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Voigtlander 50mm f/2 APO-Lanthar Review

  
 
Nifty Fifty
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p.105 #1 · Voigtlander 50mm f/2 APO-Lanthar Review


It's certainly not just sharpness and contrast; other factors like insufficient corrections also play a role. In any case, for me at least, simply reducing sharpness and contrast in Lightroom isn't enough. An image from the 1.2 50 GM still looks different from one from the Nokton 1.2 50.
I know it sounds paradoxical, but the Nokton seems somehow "less digital," at least at wide apertures. But of course, these are purely subjective impressions.



Mar 30, 2026 at 10:37 AM
Jonas B
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p.105 #2 · Voigtlander 50mm f/2 APO-Lanthar Review


I mentioned this somewhere else: The CV 50/2.0 APO is a lens you use when in need of near technical perfection. It's not a lens for subtle artsy nuances.


Mar 30, 2026 at 11:15 AM
RoamingScott
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p.105 #3 · Voigtlander 50mm f/2 APO-Lanthar Review


Jonas B wrote:
I mentioned this somewhere else: The CV 50/2.0 APO is a lens you use when in need of near technical perfection. It's not a lens for subtle artsy nuances.


That's a silly, limiting way to think about gear.

You should always know the UPPER limit of any particular thing, but that doesn't mean it needs to be pigeon-holed to just that.



Mar 30, 2026 at 11:20 AM
Jonas B
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p.105 #4 · Voigtlander 50mm f/2 APO-Lanthar Review



Jonas B wrote:
I mentioned this somewhere else: The CV 50/2.0 APO is a lens you use when in need of near technical perfection. It's not a lens for subtle artsy nuances.



RoamingScott wrote:
That's a silly, limiting way to think about gear.

You should always know the UPPER limit of any particular thing, but that doesn't mean it needs to be pigeon-holed to just that.


Well, right here that's kind of a silly comment:
Why do you think I recommend the APO for near perfection use only? Check the context and you'll find that my post is a comment to the dialogue between Yogifi, Nifty Fifty and perhaps also Jorge T.
And again, no, you can't replicate the 50/1.2 rendering by playing with sharpness and contrast. If you have a recipe please let us, or me, know.



Mar 30, 2026 at 11:37 AM
Yogifi
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p.105 #5 · Voigtlander 50mm f/2 APO-Lanthar Review


Took it to the beach to see if I was getting the moire with this uv filter. Tiny tiny bit (need to zoom in loads to see a faint hint). So far so good with urth but the river back home is probably a better test with the sorts of ripples that I know trigger it. I'll bring the supect filter too.






^ i see the dust spot, not to worry, f5.6






^ f2, nokton would have done a tad better here...possibly, at least a touch with the background, dunno about the stones though, especially front-left.






^ f3.5 with some preset slightly tweaked

I dunno man, it's nice when the scene is nice. When it's messy, it's better to get some blur in the background. That probably applies for everything but even more so when the mess is ultra sharp and high clarity.

The ones that triggered my rant were definitly nothing remotely good just testing the new copy of the lens around and that might have contributed.

I was thinking about the cv classic nokton 1.4 for 35mm (digital) as it's sure to capture more mess in average walkabout shots with the wider focal length. A bit less detail even stopped down I imagine, gelling with colour-shifting presets a bit better. I felt that was the case with the presets when I was trying the vintage 35mms.
Whereas with this it's a bit harder to get away with, with my current skills anyway, f5.6:







I think film is quite nice with scenes that are a little messy (poor composition? ). Been taking a whole bunch with the fm2n while here, first time out properly with it. Let's see.

But every click is like, that's -£1 ... -£1 ... -£1 ... -£1 ... xD. It's fine, too many years without any good quality photos (especially of family), time to catch up.

Anyway, maybe this image shows what I mean about a sharp mess more, f5.6 export without edit from lightroom, camera standard profile:






The photos that triggered the rant look a lot like that one. A bit unnatural contrast, dark shadows, some of the colour saturation (made worse by the colours themselves). Adding a bit of magenta (whoops) and toning things down (including the corners and edges) helps:







But tough to get right (more natural & less offensive) for me. I dunno. Maybe it comes out better with Nikon colours or something.

Let's see, still early for me, not in any rush and I love the feel of using it - possibly my favourite on that front so far - though again, find it easier to focus the nokton 50/1.2 from what I see in the viewfinder for some reason. No where near as difficult as with the simera 28 though - the peak mode helped when stopped down today.
The lens characteristics, particularly uniform sharpness and I think slower falloff, definitely helps with certain shots, they just need to be better composed maybe and then some improved post processing skills to dial it in/back/up and around.



Mar 31, 2026 at 04:02 PM
Ripolini
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p.105 #6 · Voigtlander 50mm f/2 APO-Lanthar Review


NIKON Z5 II w/Z CV 50/2 Apo-Lanthar; all @ f/2:








Apr 06, 2026 at 02:54 PM
Yogifi
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p.105 #7 · Voigtlander 50mm f/2 APO-Lanthar Review


The APO is good for scenes with people as well. I stand a little further back and capture the scene rather than how I tend to shoot the noktons. Something like this:







Uniform and high sharpness of details are a plus here, and with the pretty smooth blur of the bg and clean-ish scene it's not overwhelming.
I lifted the blacks in the tone curve - probably too much - but not much else (just tweak the blue guard rail to be slightly less offensive).

Think I need to get a better hang of the type of shots and scenes that suit the lens I've got that day, and more familiar with subtle but effective tweaks in posts for different grievances. Maybe as dust builds up inside the lens with time it calms down a bit too

Will get a chance to use it for some nature scenes soon-ish, which I think is what it's actually for. But will see how it holds up for walkabouts too since I may have ruined my film with the new CT scanner at the airport.

