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Archive 2024 · Canon R5 Mark II - Real World Comprehensive Review

  
 
FLSeller
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p.1 #1 · Canon R5 Mark II - Real World Comprehensive Review


I have been shooting with the Canon R5 Mark II for about two weeks now for various small projects, mostly just testing the camera out in the types of conditions in which I usually shoot; very hot, humid, run and gun with little to no control over the lighting or venue. I mostly shoot event work and work quite a bit with models and fashion as well. I plan on replacing my Canon R7 with the Canon R5 II as my hybrid run and gun camera. To fill that role it must have one usable mode that does not overheat, and must be reliable in less than ideal conditions.

So below are my thoughts on the Canon R5 II so far, some bad, mostly good and possibly some of it was just due to me not fully getting used to the camera, so my opinions on some of the bad things may change over time as I get more familiar with the camera and hopefully as new firmware is released for it. The new video features are mostly what I care about and is the main reason I got the camera so this review is pretty video centric.

THE GOOD

Ergonomics - As usual, Canon hits this one out of the park. The grip is even more comfortable, the dedicated photo/video switch is way better than fiddling with a custom function switch, and everything is pretty much exactly where I expect it to be. I do miss the thumbwheel around the joystick like the R7 has, it made changing the Aperture a little faster while keeping the camera steady, but the R7 was the only camera to have this so its not a huge loss.

Video Quality - I tested everything from 8K60FPS to 4KSRAW to 4K HEVC S and it all looks good to me. I will probably use 4K30/60FPS HEVC S 90% of the time with 4KFine for interviews, and 4K30FPS HEVC S for long form content. I believe it will not overheat in that mode so that is another place where it will replace the R7.

Dynamic Range - I don't pixel peep or use charts and graphs, I just get out and shoot; so far the dynamic range seems acceptable, not really more or less than other current cameras in my opinion. The one simple test that I do with each camera is have the sun directly behind the model and try to film her face without a fill light...basically the harshest possible scenario possible; and the R5II looked no different to me in that scenario than every other camera that I have tested.

CLOG 2 - All I can say is wow....this to me is the biggest improvement in image quality that I have seen in any mirrorless Canon camera. I have always shot in CLOG3 because I was used to it and with the C70 I used CLOG3 because it had to match the R7. I had no idea CLOG2 could make such a big difference. The highlight roll off, colors, and overall image quality in difficult lighting conditions is pretty incredible when compared to CLOG3 out of the R5. Any camera can get a good image in ideal lighting conditions, the real test is harsh lighting, highlight clipping, and highlight roll off, and with CLOG2 the camera excels in these situations. This one feature alone makes it hard to compare IQ out of the R5II vs other Canon mirrorless cameras; I can't tell if the sensor's DR is that much better, if its CLOG2 doing the heavy lifting, or both; but I am definitely satisfied with the image quality.

Viewfinder/Backscreen - Both seemed good to me, I still to this day prefer my OVF in my 5D4 vs any mirrorless EVF, but that's just me. The EVF in the R5II seems acceptable as EVF's go, and the backscreen was easy to see regardless of the lighting.

Dual Slot Recording - Of course the R5II can record to dual slots but only for a few modes due to the data rate limitations of SD cards. The main modes that I will use; 4K30/60FPS HEVC both can write to the SD card so for most of my work, I will have redundancy. One nice feature is that even when shooting video that can only record to the CFE card, the camera can be set to still save images to both cards.

Photography Features - I don't shoot sports so I don't really care about all of the new AF settings, I did test photography as well though and it performed exactly as expected. For me, there's nothing really new in this area that interests me; it triggered my remote flashes when it was supposed to, triggered the hotshoe flash properly and reliably, and overall felt like the R5 and every other Canon mirrorless camera.

Auto Focus - It has so many AF modes that I need to practice more in this area for video. I found myself switching modes more than I expected during the test shoots because the AF wasn't working the way I needed. Not the camera's fault, but just due to the sheer volume of settings, I need to get better at figuring out what mode is best for the situation.

Low Light - Haven't done almost any testing with this yet, but a second native ISO at 4000 is perfect and is the most useful place for a second ISO. I believe this second native ISO is only for video though, so it is a little murky to me what happens to noise when you set it to 4000ISO for photography. I will be shooting a lowlight event this coming weekend so I will do some more testing then.

