nikon along with the kit lens. It served really well until I found about about prime lenses. The moment I got the 50mm F1.8D I never liked the idea of zooms again.

Then I just started falling in love with vintage MF lenses. The character and feel of focusing manual slowed me down. It helped me to really see what Nikon was doing years before with their glass.

Ever since then I've had a D80, D90, D2X, D2H, D200. When the DF came out that fueled my journey to explore even older Nikon glass (FF) which created a style in my photography that I still love today. I still have two D200's my Df and have since added the D800 a few years back. I shoot a selection of MF focus "vintage" lenses (55mm F/1.2, 50mm F/1.2, 105mm F/1.8) along with my collection of love for the D lenses (85mm 1.4D, 28mm F1.4D, 180mm F/2.8D, 135mm F/2D and 300mm F2.8D) the newest lens I have in my kit is the 58mm F/1.4G.

I've had this particular kit for quite some time and it still brings me joy. The old school lenses with the Df and D800 have this look that I just want to keep for as long as possible. SO I guess to sum up, Nikon just compliments the look and feel I desire in my photographs.

Edited on Mar 08, 2020 at 08:17 PM · View previous versions



Mar 04, 2020 at 10:41 AM
guyharrison
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p.6 #5 · Why Nikon?


Started in college with an FE2, one my favorite cameras ever. After a few years moved to an F2AS which allowed me to master manual exposure. Then moved to an F3HP, and took my first foray into autofocus with the F4.

A couple years later, Canon introduced the EOS system, followed a year and a half after that with the pro level EOS 1 and "L" lenses. This was the first true "revolutionary" advance in modern photography. Yes, Canon did not "invent" AF or AE, but they implemented them at such a high level that it was qualitatively different than anything before, as was their body ergonomics. The EF mount, with communications for motors in the lenses driving AF and aperture at lightning speed, was light years ahead of anything going at the time. The huge lens mount allowed incredible optics never seen before: 20-35 2.8 zooms, the tilt shifts, 28-80 2.8, the 1.2s, the big white superteles (I had the original 14 pound 400 2.8), the first purposefully high quality superzoom (35-350 L, followed by 28-300, which I owned both). I and pretty much everyone I knew in the landscape/nature realm switched in droves, as did almost all sports photogs. This, in fact, was Nikon's downfall as market leader, and something it never recovered from.

I was slow to adopt digital, but took the plunge with the 5DII. I was amazed that great looking video could come from my stills camera. Again, Canon staying ahead. But, I also learned that where with film the camera body was a "box" for focus and exposure only, with digital the body was also the 'film" and so the sensor was not just a big but the most important part of the deal.

When I wanted to upgrade, the D800E had been out for a while. I used one and was really amazed at the quality of the files coming from that camera. Then, Nikon introduced the D750 which was the best low light/low noise camera made at the time. Both of these were way better "film" than anything Canon was doing. Nikon had been doing catching up on the lens side over the years, and was not longer lacking compared to Canon for the things I do.

So, after some agony, I switched back to Nikon about 5 years ago. It was a great choice for me and what I do. I now have the D850 and D750 and an assortment of fine lenses and I am thrilled with the image quality.

I am not too impressed with the Zs at this point (rented a z7 for a week), so no plans for Nikon mirrorless for now. I don't see anything about "mirrorless" that is comparable to the revolution that the EOS system presented, except, maybe, the A9 (which I rented) which is indeed a revelation in high speed shooting. Lots of my wildlife friends are switching to that one.



Mar 05, 2020 at 09:53 AM
Edgy01
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p.6 #6 · Why Nikon?


I chose a Nikon F in 1970 because it came down to two system manufacturers—Canon and Nikon. At that time the majority of pros were using Nikon. I chose a new Nikon F and started with a standard prism—no meter—a wise choice as it forced me to learn exposure values. Eventually got an FTn meter and stayed with a Nikon because every lens I bought continued to fit all the Nikons. By the early 1980s I bought an F3 and by the late 1990s, an F5. I then bought a Nikon D2X and then a Nikon D3 and lastly a Nikon D3S.

In parallel to Nikon I have Leica rangefinders, R bodies (Leicaflex SL and SL2 mots) and Hasselblad V bodies and lenses by Zeiss. My Nikons are essentially my work cameras. The continuity of the lens mount is extremely important to me, ultimately allowing me to use lenses I bought decades ago on the latest digital Nikon SLR.



Mar 08, 2020 at 09:12 PM
D3 Ray
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p.6 #7 · Why Nikon?


I've had a D70, D3100, D90, D5100, D3, V1, D2X, D50, J4, D3S, and a D800. I've owned too many lenses to list. Nikon has a camera and lens for any situation and it's all I really know. No reason to switch.


Mar 09, 2020 at 09:31 PM
Sauseschritt
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p.6 #8 · Why Nikon?


LeifG wrote:
The Canon true macro lens has the advantage that it is far more compact than a Nikkor on bellows, and the optics are working within the design range unlike the lens on bellows. I’ve owned and used the Nikon 85mm and 24mm TS lenses, and the quality is rather good. Nikon macro lenses are rather good too. However, we digress.


I didnt said Nikon T/S themselves would be outright bad. The Nikon originals, as far as I can tell, are the best T/S for the Nikon F system.

But I said Canon T/S are superior.

The Nikon ones are less well corrected (very important for T/S, because lens errors are obviously hard to correct in post production once you have tilted or shifted), cannot be tilted and shifted independently, and they cant be fully used on cameras with a builtin flash.

Thus, for T/S, Canon F is clearly preferable. Or any full frame mirrorless with a Canon EF adapter, of course.



Mar 10, 2020 at 05:53 PM
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