Edited on Apr 08, 2026 at 12:54 PM · View previous versions



Apr 08, 2026 at 02:16 AM
Knut.
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p.105 #8 · Voigtlander 50mm f/2 APO-Lanthar Review


Yogifi wrote:
The APO is good for scenes with people as well. I stand a little further back and capture the scene rather than how I tend to shoot the noktons. Something like this:

https://i.postimg.cc/7qcVLHbJ/DSC07458.jpg

Uniform and high sharpness of details are a plus here, and with the pretty smooth blur of the bg and clean-ish scene it's not overwhelming.
I lifted the blacks in the tone curve but not much else (just tweak the blue guard rail to be slightly less offensive).

Think I need to get a better hang of the type of shots and scenes that suit the lens I've got that
...Show more

I always find that -even with this very sharp lens- Voigtländer gets it right with the bokeh. Of course the Noctons are better, but the Apo Lanthars are not really bad either.



Apr 08, 2026 at 10:56 AM
Ripolini
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p.105 #9 · Voigtlander 50mm f/2 APO-Lanthar Review


Knut. wrote:
I always find that -even with this very sharp lens- Voigtländer gets it right with the bokeh. Of course the Noctons are better, but the Apo Lanthars are not really bad either.


Yes, I prefer the 50/2 to the 35/2 AL bokeh, though.The Zeiss ZF.2 35/2 that I sold wasn't quite as sharp, but w/open it produced better bokeh.



Apr 08, 2026 at 11:18 AM
 


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RexGig0
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p.105 #10 · Voigtlander 50mm f/2 APO-Lanthar Review


I bought my Cosina-Voigtlander 50mm APO Lanthar VM, mostly, for the times I need to be able to shoot at 50mm, without waiting for perfect direction and quality of light. One such occasion would be harsh morning or late afternoon sun, filtering through the sprawling branches of the locally-common Live Oaks, at the angles that would activate the "character" of my Summilux-M ASPH or Summicron-M 50mm lenses*. Much southern Texas socializing occurs in the dappled shade of such trees. I was already able to do this, at 35mm, with the Zeiss Distagon 35mm f/1,4 ZM, so, knew what to expect of a Cosina-manufactured lens.

The APO Lanthar VM seems to be even better-coated than the Leica Summicron-M 50mm ASPH, according to some comparisons I have seen, posted on-line.

The APO Lanthar makes sense as a travel lens, when it might be used to shoot a series of images that will be stitched together, to create a panorama. Uniform character, throughout the image, is desirable for this. I have not yet stitched, in this way, but appreciate the capability. (In principle, my crime scene images were often shot this way, though to be viewed as a series of "normal perspective" prints, rather than stitched to create one panoramic image.)

Another such occasion, potentially, would be to document a crash scene, crime scene, or such incident. I retired from my public service career, eight years ago, but I was trained for this type of photography, and, well, civic duty can still "call upon" us. "A picture is worth a thousand words," but, I need to able to assert, under oath, if necessary, that my images are true and correct, or, if not, be able to explain any "character" present in the images, or testify as to what is obscured by flare.

*One can never have too many 50mm lenses.



Apr 08, 2026 at 11:30 AM
Ripolini
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p.105 #11 · Voigtlander 50mm f/2 APO-Lanthar Review




Nikon Z5 II w/Z CV 50/2 Apo-Lanthar @ f/2, 1/5000 s, 100 ISO



Apr 08, 2026 at 11:56 AM
Yogifi
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p.105 #12 · Voigtlander 50mm f/2 APO-Lanthar Review


Some snaps from a walkaround today
f2.8





f5.6





f2.8





f2.8





f2.8 (should have tried f4 - f8. f2 is okay for creamier foreground if it's right up close)





f2.5






It's really good at capturing the fine details in the grass, trees, stone, crispness of the shadows. Especially the trees and grass that's wicked. I want to do some of the fields here.
With the light here, sometimes the colours of the vegetation look a bit off with the green/yellow/orange like slightly too much orange/yellow, too dark green. The first shot I tweaked a little as it was too much. Not quite sure, hopefully will figure it out.

It's a very impressive lens with the detail at lower apertures. I know everyone knows this already, even I know it but seeing the leaves when zooming in even with the a7cii, it's kind of nuts.

Edited on Apr 09, 2026 at 03:21 PM · View previous versions



Apr 09, 2026 at 01:39 PM
RoamingScott
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p.105 #13 · Voigtlander 50mm f/2 APO-Lanthar Review





Apr 09, 2026 at 03:14 PM
szwayko
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p.105 #14 · Voigtlander 50mm f/2 APO-Lanthar Review


Canon R5 + VM 50/2.0 at 2.0. Black beach on Madera.






Apr 14, 2026 at 03:51 AM
szwayko
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p.105 #15 · Voigtlander 50mm f/2 APO-Lanthar Review


Another one. Canon R5 + VM 50/2.0 at 2.0. Black beach on Madera.




Apr 14, 2026 at 02:13 PM
szwayko
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p.105 #16 · Voigtlander 50mm f/2 APO-Lanthar Review


Voigtlander VM 50mm APO 2.0 on Canon R5



May 14, 2026 at 06:20 AM
photonoclast
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p.105 #17 · Voigtlander 50mm f/2 APO-Lanthar Review


Nice lens for bonsai portraiture












May 14, 2026 at 06:12 PM
mkuznicki
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p.105 #18 · Voigtlander 50mm f/2 APO-Lanthar Review


Cool shot!

szwayko wrote:

Canon R5 + VM 50/2.0 at 2.0. Black beach on Madera.

https://szwajkowski.pl/foto/ludziemiejsca/madera2026/images/260403_0368.jpg







May 15, 2026 at 08:00 AM
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