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gdanmitchell
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Re: GFX seems to lack top-tier primes?


mzbe wrote:
Regarding 'color accuracy' and 'depth', and 16-bit being wonderful for portraits (as opposed to 14-bit full frame):

Fuji GFX (all current and historic models) has a 14-bit color Analog-to-Digital converter. The newer cameras interpolate that 14-bit data, and the marketing claim is 16-bit.

I have not seen an analysis of the new H2D2 in this regard. The sensor is the same, but Hasselblad may be using a different A2D pipeline and actually delivering 16-bit color depth.

In terms of accuracy, the better full frame cameras (e.g. Leica M11, Sony A7rV, Canon 5D) achieve a Sensitivity metamerism index (ISO 17321) of 84 (on a scale of 100, higher is better); source: DXOmark.

There are fewer measurements available for full frame cameras, one that I found was the Hasselblad X1D-50c at a SMI of 76.


Just as an aside, every so often I image the discussion in another decade or two, not of the difference between 14-bit and 16-bit color, but rather about how 34-bit color is “better” than 32-bit color… ;-)



Sep 05, 2025 at 10:49 AM





  Previous versions of gdanmitchell's message #16884935 « GFX seems to lack top-tier primes? »