So long story short, the Canon RII predictably builds on the R5 with the biggest surprise for me being CLOG2. After using the R5 and R7 I believe it fix the small things that I did not like about the R7 (no dual native ISO) and add things I didn't even know I was missing (4K SRAW, CLOG2, etc.).

THE BAD

Firmware Bugs - I really hope these things are fixable via a FW update, but at this point I almost feel like I need to bring a backup camera to shoots. I never felt that way even with FW 1.0 with the R7.

Screen Shuts Off Video Display - This one is bad.....3x now the back screen has gone black and will not show the video. It will show all of the configuration data on the screen such as WFM and histogram, but no video feed. If I switch to photography the display comes back, switch back to video there is no feed. The sensor is still working because the histogram shows changes when moving the camera around, but it will not display on the back screen. The only fix for this so far is to restart it. I opened a CPS case and Canon says it looks like a power distribution problem, I am working with my retailer to return or exchange it. There are reports that new FW is coming out this month to fix the issue, but I don't want to take any chances on the fact that I might have gotten a dud.

Stops Communicating with Lens - This happened twice for me. The Aperture read F00 and I had no Aperture or AF. This was with my Meike vND adapter and an EF lens. I tried changing EF lenses, removing the adapter then reinstalling it, etc. The only thing that fixed it was putting on my one RF lens then taking it off and putting back on the adapter. Of course I will get no help from Canon because the adapter is a 3rd party adapter.....not good.

Lost Settings - It has only done this once so far but it reverted some of my settings back to their default settings after a restart.

Playback - Pressing the review/playback button and it doesn't always show the last image taken, it will sometimes show two images prior or pick a random image to show, very disconcerting when trying to check the last image.

IBIS - Compared to my R7, the IBIS in the R5II is not as good. Its correction is very harsh when it reaches the end of its travel, and it jerks the image back to the center of the IBIS. If you do not reach the end of its travel then it is fine, but if you try walking for example, no matter how carefully you walk, the IBIS will jerk the image around instead of slowly correcting back to center. My Smallrig cage is on order, I am hoping when I get it installed that I will have better control over the camera when shooting handheld.

Battery Life - The battery life is noticeably worse than the R7. I went through 2 batteries shooting short clips with the camera mostly turned off in between. I was shooting 8K/4K RAW/Compressed up to 120FPS but they were still all pretty short. My battery life could have been so bad because I set my EVF to smooth, but I barely used the EVF because I was shooting video. This could be another indication of power distribution problems for my copy.

Overheating - The overheating warning came on when shooting 4KFine. I was shooting approximately 4 or 5 very short 30s clips and two bars showed up and it looked like it was going to climb pretty quickly. The ambient temps were around 90 degrees Fahrenheit and 80% humidity. No other mode displayed the warning for the rest of the day.

Electronic Level - Still a pet peeve of mine, it still disappears while recording.

4KSRAW - This codec has some major moiré issues that are not fixable in post. If the scene has nothing that will bring it out then the mode is fine, but it definitely has major issues. On a production shoot I don't think I would ever trust this mode for paying work.

THE ODD

The camera also has some weird quirks that take some getting used to. Once you know them and if you can remember them in the middle of a shoot then you are ok, but they are annoying nonetheless.

Histogram - The histogram will only display if Exposure Simulation is turned on. I do not like exposure simulation in certain lowlight situations so turning it off means I lose the histogram.

WFM - It is great that they included the WFM, but you can't move it, you can't resize it, and you can't turn it off/on via a button or even via a direct option in the Favorites menu.

Aspect Ratio Bars - They finally included this in the R5II, but it is only visible on the backscreen, so if you are shooting photos with the EVF you are out of luck. The Panasonic S5 had this years ago and displayed them in both places.

8K Compressed - 8K Compressed options disappear from the list if the recording option is not set to CFE only. Instead of just greying it out and telling you that when you try to use it, it completely disappears. Even odder, 8K RAW does not disappear and it tells you that you must use the CFE card only for recording.

