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Archive 2018 · Hollywood calling (revisions made)

  
 
Danpbphoto
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p.2 #1 · Hollywood calling (revisions made)


John Webb wrote:
Thanks Richard..Makeup, Styling and location all had a vintage feel, so that is what I tried to achieve through the processing. I do play around in processing and don't have a set process other than once in photoshop I'll use a midtone luminosity mask in multiply mode to give a little snap to the image.


Boy if these images don't have snap, then I am blind!!!!!

Dan



Jun 30, 2018 at 11:23 AM
John Webb
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p.2 #2 · Hollywood calling (revisions made)


My raw processing produces a fairly flat image. Can add contrast where desired using midtone luminosity masks.


Jun 30, 2018 at 11:51 AM
Danpbphoto
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p.2 #3 · Hollywood calling (revisions made)


John Webb wrote:
My raw processing produces a fairly flat image. Can add contrast where desired using midtone luminosity masks.

That is why I shoot raw and process in Bridge! This beautiful woman needs very little contrast! What you are doing compliments her extremely well!
Dan



Jun 30, 2018 at 03:29 PM
John Webb
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p.2 #4 · Hollywood calling (revisions made)


Danpbphoto wrote:
That is why I shoot raw and process in Bridge! This beautiful woman needs very little contrast! What you are doing compliments her extremely well!
Dan


Dan thank you.

I process the raw file to give myself a very flat image by choice. I find that I can apply contrast and other adjustments with much more finesse using luminosity masks (light, darks, & midtone selection) in photoshop than I can in Lightroom, ACR or Capture 1. I can take a image farther in C1 than in either ACR or Lightroom, but it still is unable to use finely feathered luminosity masks that I find useful in applying selected adjustments. Lot's of different ways to process in PS, this workflow is just what seems to work for me.


Regards



Jun 30, 2018 at 03:51 PM
Lightsearcher
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p.2 #5 · Hollywood calling (revisions made)


Beautiful shots and PP


Jul 09, 2018 at 07:21 PM
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