Gunzorro wrote: Fred Miranda wroteGunzorro wroteFred Miranda wroteMore...Looks pretty convincing that the added filter provides better IQ.
The question is: why don't manufacturers incorporate such a corrective lens as part of the design for appropriate lenses? Lazy? Ignornant? Penny-pinching?These lenses are Leica M-mount and therefore not designed for the Sony sensor. We are adding front lenses to mitigate induced field curvature and astigmatism caused by the thicker stack.
The designers were not lazy or ignorant. We are the ones that are crazy!Ha-ha!
Well, I'm certainly an ignorant one!
Thanks for the reminder, Fred -- about the M-mount, not the ignorance.
On the contrary! It would be great if you could join the FM PCX team!
Does anyone know which PCX filter(s) would be best suited for a 28cron asph and 50lux asph? No idea where to start.... I'm interested in giving it a whirl.
Gary Clennan wrote:
Does anyone know which PCX filter(s) would be best suited for a 28cron asph and 50lux asph? No idea where to start.... I'm interested in giving it a whirl.
For the 50lux you would need a PCX 10m. I'm not sure about the 28cron.
Fred Miranda wrote: Gary Clennan wroteDoes anyone know which PCX filter(s) would be best suited for a 28cron asph and 50lux asph? No idea where to start.... I'm interested in giving it a whirl.For the 50lux you would need a PCX 10m. I'm not sure about the 28cron.
Thanks Fred! Is there anything I need to look for when ordering? Any preferred vendors?
Gary Clennan wrote: Fred Miranda wroteGary Clennan wroteDoes anyone know which PCX filter(s) would be best suited for a 28cron asph and 50lux asph? No idea where to start.... I'm interested in giving it a whirl.For the 50lux you would need a PCX 10m. I'm not sure about the 28cron.Thanks Fred! Is there anything I need to look for when ordering? Any preferred vendors?
OptoSigma does not offer a 10m PCX. You may have better luck with Eksma Optics. Make sure to get a coated version.
GMPhotography wrote:
I think I found the Ultron 28 teardown. Thanks Fred
ok, my guess is that infinity adjustment can be done by changing the orientation of the focus ring in relation to the brass part of the helicoid in your second image. not sure how they're attached from the image so it's tough to say how one would do that. often there is a set screw (or two or three) that can't be easily accessed without removing the focus ring from that brass portion of the helicoid.
Hello, thank you for this post. I have read in other threads that techart adapter was able to focus at infinit with the contax g 21 ... It looks there is some contradictory information or most probably I am missing something. I am sorry I am just a newby best regards and thank you in advance for your help.
hanay78 wrote:
Hello, thank you for this post. I have read in other threads that techart adapter was able to focus at infinit with the contax g 21 ... It looks there is some contradictory information or most probably I am missing something. I am sorry I am just a newby best regards and thank you in advance for your help.
i'm pretty sure the OP got that to work fine. most of these posts about reaching infinity are regarding voigtlander lenses on the m-mount techart adapter, not contax g lenses on contax g mount techart (though i've heard some people having issues with some adapters on the contax g 28).
Got the Ultron 28/2 today.
With the 5m PCX and my 'short' K&F Concept adapter, infinity is at the 5m mark, so I think I have a lot of room for a stronger PCX front-lens. I will take some pictures of the lens (front and rear ) and send it in for simulation today.
Fred
BTW: At f/6.7 (these Ultrons go half stops), the image is already very sharp to the very corners with the "5m" front lens. Which probably is not the optimal PCX for it.
Here is a crop showing the extreme edges. Mid-field and center look great as well. (but not as good as CV 35/1.7)
I'm actually surprised the extreme corners look that good with the 5m PCX. Perhaps the optimal will be around 3m.
GMPhotography wrote:
Does look pretty good actually
I'd say it's actually excellent starting at f/6.7. At infinity, it's already better than the ZF 28/2, ZM 28/2.8 + PCX and I dare to say Leica 28/2.8 R II. All these lenses need f/8 or f/9 for the edges.
There is also the possibility this performance could improve when using the optimal PCX for it.
Center resolution looks great but not as good as the CV 35/1.7 @ f/2. That's probably one of the sharpest 35mm lens I've tested.
