Whoa, that Rodenstock Eurygon 80mm f/4, makes that Rose seem exceptional, as if it where the finest cloth of silk! Great capture, thanks for sharing! Is this a Macro lens by the way?
Very nice Ronny, but I see that you also live in a place where a lot of airplanes are flying around. I also have to be careful when shooting landscapes where I live to prevent all those stripes in the air.
His books are of particular interest to me, I collect them.
a.RodriguezPix wrote:
... Whoa, that Rodenstock Eurygon 80mm f/4, makes that Rose seem exceptional, as if it where the finest cloth of silk! Great capture, thanks for sharing! Is this a Macro lens by the way?
Thanks. The Rodenstock Eurygon 4/80 is a wide angle enlarging lens, not actually a macro, although Rodenstock did recommend it for macro use in at least one of it's brochures.
Some stuff. No ps, no cropping. Raw converted to Phase One Capture 7 but no adjustments.
For the Joyous and Free, We Will be One Day : Nikon D3X, Mamiya 645 200mm f/2.8 APO
Swim Between Flags : Nikon D3X, Mamiya 645 200mm f/2.8 APO
The Seaside Subdivision : Nikon D3X, Mamiya 645 200mm f/2.8 APO
These Birds Don't Need Umbrellas : Nikon D3X, Mamiya 645 200mm f/2.8 APO
Risking Life for a Fish : Nikon D3X, Mamiya 645 200mm f/2.8 APO, B+W KR-3
The Sun to be Hidden : Nikon D3X, Nikkor 17-35mm f/2.8 AFS ED IF, B+W KR-3 (warm up), Lee .6 Hard Grad (for Sky and Sun/Horizon), Lee .9 Soft Grad (for seawater and rocks) - not an HDR image
A shot I took as a training for manual exposure blending. I'm still amazed by the quantity of details I managed to keep in the foliage.
5DmarkII + Samyang 35mm F1.4
