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Archive 2004 · National Geographic 10D images

  
 
phidong
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p.4 #1 · National Geographic 10D images


Lighting Techniques: I had to hold my camera very still.

I love that.



Oct 19, 2004 at 03:51 PM
AReineman
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p.4 #2 · National Geographic 10D images


Imagemaster wrote:
Perhaps you should learn to read a posting properly before misquoting someone.
My statement was "the highest quality film equipment is not 35mm."

Notice how you omitted the little word "film"?


Ooops, you are right. I totally forgot a word. Sorry about that.

The argument doesn't change at all, though. 35mm film or digital -- I am willing to consider it all. As far as I am concerned you just narrowed yourself down a little in your description of what the best equipment is, but you have still to answer what is the best photojournalist equipment, or the best sports equipment.

My point is pretty simple, so I won't belabor your skirting the issue by focusing on a word that had no bearing on the assertion. Blanket statements like the best film equipment is <> rarely work in the real world. What is best for one job is not the best for another. I go back to my analagy about vehicles -- don't bring a truck to race against formula 1 cars on a race track.

Again, your QED lost me at Q.

Imagemaster wrote:
To me, the highest quality film equipment means large format film cameras and the lowest quality film equipment means a pinhole camera. If you don't like my interpretation of that, perhaps you should ask the poster of that phrase what exactly he means by it.


Well, now we are getting somewhere. The statement has moved from global truth to personal opinion. Is that because of the resolution from LF or MF cameras, how well they handle low light situations, how they handle fast movement situations, their ease of portability and quick setup time? Their film capacity? What?

And as for asking the original poster, he is not the one who asserted the best film equipment is MF or LF -- that was you.

BTW, I was looking at your photos. Two questions -- how did you get a deer picture censored? And did you take the animal pictures with a 35mm or MF or LF -- some of them look a little soft on my monitor. Did you use a tripod? The composition is really nice on those, and you obviously got close, which is very cool, they just look a little soft to me.



Oct 19, 2004 at 04:25 PM
bogatyr
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p.4 #3 · National Geographic 10D images


I have the 10D, and after having looked at these 10D images at National Geographic I can testify that my 10D can do much better than what I saw there. Probably the images in print are much better, and the web versions have been improperly post processed. Colors are good, but there is an almost palpable lack of sharpness.


Oct 19, 2004 at 04:26 PM
bogatyr
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p.4 #4 · National Geographic 10D images


Mr645 wrote:

"It's far more important who is behind the camera then what is inside it."

That is only a half-truth. In order to take top quality photos, one needs top gear.

Having a 10D myself, I would however classify it as high grade when it comes to picture quality.



Oct 19, 2004 at 04:31 PM
Fstr.
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p.4 #5 · National Geographic 10D images


That's one of the funniest things I've read all year.


Oct 19, 2004 at 05:08 PM
Fstr.
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p.4 #6 · National Geographic 10D images


Clarification, the statment about having seen a Medium Format camera, real funny.


Oct 19, 2004 at 05:12 PM
Imagemaster
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p.4 #7 · National Geographic 10D images


AReineman wrote:
As far as I am concerned you just narrowed yourself down a little in your description of what the best equipment is, but you have still to answer what is the best photojournalist equipment, or the best sports equipment.


I don't have to answer such questions because I don't know or care what is the best photojournalist equipment or the best sports equipment. I do know that for many years, photo editors and professional studio photographers preferred MF & LF to 35mm because they believed they produced the best results for their clients.

I go back to my analagy about vehicles -- don't bring a truck to race against formula 1 cars on a race track.

I agree with that analogy and also pointed out that it does not apply to all the images used by NG. If all their images were of illusive wildlife or climbing Mt. Everest, then 35mm is the obvious choice, but that is not the case.

Is that because of the resolution from LF or MF cameras, how well they handle low light situations, how they handle fast movement situations, their ease of portability and quick setup time? Their film capacity? What?

Resolution, period.

BTW, I was looking at your photos. Two questions -- how did you get a deer picture censored? And did you take the animal pictures with a 35mm or MF or LF -- some of them look a little soft on my monitor. Did you use a tripod? The composition is really nice on those, and you obviously got close, which is very cool, they just look a little soft to me.

