3catsinky wrote:
Actually, what Marti describes is about how I shoot, 24, 50 and 85, all on monopod, some slider, some glide cam.
Ill wait till the togs are done with setups and then shoot last. Ceremonies, 70-200 all the way from the back,
and 80-200 from the side. the crew I shot with, the main chick was pro, but admitted she didn't shoot with videographers a lot, so she had no camera presence. her sister didnt look, and then there was the intern guy who was all up in the business with a 50mm. Gear is cheap, so everyone thinks they can shoot a wedding. ...Show more →
You hit it on the head...cheap gear on both sides, video and still, "I'm a professional".....I don't know what im doing but im getting paid so I must be a professioanal"........
