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p.3 #11 · Zeiss ZE 21 mm Review on Photozone | |
Steve Spencer wrote:
As the photozone site makes clear you can't compare across systems like that.
its horses for courses, they' re made for different purposes, even they might be in a similar focal lenghts. That's why I like to have both - a prime quality shift and a prime quality non shift.
In real life, you don't care if the MTF is a bit higher or not, but how you get bloody big object in a small room on the sensor. In these moments, you like the day your bought the N14-24, cause you can just zoom out enough to get b. object into the picture
It's not directly in context of a single image's quality, but a shiftlens offers flatstitching, which makes it more versatile vs a prime. That might save your life, the day when you need a 2:1-ratio, and a big output, so you can't crop with a wider focal lenghts.
17 TS-E with the Canon 1.4 TE
I' ve the N 1424 and been testing TSE 24, TSE 17 and TSE 17+1.4 TC, at the same day and situation:
While both the TSE 24 or TSE 17 are fine - it depends quite much on the shooting style - the TSE 17+1.4 TC produces quite a noticable amount of CA and distortion; in 99 % of all cases, you can't correct that distortion.. resolution and contrast wasn't that bad, but not really good either, I never would spendt 3000 on that combo.
As I' ve the N 14-24 (with the weakr side at 24), the TSE 24 is for my needs just the best addition.
Another photographer with different needs might be very happy with the ZE-21 - I have no problems whith that, I 'm rather glad that we can chose
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