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p.3 #6 · p.3 #6 · Architectural Tilt/Shift options for the A7? | |
Sorry, but I don't quite understand this fascination with mounting medium format lenses onto 35mm-sized sensors/bodies.
Not that I haven't done it myself! I have a full Pentax 67II system and always wanted to utilize the lenses for digital. The downsides are size and long focal lengths.
I did run comparisons between Pentax 67 lenses, and my results confirm the latest 55/4 to be outstanding, better than the very good 45/4. Other winners were: 75/2.8 ASPH, standard 105/2.4, and the "good old" 165/2.8.
When shifting, either for architectural needs or stitching, I look to wide angle and ultra wide angle. I'm not a studio photographer, and when needed, use my Canon 90 TSE or a long telephoto.
I don't mind adapters, and am not afraid of stacked adapters, although I would not call that "best practice" for flat or untilted focal plane.
In the last year, I bought a simple Kipon shift adapter (Adorama) to mount Mamiya 645 lenses to Nikon, Canon or Sony via intermediate adapters. Results were okay, but IQ left something to be desired with un-flocked mounts on Sony a7R.
I much prefer using Canon TSE lenses to fulfill my TS needs on Sony. Better lenses designed for the job. Generally outstanding IQ from each lens. I particularly like using the TSE on native Canon body, and see no reason to avoid using the 5DsR instead of Sony a7RII.
Even though it has CA (which cleans up in LR or PS), I would use the original EF 24 TSE over trying to adapt something to accommodate such wide angle coverage. I used this lens of over a dozen years of architectural work, until after the new v.II came out.
Obviously, if one is looking for a shifted telephoto scenario, the Mirex with medium format lenses is a fine way to go. But I seldom have need to use my 90 TSE, so have no interest in tele options.
I don't know if it has any interest on this topic, but of note is the new Sigma MC-11 adapter for Canon EF to Sony Nex E, which seems to do fine with my 17 TSE without just as it comes from Sigma, with no added flocking. 24 TSE looks good too for night and twilight shots -- some of the most demanding regarding internal reflections. The Sigma seems to have an excellent baffling design and flat matte paint.
Not trying to discourage anyone from trying the MF lenses on small format -- just "been there, done that" to a certain extent and found alternative methods that seem more bulletproof in normal use.
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