jcolwell wrote: jancohen wroteEven then you'll find a discussion, as some apparently prefer the Gauss look over that of the Sonar.I prefer radar over sonar. For lenses, I'll go with Sonnar.
"These days, most lenses are very good at all types of contrast, and a few are excellent at it. But there’s generally not enough difference there that I’d get over obsessed with it."
I couldn't agree more. I've noticed however (over years in participating in such threads) that there are people who're over obsessed with claiming the differences don't exist or matter, and anyone suggesting otherwise is making a false claim or implying "magical properties".
We have now officially reached he Pee Wee Herman Stage of Debate: I know you are, but what am I?!
105/2.5 sonnar 1949 -1971. Started with S mount version then changed to F., That's only 22 years. May be 135/3.5. Sonnar was generally replaced by double gauss with emergence of SLR to achieve back focus along with advancement in lens coating, so I suspect longer lens could stay with Sonnar as long as it was not large aperture lens. 135 was from 1950 -86 started with s mount. That's 36 years. I don't know optical formula changed drastically when transitioned to f mount. Of course it had to change back focus but ...
Anyway. I don't have any old Sonnar so I don't know the rendering difference to symmetrical gauss design. I,'d love to get wakimoto Sonnar 105 one day. I only have read the advantage of Sonnar was less lens surface to cause flare in comparison to gauss in the early days. Today's Sonnar has far more lenses so I think that advantage is gone over double gauss for shorter lens. I am hoping Uhoh can shed light on that.
On my trip to Rome in May I will be bringing my Nikon 28/2.8 AIs instead of the Zeiss 35/2 because it is smaller and IMO equal in IQ, and I find it easier to focus. I am tempted to bring my Nikon 105/2.5 to replace the bulkier Zeiss 100/2, but I like the Zeiss just a little bit better. The excellent Zeiss 21 goes up against the 14-24 and the Zeiss wins for being so Zeissy and sooo much more convenient to carry despite the Nikon's versatility and IQ. I really like my funky Zeiss 50/1.4 Planar, but this year my 50 will be a Sigma DPM2.
So, there you go. Lens choice doesn't have to be all or nothing. Many factors are involved. I like Zeiss lenses a lot, for all the real or imaginary reasons mentioned so far. I would encourage anyone who is genuinely interested in Zeiss lenses to pick up a used one and try it out.
henry albert wrote: SKumar25 wroteThom mentioned this:
"These days, most lenses are very good at all types of contrast, and a few are excellent at it. But there’s generally not enough difference there that I’d get over obsessed with it."
I couldn't agree more. I've noticed however (over years in participating in such threads) that there are people who're over obsessed with claiming the differences don't exist or matter, and anyone suggesting otherwise is making a false claim or implying "magical properties".We have now officially reached he Pee Wee Herman Stage of Debate: I know you are, but what am I?!
For sure ... which is why I didn't even bother to respond ... the conversation has truly run it course.
Me and my FE 55mm
is a very good but not perfect lens
it has the most wanted mystery of Zeiss look (sharp, 3d pop, contrast...),
minus onion rings ... and 50mm would be better.
but together with size, wight, AF
its perfect for me.
And the mystery of Zeiss is
no Canon, Nikon, Pentax .... has this quality 50 Lens.
strange.
r-)
jcolwell wrote: jancohen wroteEven then you'll find a discussion, as some apparently prefer the Gauss look over that of the Sonar.I prefer radar over sonar. For lenses, I'll go with Sonnar.
gdanmitchell wrote: jcolwell wrotejancohen wroteEven then you'll find a discussion, as some apparently prefer the Gauss look over that of the Sonar.I prefer radar over sonar. For lenses, I'll go with Sonnar. Gaussian or Sonoran. Its all a blur to me. ;-)
Don't worry, when chez does that he thinks he's being funny. When others do it, he thinks they are being insulting or derailing a discussion...cue typical diversion tactics...
oh, I know. but really there are places you don't go because we are all thinking we are legends in our own minds. we all need to be reminded of that every now and then. I got, I think, light heartedly zinged on this thread but then I restated my reality to him. we all make pretty pictures but they all don't work for everyone.
Interesting thread to read on many fronts :-)
I have owned a couple and liked them. I can say that about a lot of lenses I have owned. If I am honest with myself, if I look at pictures I took 5 years ago I have no clue what lens I used. Maybe that puts me in the beginners class but....if I have the right focal length and can get to the f stop I want for the shot I want to see then the exact qualities of the lens makes little difference to me. Now I have never shot "budget" lenses except for my current Nikon 200-500 and I actually like it very much.
Just another view of the world😄
Greg
anscochrome wrote: uhoh7 wrotePop Quiz
Which Nikon lens was in production without formula update for the longest time?
Which Nikon lens was offered in the most mounts?
Which was the last Nikon Sonnar in production?It has got to be the 105mm F 2.5 Nikkor.
As you probably know the 105 was a Sonnar, but got a totally new formula in 1973, replaced by the great modern lens. Our hero actually made it all the way to AI-s. Yes the samples were taken with it