8K60FPS - This is not documented clearly anywhere I have seen, but 8K60FPS is only an option if you pick compressed raw. I am fine with that, 8K is massive as it is, but I never saw the advertising materials mention 8K60FPS RAW is compressed raw only

CONCLUSION

If the bugs get worked out this is a worthy successor to the R7 for me. The image quality and features are what I expected when getting the camera. The bugs though really make it hard to trust this camera, it stopped communicating with the lens after a 1.5hr drive to a shoot that could only be done that day.....if I had not brought along my RF70-200 lens (which I usually don't for a video shoot), I may have been unable to get the camera working again...not a good feeling after buying a $4300 camera.

BONUS

I shot a camera test video with some local models and exotic cars to put the camera through its paces. This is the way that I will be using the camera every single day so that's how I tested it....no control over nature, lighting, venue setup, etc. For this shoot I used the Meike vND RF to EF adapter, Sigma EF 50mm F1.4, Canon EF 24-70mm F2.8, and the Canon RF70-200 F2.8. Mostly handheld, but I did use a gimbal for some of the longer walking shots.



Edited on Sep 19, 2024 at 08:09 AM · View previous versions



Sep 19, 2024 at 08:02 AM
Alan Kefauver
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p.1 #2 · Canon R5 Mark II - Real World Comprehensive Review


As a stills shooter, I have zero complaints. No issues so far at all.


Sep 19, 2024 at 08:05 AM
rscheffler
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p.1 #3 · Canon R5 Mark II - Real World Comprehensive Review


FLSeller wrote:
So below are my thoughts on the Canon R5 II so far, some bad, mostly good and possibly some of it was just due to me not fully getting used to the camera


Thanks for taking the time to write your experiences with the camera to this point, rather than just posting a video and saying 'watch this.'

The image review quirk where it shows an image one or two back from the last one is something I have previously experienced with other Canon cameras if I initiated playback immediately after taking a photo (I have auto playback disabled). It's like the system needs a second or two for it to fully transfer from the camera to the card. Does it happen to you even well after having taken the last photo? If it does, that would be odd.



Sep 19, 2024 at 08:31 AM
burningheart
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p.1 #4 · Canon R5 Mark II - Real World Comprehensive Review


I had one malfunction on Monday while shooting in West Glacier. After taking a stills shot the LCD went dark. After trying several things I discovered it was only dark while in place on the back of the camera. If I moved the LCD off the back of the camera the LCD once again displayed. When I put it back in place it went black again. Half hour later it was functioning fine. The EVF worked fine the whole time. Hopefully just a onetime glitch or could be a faulty connector. Otherwise it has functioned fine.

Actually one other issue that happened a few times when I power on with the lens cap off it misreads the lighting and thinks it needs a long exposure of 30seconds and the LCD and EVF show just a bright white screen. A quick power cycle resolves it.



Sep 19, 2024 at 10:23 AM
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p.1 #5 · Canon R5 Mark II - Real World Comprehensive Review


Nice write-up and excellent video. Which video processing program do you use, and which codex? do you apply to the file out of camera on 4k HEVC S for your CLOG 2? I am still learning on video and have a long ways to go. Thanks for this.



Sep 19, 2024 at 12:43 PM
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p.1 #6 · Canon R5 Mark II - Real World Comprehensive Review


rscheffler wrote:
Thanks for taking the time to write your experiences with the camera to this point, rather than just posting a video and saying 'watch this.'

The image review quirk where it shows an image one or two back from the last one is something I have previously experienced with other Canon cameras if I initiated playback immediately after taking a photo (I have auto playback disabled). It's like the system needs a second or two for it to fully transfer from the camera to the card. Does it happen to you even well after having taken the last photo? If it
...Show more

I have been shooting with Canon cameras for over 15yrs, never once experienced this, not with everything from Canon Rebels to the 5D series to my R5, R7, and other brands of cameras. It is very disconcerting especially since I shoot a lot of fashion shows and being able to check the last image quickly is critical vs the spray and pray approach. Writing a single 30Mb image to a CFE card should be nearly instant, even my timelapse camera (Canon Rebel 6Ti) writing to my slowest SD cards can handle this.


burningheart wrote:
I had one malfunction on Monday while shooting in West Glacier. After taking a stills shot the LCD went dark. After trying several things I discovered it was only dark while in place on the back of the camera. If I moved the LCD off the back of the camera the LCD once again displayed. When I put it back in place it went black again. Half hour later it was functioning fine. The EVF worked fine the whole time. Hopefully just a onetime glitch or could be a faulty connector. Otherwise it has functioned fine.

