I promised a shot or two of our New National Gallery. Bitte sehr:
2.8/25mm:
I converted it into B&W for better view of the ingenious construction of the architecture.
2/35mm:
2/35mm:
After finishing with the gentleman above I turned my cam around and took this one without further moving with 2.8/25mm:
When processing I had to take about two bazillions of signs, ugly posts, dust bins and unpleasing tourists out of the frame. Jesus.
(And softened the adjacent buildings with different degrees - the further away the stronger - to seperate the church more clearly and give it a touch of added three-dimensionality.)
I promised a shot or two of our New National Gallery. Bitte sehr:
2.8/25mm:
I converted it into B&W for better view of the ingenious construction of the architecture.
2/35mm:
2/35mm:
After finishing with the gentleman above I turned my cam around and took this one without further moving with 2.8/25mm:
When processing I had to take about two bazillions of signs, ugly posts, dust bins and unpleasing tourists out of the frame. Jesus.
(And softened the adjacent buildings with different degrees - the further away the stronger - to seperate the church more clearly and give it a touch of added three-dimensionality.)
I promised a shot or two of our New National Gallery. Bitte sehr:
2.8/25mm:
I converted it into B&W for better view of the ingenious construction of the architecture.
2/35mm:
2/35mm:
After finishing with the gentleman above I turned my cam around and took this one without further moving with 2.8/25mm:
When processing I had to take about two bazillions of signs, ugly posts, dust bins and unpleasing tourists out of the frame. Jesus.
(And softened the adjecent buildings with different degrees - the further away the stronger - to seperate the church more clearly and give it a touch of added three-dimensionality.)
I promised a shot or two of our New National Gallery. All taken with 35 & 25mm. Bitte sehr:
I converted it into B&W for better view of the ingenious construction of the architecture.
After finishing with the gentleman above I turned my cam around and took this one without further moving:
When processing I had to take about two bazillions of signs, ugly posts, dust bins and unpleasing tourists out of the frame. Jesus.
(And softened the adjecent buildings with different degrees - the further away the stronger - to seperate the church more clearly and give it a touch of added three-dimensionality.)
I promised a shot or two of our New National Gallery. All taken with 35 & 25mm. Bitte sehr:
I converted it into B&W for better view of the ingenious construction of the architecture.
After finishing with the gentleman above I turned my cam around and took this one without further moving:
When processing I had to take about two bazillions of signs, ugly posts, dust bins and unpleasing tourists out of the frame. Jesus.
(And softened the adjecent buildings with different degrees - the further away the stronger - to seperate the church more clearly and give it a touch of added plasticity.)
I promised a shot or two of our New National Gallery. All taken with 35 & 25mm. Bitte sehr:
I converted it into B&W for better view of the ingenious construction of the architecture.
After finishing with the gentleman above I turned my cam around and took this one without further moving:
When processing I had to take about two bazillions of signs, ugly posts, dust bins and unpleasing tourists out of the frame. Jesus.
(And softened the adjecent buildings to seperate the church more clearly and give it a touch of added plasticity.)
I promised a shot or two of our New National Gallery. All taken with 35 & 25mm. Bitte sehr:
I converted it into B&W for better view of the ingenious construction of the architecture.
After finishing with the gentleman above I turned my cam around and took this one without further moving:
When processing I had to take about two bazillions of signs, ugly posts, dust bins and unpleasing tourists out of the frame. Jesus.
(And softened the adjecent buildings, to seperate the church more clearly and give it a touch of added plasticity.)
I promised a shot or two of our New National Gallery. All taken with 35 & 25mm. Bitte sehr:
I converted it into B&W for better view of the ingenious construction of the architecture.
After finishing with the gentleman above I turned my cam around and took this one without further moving:
When processing I had to take about two bazillions of signs, ugly posts, dust bins and unpleasing tourists out of the frame. Jesus.
(Softened the adjecent buildings as well, to seperate the church more clearly and give it a touch of added plasticity.)
I promised a shot or two of our New National Gallery. All taken with 35 & 25mm. Bitte sehr:
I converted it into B&W for better view of the ingenious construction of the architecture.
After finishing with the gentleman above I turned my cam around and took this one without further moving:
When processing I had to take about two bazillions of signs, ugly posts, dust bins and unpleasing tourists out of the frame. Jesus.
(Softened the adjecent buildings as well, to seperate the church more clearly and give it a touch more plasticity.)