I made the censored image and posted it. If you are referring to the deer posting, they were taken with the 10D, 300mm non-IS at f4, ISO 800, handheld in poor lighting (as mentioned in the posting). Shutter speeds were 1/125 or 1/180. Perhaps taking them at twice that speed with ISO 1600 would have been better, but I doubt it. If you are referring to animal pictures in my gallery, they could have been taken with 35mm or MF film, Olympus E-10 or 10D.

As for a little soft, that is what I associate with fur and feathers. I dislike images of wildlife that have been over-sharpened. My main criteria is the beauty or uniqueness of the image, not that it must be "hard" or tack-sharp. If anyone finds my images too soft, they can always choose another photographer's work. I'm retired and don't care.



Oct 19, 2004 at 06:20 PM
foxXx
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p.4 #8 · National Geographic 10D images


those pictures look horrible for national geographic, ...


Oct 19, 2004 at 07:46 PM
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p.4 #9 · National Geographic 10D images


foxXx wrote:
those pictures look horrible for national geographic, ...



Hmmm, time for you to calibrate your monitor.....before making a remark like that.

Regards,

Charles,



Oct 19, 2004 at 08:09 PM
charlesk
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p.4 #10 · National Geographic 10D images


Leaving aside the digital vs film stuff (zz) I do have to wonder why they would use a 10D rather than a 1DmkII for example. Does the smaller size really matter that much in that case? Surely it can't be cost, as the $3k difference would pale compared to the other costs of an assignment like that... --c


Oct 19, 2004 at 08:10 PM
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p.4 #11 · National Geographic 10D images


charlesk wrote:
Leaving aside the digital vs film stuff (zz) I do have to wonder why they would use a 10D rather than a 1DmkII for example. Does the smaller size really matter that much in that case? Surely it can't be cost, as the $3k difference would pale compared to the other costs of an assignment like that... --c


and....I thought it wasn't the equipment but person behind the equipment who makes the story in a image.

Regards,

Charles,



Oct 19, 2004 at 08:14 PM
christo™
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p.4 #12 · National Geographic 10D images


"Speed and F-Stop: 1/8 @ f/1.4
...
Lighting Techniques: I had to hold my camera very still."


ROFL...ROFL...ROFL...

I don't even care what the picture looks like, the humor is worthy enough...



Oct 19, 2004 at 08:20 PM
foxXx
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p.4 #13 · National Geographic 10D images




you mean to tell me that my monitor needs to be " recalibrated " for this shot, look at that ladies face, you call that sharp ? if thats the case I think you need your eyes " recalibrated " ...

Edited by foxXx on Oct 20, 2004 at 01:43 AM GMT



Oct 19, 2004 at 08:42 PM
uz2work
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p.4 #14 · National Geographic 10D images


I think that this topic, pages ago, ceased to be useful in any way. It's time
to let it die and just wait to see what the pictures look like when they are
actually in the magazine.
Les



Oct 19, 2004 at 08:43 PM
Imagemaster
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p.4 #15 · National Geographic 10D images


Amen.


Oct 19, 2004 at 09:23 PM
tuannie
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p.4 #16 · National Geographic 10D images


FoxXx, look what happen to your sharp image at 30K. Your original was at 200K...a lot of lost information. Just wait until the mag comes out, see the prints and then finish this discussion. This post was not intended to be a hostile one...sorry everyone.


Oct 20, 2004 at 02:35 AM
Antje
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p.4 #17 · National Geographic 10D images


Imagemaster wrote:
Antje wrote:
" Ahem - I have to break my promise to ignore your posts and chime in because this is too gross to pass..."

I'm so sorry, had you started the thread, I'd never have bothered to look. I'd have known what I was about to see. Do you think I enjoy reading bullshit

Apparently, and making promises, but with exceptions.?


You sound so bitter. I thought you'd enjoy a little attention. You get so little of that these days... Just trying to be helpful, you see. After all, there's a lesson to be learned here!