Actually one other issue that
...Show more

I made a video of the black screen/green screen problem and the retailer will let me exchange the camera; I can't afford to wait and see if the new FW that is supposedly coming out this month will fix all of these issues. I feel like I have multiple things going on some HW some FW. I also opened a CPS case and sent the video to Canon Support and they said it looks like an electrical problem or a power distribution problem....definitely not a camera body I want to hang on to.


dj63401 wrote:
Nice write-up and excellent video. Which video processing program do you use, and which codex? do you apply to the file out of camera on 4k HEVC S for your CLOG 2? I am still learning on video and have a long ways to go. Thanks for this.


I use Davinci Resolve, I cut the Adobe Premier cord in 2019 when COVID hit and work slowed down, it only took a week to learn the basics after using Premier Pro for many years. For the export codec I use AV1 which is the codec of the future. You need a pretty recent NVIDIA GPU to export to AV1, my GPU is the RTX 4080.

Also, I did get a PM from a user here but FM will not let me reply because my post count is low; I shoot mostly video and this forum is mostly photography focused so I am more active on video focused forums. For codec selection I will stick to 4K HEVC S 90% of the time, it has a low enough data rate to allow me to write to both cards for redundancy.

For certain commercial work I will use 4K SRAW depending on the project and quality required, 8K I will probably use very sparingly and do not yet know ahead of time when would be a good time to do so due to the massive file sizes. One example where I would use 4K SRAW and a little 8K would be for a band promo video where I could punch in with the 8K and where the 4K SRAW would give me the most WB flexibility in post since working with bands usually involve mixed lighting.

I will use 4K Fine for things like short interviews where I want top quality but the camera will overheat if you try to use 4K Fine for longform content so I will switch back to 4K HEVC S for longform work like fashion shows, dance recitals, and concerts.



Sep 20, 2024 at 06:17 AM
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p.1 #7 · Canon R5 Mark II - Real World Comprehensive Review


At present my group only does photography on commission but we have had an increasing number of requests for video. I have two staff getting up to speed on video and this review will be very helpful to them. Many thanks foe taking the time to post it.


Sep 20, 2024 at 07:05 AM
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p.1 #8 · Canon R5 Mark II - Real World Comprehensive Review


rancherpix wrote:
At present my group only does photography on commission but we have had an increasing number of requests for video. I have two staff getting up to speed on video and this review will be very helpful to them. Many thanks foe taking the time to post it.


Hybrid work is my #1 work these days. I can't remember a shoot where I just did photography. It is either photography/video or video only. Many times I get hired for video only and my upsell now is photography, it used to be the other way around. All of my current long term best clients hire me for video and ask me to throw in a few images here and there for social media. Times have definitely changed.

The R5II has great potential to be an outstanding hybrid camera if all of the bugs are worked out, but right at this moment, with the way things are, in my opinion the R7 is the better hybrid camera.

I do think the problems are so pervasive and so repeatable that Canon has to know about them and will get them fixed pretty quickly, my main concern is it might be a fundamental HW problem or HW assembly problem as well which means many early adopters will be stuck with problems that FW can't fix.



Sep 20, 2024 at 07:31 AM
artsupreme
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p.1 #9 · Canon R5 Mark II - Real World Comprehensive Review


FLSeller wrote:
Hybrid work is my #1 work these days. I can't remember a shoot where I just did photography. It is either photography/video or video only. Many times I get hired for video only and my upsell now is photography, it used to be the other way around. All of my current long term best clients hire me for video and ask me to throw in a few images here and there for social media. Times have definitely changed.

The R5II has great potential to be an outstanding hybrid camera if all of the bugs are worked out, but right at this
...Show more

I know it's best to use false color or histogram to expose but is there a fairly safe meter setting for a run and gun solution with Clog2? I know for the R5 it was best to expose Clog3 between +1 and +2 on the meter but I believe I've heard with the R5II and Clog2 it's best to shoot for 0 on the meter now?



Sep 20, 2024 at 01:04 PM
FLSeller
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p.1 #10 · Canon R5 Mark II - Real World Comprehensive Review


False color is for YouTubers and big projects where you have time for such things. When you are running and gunning as a solo shooter for fast moving events where you could be indoors one min, direct sun the next, deep shade 5min later, mixed lighting from stage backlighting, etc. you really don't have the luxury of using false color.