Based on Fred's picture of the lens itself I run simulation for CV28 F2.
PCX 2m may be the best and 2.5m also looks very good. From my quick check 1.5m was not good, and 3m is also good but not the best. Attachment direction of PCX will not affect in this case.
Steve Spencer wrote: sebboh wrotejhinkey wrotesebboh wroteFred Miranda wrotesebboh wroteah, i thought you were saying it was only visible when you focus and recompose, not when you focus directly on the subject.
it makes sense for comparing lenses, i wouldn't make any decisions as to which lens to keep and which lens to sell though based on things i can't notice in normal pictures though. there are lots of more obvious differences between these lenses.Do you still have the CV 35/1.7 + 5m lens? If so, I have a question for you.
Without the from lens, if you focus on the extreme edge, does it look 'the same', 'better' or 'worse' compared to using the front-lens on it?the cv is actually nehemiah's and i believe he was planning to sell it because he prefers the pentax 35/1.8. if he still has it i'll check, but you might have your own filter first.Hmmm . . . I just saw a Pentax 35/1.8 in the used case this morning for $799. I was wondering why the high price! I guess it must have some merit to it.it's a very nice lens, it is competitive for landscape with the cv + 5m pcx (comparison) and seems to have a nicer draw for portraits imo. it's too big for my taste, but much smaller than the ZA 35/1.4. it focuses the wrong way and has very little focus damping, which is quite annoying too.
Steve Spencer wrotesebboh wroteSteve Spencer wroteBastianK wroteThere are many with and without filter bokeh comparisons in this article, you just need to have a look: https://phillipreeve.net/blog/35mm-comparison-voigtlander-zeiss-leica/Thanks Bastian. I hadn't read that review yet (not sure how I missed it), but it was excellent. It agrees very much with my own experience. The sad part for me is that, despite Stephen's nice examples, I don't find any of these lenses very compelling for portraits and I would love a smaller 35mm for portraits. I do love the ZM for close up shots and it is great for stopped down landscapes as well and I prefer the high contrast look but none of these really work for me as an all around 35mm.i find cv to be much more consistently pleasing for portraits than the zm and its equal for landscape. this is on my kolari mod camera though. i like the FE 35/1.4 better still for portraits (never notice the midzone dip for portraits), but it's size makes it a nogo for me.Bastian's review and my experience with the ZM makes me wonder whether I would ever be happy with the CV as a portrait lens. It looks like the CV has very similar bokeh to the ZM from Bastian's tests and that is really what bothers me about the ZM as a portrait lens. I get that for lots of people the high contrast look of the ZM wouldn't be what they want for portraits, but sometimes I like that. I think I have asked you before Derek, but how would you compare the CV to the Zeiss C/Y 35 f/1.4 for portraits? I am leaning in that directions these days, but I am still pretty undecided. I may just give up on shooting 35mm portraits on the Sony, and then I would go with the Zeiss Contax 645 45 f/2.8 on my Fuji GFX, which seems to my eye to share a lot of features with the C/Y 35 f/1.4. I am really enjoying the GFX for shooting portraits with its tilt/swivel EVF which allows shooting holding the camera at my chest.Steve, i really don't think there is any better 35mm lens for portraits than the c/y 35/1.4 (though my wife prefers the lux pre-asph). i actually think under 1 meter the zm draws very similarly to the c/y (especially if you focus with a helicoid adapter rather than the lenses own helicoid), but with a bit more bite and a bit less smoothness and SA centrally: http://c2.staticflickr.com/4/3770/32768073743_021773c906_o.jpg http://c1.staticflickr.com/5/4189/33865523464_6417298525_o.jpg
at slightly longer distances though, the zm has very ugly bokeh (weird squares). the c/y isn't great in this regard either. the cv is better in this regard – it has cat's eyes instead with less color aberration and less bright outlines. the cv has it's own attractiveness at close range wide open, but it's different from the zm and certainly high contrast: http://c1.staticflickr.com/3/2941/32972671820_bb3cc73860_o.jpg http://c1.staticflickr.com/3/2893/33444928620_8c63d5ec3f_o.jpg
