It makes sense... she got married.. now she is at the end of the road with nowhere to go . I am pretty sure you have other poses as well from same vantage pt. I would like to see her face a bit more... maybe looking to the left or something.
Robin Usagani wrote:
It makes sense... she got married.. now she is at the end of the road with nowhere to go . I am pretty sure you have other poses as well from same vantage pt. I would like to see her face a bit more... maybe looking to the left or something.
As far as processing goes.. I like it.
You nailed it!!
But yes, I have other shots where she is looking left.
I'm viewing it on an uncalibrated monitor today, but the color looks good. I can't think of a way to improve the processing. You certainly don't need to lift shadows or over-saturate. Dress looks great. The gold reflector or gelled light from behind is a nice warm touch.
Maybe I'd darken the sky a third of a stop? But really, what else is there to do? Why do you ask -- did you have an alternative in mind or something, or were you just fishing for compliments?
Ian Ivey wrote:
I'm viewing it on an uncalibrated monitor today, but the color looks good. I can't think of a way to improve the processing. You certainly don't need to lift shadows or over-saturate. Dress looks great. The gold reflector or gelled light from behind is a nice warm touch.
Maybe I'd darken the sky a third of a stop? But really, what else is there to do? Why do you ask -- did you have an alternative in mind or something, or were you just fishing for compliments?
Thanks Ian. The reason I asked about the processing is because I tend to go a bit overboard at times. I brought this one down a bit to where I thought it would look good without being "too much". I wanted some other opinions.
The light from behind was actually a silver reflector. The low sun + a bit of a raise in color temp make it appear warmer.