For interviews, documentary work, etc. where things are more controlled and less hectic false color is great. What I use is the Histogram which is available in every camera and the WFM in the C70 and R52 for most of my type of work. The Histogram is quite good when it's all you have, but for video the WFM is much easier to quickly check for highlight or shadow clipping.

As far as exposing, yes, CLOG2 is much easier to expose, in the perfect world you would meter 0 and the WFM would start right near the black clipping point and show no clipping near the highlights. In the real world for the typical project an R5II user would encounter you can't really use the exposure meter because it is calculating the entire scene vs what is most important to you. So, for example if you are filming someone near a bright window or strongly backlit the exposure meter will want you to far underexpose the skin tones which is what you need to preserve.

Here is where false color would be helpful but usually there's no time for it, so I use a combination of the WFM, and a little guess work by looking at the back screen. Once the skin tones look properly exposed, if I care about the highlights I then try to slightly underexpose the skin tones to preserve some of the highlights. In post I then bring down the lows and bring up the mids which is where the skin tones sit.



Sep 20, 2024 at 09:30 PM
ronno
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p.1 #11 · Canon R5 Mark II - Real World Comprehensive Review


I see no mention of waveforms here - I've been using that to help with exposing LOG with good effect.


Sep 20, 2024 at 11:09 PM
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p.1 #12 · Canon R5 Mark II - Real World Comprehensive Review


FLSeller wrote:
I have been shooting with Canon cameras for over 15yrs, never once experienced this, not with everything from Canon Rebels to the 5D series to my R5, R7, and other brands of cameras. It is very disconcerting especially since I shoot a lot of fashion shows and being able to check the last image quickly is critical vs the spray and pray approach. Writing a single 30Mb image to a CFE card should be nearly instant, even my timelapse camera (Canon Rebel 6Ti) writing to my slowest SD cards can handle this.


I made a video of the black screen/green screen
...Show more

Canon Rumors reports that cameras are coming out of service with firmware 1.01 installed - which fixes the green screen issue. Not sure what other issues it addresses - but it'll be out soon.



Sep 20, 2024 at 11:14 PM
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p.1 #13 · Canon R5 Mark II - Real World Comprehensive Review


Yes, I read that too, I am still going to exchange mine, I have 8 days left to exchange it, I figure I should do it while I can. I will say though...it performed flawlessly today, almost 1000 images at a fashion show and not a single problem, not even the playback problem.

I think using it for video is really what tips it into unstable territory.



Sep 21, 2024 at 12:09 AM
artsupreme
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p.1 #14 · Canon R5 Mark II - Real World Comprehensive Review


FLSeller wrote:
4KSRAW - This codec has some major moiré issues that are not fixable in post. If the scene has nothing that will bring it out then the mode is fine, but it definitely has major issues. On a production shoot I don't think I would ever trust this mode for paying work.



Check out this video around the 11:20 mark regarding 4KsRAW. Would you have an issue using it in nature scenes that might not create moire?





Sep 21, 2024 at 01:05 AM
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p.1 #15 · Canon R5 Mark II - Real World Comprehensive Review


I would definitely use it in nature scenes. I also used it in my sample test video quite a bit. I just would be very careful using it on a commercial set because I wouldn't know until later that it was in the video which is not a good feeling to have.

I made a video showing the issues, you can see it in this video in the banner to the right of the musician, it is unusable for commercial work with that type of problem. I think for personal use or maybe a personal project it would be ok.

&t=2s



Sep 21, 2024 at 08:49 AM
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p.1 #16 · Canon R5 Mark II - Real World Comprehensive Review


artsupreme wrote:
Check out this video around the 11:20 mark regarding 4KsRAW. Would you have an issue using it in nature scenes that might not create moire?




Why not using 8k RAW? I did film a 7-day safari all in 8k 50 RAW (R5c).

Are you doing long takes? Or is storage/cost your concern?



Sep 23, 2024 at 09:45 AM
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p.1 #17 · Canon R5 Mark II - Real World Comprehensive Review


action99 wrote:
Why not using 8k RAW? I did film a 7-day safari all in 8k 50 RAW (R5c).

Are you doing long takes? Or is storage/cost your concern?