I should have known, you didn't get it. I was trying to explain why the statement is true that they take the highest possible quality. You can only do shots with suitable gear.

And what didn't you get about my explanation that there have been thousands of images in NG in which suitable gear could have been MF or LF?


I did get that and, in case you missed it, you were already told not only by me that a) you in particular have no way of knowing how these shots were taken and how they could have been taken, b) most of the images are of the photojournalistic kind and c) you still simply don't know the limitations of big cameras. Just read again the part about remote locations and weight, about stealth and speed, the part about setting up tripods in cities and areas of crisis, the part about long telephotos not being available for MF and LF... I wonder why you still claim that. Must have been because you still have not looked at MF and LF gear. You know what tripods are for, don't you?

Let's get that sorted out, I think you get a little confused already. You claim two things:

1) "It isn't true NG only uses the highest quality because they use 35mm film."

Wrong. Of course it's true. In theory, a LF shot of a snow fox, done with the LF equivalent to a 35mm 600mm lens, would exceed the image quality of a 35mm shot of the same kind. But it can't be done. (For more examples, look at the previous posts, the same applies.) You can't publish a shot you can't take. If you can't take a shot with MF or LF, you won't have a picture. So, the best quality photo there is for a given shot will be 35mm when the MF or LF shots could not be taken.
It's so simple! I'll put it in short sentences to make it easier. You just have to understand NG can only use pics that people were able to take. The others are not there. You can't use something that isn't there. To make an everyday example: You can't pour coffee into a non-existing coffee cup. You'll hurt yourself trying. Wanting to use something that isn't there is not exactly sane. You don't want to use things that don't exist, do you?

2) "NG uses exclusively 35mm"

Wrong. See posts above. Do a search, you'll find lots of MF and LF pics. I wonder if you can at least make out the differences between the pics... Not the quality differences of course, there aren't any in a web sized pic.

So we have two wrong statements in one sentence! I bow to you, that's hard to beat!

But man, you should know that! I thought you were an accomplished, published photog!

And where did you glean that information from? I guess the word "private" in "private message" is about as meaningful to you as the word "promise".


Being published and having been a photog for so long, that's something to be proud of! It puts you in a line with the best here! So why should I not tell? Surely you didn't lie to me only to justify a blurry mink pic. I could never believe that!

you're even wrong about your statement "If that were true, why have they exclusively used 35mm and not medium or large format?"

You are correct there, I should have said "almost exclusively".


Even that, pathetic as it is, might be wrong, especially as long as you don't have any statistics.

You get a little closer to the truth there though if you just ask why they use 35mm so often. A closer look at MF and LF cameras might still enlighten you. The hope is faint but we won't give up, will we.

Tsk. I told you before you could only benefit from an honest opinion. Why the fear?

Simple, I can't trust opinions from people who break promises and spout off about information which was given to them in private.


Don't worry, you don't have to trust my opinions, I'm not stating any. I'm stating facts. You state opinions. I know it's easy to mix that up...

Antje

Edited by Antje on Oct 20, 2004 at 08:08 AM GMT



Oct 20, 2004 at 03:06 AM
Antje
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p.4 #18 · National Geographic 10D images


foxXx wrote:
you mean to tell me that my monitor needs to be " recalibrated " for this shot, look at that ladies face, you call that sharp ? if thats the case I think you need your eyes " recalibrated " ...


I'd say it's JPG artifacts because it seems a little blotchy. No way to judge image quality from a resized web pic.

Antje



Oct 20, 2004 at 03:08 AM
Andy Biggs
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p.4 #19 · National Geographic 10D images


Imagemaster wrote:
Another reason NG prefers 35mm is because many of their photographers are on staff and they have a considerable amount of money invested in 35mm equipment.



False. Most NG photographers are contractors, not employees. Only a few photographers are on staff, such as Cary Wolinsky.

$.02



Oct 20, 2004 at 09:46 AM
LindaZ
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p.4 #20 · National Geographic 10D images


They look slightly compressed to fit the web, otherwise they look fine to me. I think it's better to judge the prints, if there are any.


Oct 20, 2004 at 10:47 AM
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