bokeh comparison between the two:
cv f/1.7: http://c1.staticflickr.com/3/2844/33497202632_17bceb0150_o.jpg
zm f/1.7: http://c2.staticflickr.com/4/3937/33524538961_69851fa710_o.jpg
zm f/1.4: http://c1.staticflickr.com/3/2894/33524538991_cf76c9dd5c_o.jpg
the pentax 31/1.8 ltd might be more up your alley. i haven't played with it much myself, but the pictures i've seen from nehemiah look very promising – similar to the c/y but with a little less pop and better cross the frame performance.Thanks Derek, I always value your opinion and find it quite helpful. I have the ZM 35 f/1.4 and my problem is that I bought it hoping that I could use it in two different kits and it works quite well in one, but not so well in the other. Where it works for me is in a three lens kit with the Sony A7r II and the Loxia 21 and Loxia 85. These three make a nice fairly small versatile kit. At the wide end the Loxia 21 is fantastic at most everything I want it for. The Loxia 85 is also quite versatile and I find it excellent for portraits and landscapes. The ZM has a very similar look to the two Loxia's and it is my among my favorite lenses for close-ups and with the Hawk's adapter I have is very easy to use for such shots. Stopped down to f/5.6 or 6.3 it is also a very good landscape lens. I am not using the front end filter and still for my uses in this kit it works well. I would probably be happier if it was better for portraits, but I do have the Loxia 85 along in this kit which works at least 80% of the time for the portraits I want to take. So, in this role it does great, not perfect, but it really works very well.
I also at times really like to take a two lens portrait kit with a 35 and something between 75 and 90. I had big hopes the ZM 35 would fill the 35mm role in such a kit. When I use this lens primarily for portraits in such a kit I am pretty disappointed. So, I have been thinking about other options for such a two lens kit. Could the CV 35 f/1.7 replace the ZM in the kit above and in this two lens kit? Perhaps, but it seems like for almost all of what I am seeking the ZM would just be a better choice. I like it better for close-ups and I like it better for landscape shots stopped down. Yet, I am pretty sure the CV would be better for the 2 lens portrait kit. It seems to me what I should do is not try to find one do it all 35mm lens, but rather add a second 35mm lens for the two lens portrait kit. Right now I am leaning toward the Zeiss C/Y 35 f/1.4. Yeah, it is bigger, but in a two lens kit I care less. I have also considered the Zeiss ZF.2 classic 35mm f/1.4, which I currently have, but the focussing direction drives me nuts and the ZE version with a metabones or similar (which I did have) gets so big it does start to bother me. I also considered the Leica R 35 f/2 Mk II, partly because my longer lens in this two lens kit is the Leica R 80 f/1.4. I do think they would pair well together as they are both Mandler lenses and share a similar look, but partly based on what you have said I reviewed my old shots with the R 35 cron II and I can see its weaknesses and I don't think I will got that way. The Pentax 31 limited is also a lens I have long considered but the focus direction and the fact it is an AF lens together have me worried about how I will feel about focussing it. So, I am left still unconvinced by any options but I am likely to try the Zeiss C/Y next. Thanks for your advice....Show more →
Steve,
I am in the same boat as you--looking for an everything 35. Aside from the Rx1 which obviously isn't interchangeable, I find the Pentax 31 the best. In terms of draw and portraits, to my mind it's only beat by the CY 35. I borrowed mine to Derek, so he might have an updated opinion. But it's lovely WO (though has some LoCa and a pinch of SA-which I welcome), no pcx filter needed, middle size/weight, lower end for price, and excellent sharpness across the frame slightly stopped down. Flare isn't as good as the ZM35 or CV though. It's 32mm. I prefer it over my ZA 35 (which has restricted usage because it's huge). the Pentax 31 has a smooth rich character draw, would couple nicely with the r80.
Tbh, between the cv 35, rx1, zm 35, CY 35 and Pentax 31 the images and rendering are all pretty excellent, just a matter of what you want to deal with (filters, mf feel, bokeh, price, weight)
Also, all you guys excited to restart all this crazy testing once canon and nikon release FF mirrorless cams with differ sensor stacks? 🤣