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p.3 #6 · Blended landscape images - legitimate or not. | |
David Baldwin wrote:
Yep, this is an argument as old as photography itself, and in a way its quite encouraging, shows photography isn't worked out yet.
Yes I can see the argument that art is art, its self expression and anything goes. On that basis taken far enough the work stops being photography and becomes something like painting, not that the distinction matters. And yes it would be undesirable for photographs to have to be "realistic" as the photographers personal viewpoint would be obviated.
On the other hand I feel all this comping together is heading night photography away from an individual photographer seeing and expressing something almost hidden in nature, towards the no doubt striking but ultimately uniform application of an "effect" Instead of "what is interesting about the shape of this mountain, or that stand of trees" I feel we are in danger of saying "Gee, that's a lot of sky in my photo, lets really jazz things up and drop in an over the top sky".
This one won't go away, doesn't matter where you stand, but I am expressing a concern that strikes me regularly in recent months....Show more →
Hi David, etal,
I enjoy a good discussion of the artistic side of our passion, glad I stumbled on to this conversation. I'm thinking that I'm in agreement with your sentiments as stated in your original post...
...but I do wonder if some photographic genres are being image manipulated to a point waaaaaaaaaaay beyond any relationship to a real scene (does that matter btw).
...but I'm also thinking that the underlying question in all this has gone unasked. That being, "Is there a way to define a boundary between two categories of artist's interpretations?" Alternately, "Are there ways to define the boundaries between various categories of artist's interpretations?" Your commentary seems, to me, to beg the question, "Is it possible to define these seemingly apparent categories?"
Now, by categories I'll loosely use some of the common notions found in this thread as my, er, definitions..."PJ" vs. "HDR" vs. "Impossible" vs. "Moon Crimes" vs. "Real Scene"...and ask, "what are the differences in post-processing that define these categories?" in an attempt at giving the disparate approaches (read: abstractions) some form here. And my loose answers (for the sake of this conversation) being...
"PJ = an attempt to accurately depict the events captured within the frame. PP = exposure compensations only."
"HDR = an attempt to capture and present a wider DR than a single exposure can depict. PP = Blending, Masking, Dodging, Burning, Layering various exposure interpretations of the same scene."
"Impossible = An attempt to create an image impossible in nature. PP = Collaging elements from different times and/or spaces into a single image."
"Moon Crimes = An attempt to "purty up" an image by adding a visually-appealing, plausible element. PP = Addition of said select element." (Can be plural.)
"Real Scene = An attempt to depict (a scene at) a specific time and space. PP = Exposure compensations that may or may not involve blending, etc. multiple exposures of an identical scene at a specific time."
Now, of course, I've left out an awful lot here in these synoptic characterizations, and deliberately so. I am only trying to characterize part of the gist of what each of these categories represent to get to this point..."That all art is an abstraction, we can, and do, differentiate between the different types of abstractions at play within a piece." And boundaries between these applied abstractions can be either subtle or blatant. It is not a question of "PP'ing or not", as some have postured here, it is a question of "what are the differences between the PP'ing abstractions?"
Which brings me to my ultimate point in all of this, "When is a landscape image no longer about the landscape subject and the image becomes, instead, a collection of abstraction subjects/exercises involving landscape elements?" The question is germane, methinks, as our host, Fred, differentiates between subject matter on the boards, we have both "Landscape" and "Digital Art and Abstract" forums. And, to my palette, with some of the images I've encountered lurking here on the landscape forum, we're talking "pork with some beans on it vs. beans with some pork in it!" 
Anyhoo, my 2-cents on the matter, thanks for letting me play!

Jimmy G
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