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Ok, subjective stuff aside, there's some fact-checking in order which makes the sentiment of the conclusions a little iffy.
I don't know the reviewer or the site, and have no allegiance to Laowa apart from the one lens of theirs I own (and am very happy with) but here goes. Going to paste the whole deal below.
***asterisks*** denote contentious info, [brackets] are my comments
"Competition
There are several alternative lenses available in this segment ***albeit none that does exactly match the specs of the Laowa 15mm f/2 FE Zero-D*** [not sure how that makes them "alternatives", but please go on]
There's the Zeiss Batis ***18mm f/2.8*** (2nd to the left) which is, obviously, not quite as ambitious in terms of field of view as well as speed. However, it is clearly superior (and more expensive, of course) [$600 USD or so, or close to 2x the price for a lens that is neither as wide, fast or compact. But, really the Batis is superior, just trust me] Somewhat more similar is the Sigma 14mm f/1.8 ART HSM DG - that's ***the huge brick*** in the center below. Performance-wise it is somewhat better. Whether you really want to mount much such a lens on a tiny Sony camera is a different question though. The Tokina Firin ***20mm f/2*** FE (MF/AF) - to the right below - isn't ***quite*** as wide but just as fast [I'm sorry, I'm not sure 20mm FOV qualifies as similar to 15mm in anyone's book?]. Further options include the Samyang FE 14mm f/2.8 as well as the Voigtlander 15mm f/4.5 III FE [well, at least the CV was mentioned, if only as an aside. Seems like the only similar lens on the list besides the Samyang and Sigma, neither of which appealed to me personally, just based on reviews and size, respectively]
Verdict
The Laowa 15mm f/2 FE Zero-D is a ***capable lens ... within certain limits*** . As mentioned in the introduction, Laowa tries to find a "better balance" between quality and the size of the lens than other manufacturers. That already provides a hint that there's no free lunch here and the necessary compromises hit the lens at large aperture settings. While the broader center zone is perfectly fine even at ***f/2 the outer image field is soft**f [not my experience - sharp edges wide open on my copy. Corners, I'll grant, but edges are excellent] and it doesn't really improve much at f/2.8. However, the quality is fine from f/4 onwards albeit without reaching greatness. The best quality is available around f/8. ***The amount of lateral CAs is good***. Unsurprisingly, the ***vignetting is very high at f/2*** [compared to what? Also, bear in mind there's no electrical contact, so no way for sneaky, baked-in corrections that some manufacturers like to use] and it remains visible even at smaller apertures. Laowa does promise very low distortions - hence the "Zero-D" in the lens name. While not actually "zero", the ***low amount of barrel distortion is certainly a highlight***
If you really want to you can push all ultra-wide lenses into producing heavy ***flare effects***. However, the Laowa does a quite decent job here - probably because the front element isn't bulb-like and as such not quite as vulnerable to stray light.
The ***build quality of the lens is very high*** when just looking at the mechanical aspects. It's a tightly, assembled, all metal construction with a smooth focus ring. If you like old school, you will also enjoy the manual aperture selection on the lens. However, others may not like the idea of a fully manual lens without electronic aperture coupling and without AF. [so now we are giving negative points just because someone may not like MF]
The Laowa 15mm f/2 FE Zero-D is not a cheap lens at around 800USD/1000EUR. ***To be honest - relative to the performance of the lens, this is stretching things a little*** [again, compared to what?]. For a few [cough, cough 600] bucks more you can get the Zeiss FE 16-35mm f/4 OSS and the [crappier, except maybe for coma] Samyang AF 14mm f/2.8 FE is more affordable - and both support AF [because everyone wants af]. Still, the Laowa is faster and the corner weakness will not show up in shallow depth-of-field scenarios. If you are aware of its limitations and manoeuvre around them, it's actually an ***Okay lens*** [this is the point where I kinda gave up. There are just so many "weasel words" and weird, contradictory statements throughout] - more so on an A7(S) [sweet! That's my camera!] x rather than an A7R x. That being said - there are better alternatives out there.
... Yyyyyeeeeaaahhhh.
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