jlafferty Offline Upload & Sell: Off
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p.1 #5 · Godox alternatives ... | |
I have used the AD360's for a while now, and have loved them. Moved through a lot of lighting setups - Speedotron 805 with a DIY battery & inverter; Speedotron 1500 Explore; various speedlights; all while working with Profoto gear when client budgets permit.
The Godox stuff, via the Adorama Flashpoint brand, are hands-down my favorite lighting tool to date. They are - for my workflow and needs - the perfect overlap of compact, light weight, clean, high output, good modifier ecosystem, ease of use, reliability.
You can read about my experiences using the 360 in Japan here: https://www.adorama.com/alc/jim-lafferty
The next two articles, in the current series on studio lighting, should go live soon... the final installment being lighting setups and output all using Godox/Flashpoint: beauty, full length fashion, and action.
I'm now in possession of review units of the Xplor600 as well as two Evolv200s with the twin bracket, and am shooting and prepping material for an in depth series on the Evolv200 which should be rolling out in the next 4-6 weeks.
In short, while I love the 360s, and especially the 360TTLs, they have sat in my bag largely unused since getting the Evolvs with the twin adapter. The 360s are there now for backups or when I need rim/environment lighting. For much of my work I'm moving to playing the 200s with the twin adapter in a large soft source, against the Xplor in either a soft or hard source, fill and key; or reversing. The setup is so stupid easy; the batteries last forever, 2... sometimes 3 shoots; the workflow is so fluid, especially with the new XPro transmitter. Photography, even under time pressures and other shoot dynamics, has become a really fluid experience.
Build quality is above the threshold I need in order to walk into a gig confidently, but honestly I don't pride myself on kicking or dropping my gear to show how rugged it is - I take care.
I've so far shot 3 covers (4?), and a handful of editorials, plus a lot of personal work, all with the Flashpoint line. And TBH, don't see myself switching for a loooong time. Profoto, Bron, Elinchrom all get respect as premium brands, but TBH if given the choice, even if money were no object, I'd shoot with Flashpoint over any of them.
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