I personally would never use that much 8K, massive files with limited additional benefit since the delivery medium is typically 4K highly compressed on YouTube, so a lot of wasted space for no major benefit. Yes I know 8K lets you punch in, but you can also punch in using the crop mode in camera, not quite as far or as sharp as 8K but still an option. If I really wanted to use 8K it would probably still be one of the compressed options and only for very short clips.

Another big problem with any of the raw options is you lose card redundancy, and yes, I have had a CFE card in the R5 get corrupted and had to use the SD card to ger the content off of the camera. Another downside to CFE cards is there is no write protect switch, so if something is wrong with your reader or computer, just plugging it into the reader could corrupt the card as well (yes I have had that happen before as well with a bad SD card reader).

For cameras with two SD card slots like the C70, if one card gets corrupted, I turn on the write protection on the second card as an additional failsafe while I copy the footage to the computer.




Sep 23, 2024 at 11:46 AM
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p.1 #18 · Canon R5 Mark II - Real World Comprehensive Review


FLSeller wrote:
I personally would never use that much 8K, massive files with limited additional benefit since the delivery medium is typically 4K highly compressed on YouTube, so a lot of wasted space for no major benefit. Yes I know 8K lets you punch in, but you can also punch in using the crop mode in camera, not quite as far or as sharp as 8K but still an option. If I really wanted to use 8K it would probably still be one of the compressed options and only for very short clips.

Another big problem with any of the raw options is
...Show more

You get free to change WB even massively, you get super sampled 4k 50/60 and you get 2x zoom in post that is very different than to use the crop mode of the camera especially with unpredicted subject like wildlife, if you track a cheetah or a lion is better to be on the loose side and reframe than to have a head chopped off.

You can record 2k proxy on the SD while recording RAW as redundancy.




Sep 23, 2024 at 12:24 PM
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p.1 #19 · Canon R5 Mark II - Real World Comprehensive Review


action99 wrote:
You get free to change WB even massively, you get super sampled 4k 50/60 and you get 2x zoom in post that is very different than to use the crop mode of the camera especially with unpredicted subject like wildlife, if you track a cheetah or a lion is better to be on the loose side and reframe than to have a head chopped off.

You can record 2k proxy on the SD while recording RAW as redundancy.




Well, the nice thing about this camera is that there's something for everyone. For the type of work I do (hype videos, music videos, events, promo videos, fashion, lifestyle, branding, etc.) I don't need any of that; or at least not enough for it to be worth it to me to deal with the massive files and redundancy loss.

I don't consider a 2K proxy file real redundancy, dual slot 4K recording is always my goal. It would be great if the proxy file was 4K, that would be a nice redundancy compromise. I would also probably use 4K SRAW more often despite its shortcomings if I knew I had a 4K HEVC S or XFAVC file to fall back on with the SD card.



Sep 23, 2024 at 05:12 PM
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p.1 #20 · Canon R5 Mark II - Real World Comprehensive Review


It looks like Canon released the first FW update for the R5II. Download Link

Firmware Version 1.0.1 incorporates the following fixes:
1. Fixes an issue in which movies captured in RAW/SRAW format may not play back properly on applications due to the attached lens and camera not communicating. (This kind of sounds like what I experienced where AF stopped working)
2. Improves the stability of the touch operation control when the [Touch control] is set to [Sensitive].
3. Fixes an issue in which the camera's LCD display may become abnormal after the camera resumes operations from the [Viewfinder off] state. (I think this is the black/green screen problem)
4. Fixes an issue in which the camera may stop working properly when the shutter button is operated while the BUSY message is being displayed on the screen.
5. Fixes an issue in which Err70 may be displayed when the display mode is switched between the LCD screen and viewfinder while the BUSY message is being displayed on the screen. (I got the busy message a lot, but no Err70)
6. Fixes an issue, in which the camera's LCD display becomes abnormal after using EOS Utility to capture and import movies.
7. Fixes an issue, in which movies captured using EOS Utility may not be played back on the camera.
8. Optimizes the auto white balance for specific environments when the Custom Picture function is set to [On].

I took no chances and sent mine back, I should get the replacement next week and I will update the FW once I get it. Nothing about rapid battery drain, but who knows...maybe one of these fixes fixed that as well.



Sep 26, 2024 at 05:33 AM
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