saph wrote: Ross Martin wrote:
From a past fall shoot in Utah, with the 180mm f/2.8 AI-S. This lens was legendary among photojournalists back in the film days when I was a newspaper photographer. I was one of the few Canon users at that time but all my fellow shooters packed the 180/2.8 in their Domke canvas shoulder bag.
Nice fall scene Ross. The 180 2.8 AIS has been a fan fave on this thread too. I have had a green Domke F-6 for over ten years, its gone all over the world. The shoulder strap finally was so tattered I just recently replaced it with the same exact model. The bag looks very non-descript, that's what I like about it.
Thanks Samy. Nice to have another Domke user here. I like your shot of the storks!
____________________________________
I’ve been going back through RAW files from a 2012 trip in Utah where I carried several manual focus Nikkors. Here’s one with with the AI-S 85mm f/2 on the D800, autumn in Zion Canyon. End of the day and there wasn’t much light left, so exposure was 30 seconds at f/8, ISO 250 (thankfully no wind).
saph wrote: Ross Martin wrote:
From a past fall shoot in Utah, with the 180mm f/2.8 AI-S. This lens was legendary among photojournalists back in the film days when I was a newspaper photographer. I was one of the few Canon users at that time but all my fellow shooters packed the 180/2.8 in their Domke canvas shoulder bag.
Nice fall scene Ross. The 180 2.8 AIS has been a fan fave on this thread too. I have had a green Domke F-6 for over ten years, its gone all over the world. The shoulder strap finally was so tattered I just recently replaced it with the same exact model. The bag looks very non-descript, that's what I like about it.
Thanks Samy. Nice to have another Domke user here. I like your shot of the storks!
I’ve been going back through RAW files from a 2012 trip in Utah where I carried several manual focus Nikkors. Here’s one with with the AI-S 85mm f/2 on the D800, autumn in Zion Canyon. End of the day and there wasn’t much light left, so exposure was 30 seconds at f/8, ISO 250 (thankfully no wind).
saph wrote: Ross Martin wrote:
From a past fall shoot in Utah, with the 180mm f/2.8 AI-S. This lens was legendary among photojournalists back in the film days when I was a newspaper photographer. I was one of the few Canon users at that time but all my fellow shooters packed the 180/2.8 in their Domke canvas shoulder bag.
Nice fall scene Ross. The 180 2.8 AIS has been a fan fave on this thread too. I have had a green Domke F-6 for over ten years, its gone all over the world. The shoulder strap finally was so tattered I just recently replaced it with the same exact model. The bag looks very non-descript, that's what I like about it.
Thanks Samy. Nice to have another Domke user here. I like your shot of the storks!
I’ve been going back through RAW files from a 2012 trip in Utah where I carried several manual focus Nikkors. Here’s one with with the AI-S 85mm f/2 on the D800, autumn in Zion Canyon. End of the day and there wasn’t much light left, so exposure was 30 seconds at f/8, ISO 250 (thankfully no wind).
saph wrote: Ross Martin wrote:
From a past fall shoot in Utah, with the 180mm f/2.8 AI-S. This lens was legendary among photojournalists back in the film days when I was a newspaper photographer. I was one of the few Canon users at that time but all my fellow shooters packed the 180/2.8 in their Domke canvas shoulder bag.
Nice fall scene Ross. The 180 2.8 AIS has been a fan fave on this thread too. I have had a green Domke F-6 for over ten years, its gone all over the world. The shoulder strap finally was so tattered I just recently replaced it with the same exact model. The bag looks very non-descript, that's what I like about it.
Thanks Samy. Nice to have another Domke user here. I like your shot of the storks!
I’ve been going back through RAW files from a 2012 trip in Utah where I carried several manual focus Nikkors. Here’s one with with the AI-S 85mm f/2 on the D800, autumn in Zion Canyon. End of the day as there wasn’t much light left, so exposure was 30 seconds at f/8, ISO 250 (thankfully no wind).
saph wrote: Ross Martin wrote:
From a past fall shoot in Utah, with the 180mm f/2.8 AI-S. This lens was legendary among photojournalists back in the film days when I was a newspaper photographer. I was one of the few Canon users at that time but all my fellow shooters packed the 180/2.8 in their Domke canvas shoulder bag.
Nice fall scene Ross. The 180 2.8 AIS has been a fan fave on this thread too. I have had a green Domke F-6 for over ten years, its gone all over the world. The shoulder strap finally was so tattered I just recently replaced it with the same exact model. The bag looks very non-descript, that's what I like about it.
Thanks Samy. Nice to have another Domke user here. I like your shot of the storks!
I’ve been going through my RAW files from a 2012 trip in Utah where I carried several manual focus Nikkors. Here’s one with with the AI-S 85mm f/2 on the D800, autumn in Zion Canyon. End of the day as there wasn’t much light left, so exposure was 30 seconds at f/8, ISO 250 (thankfully no wind).
saph wrote: Ross Martin wrote:
From a past fall shoot in Utah, with the 180mm f/2.8 AI-S. This lens was legendary among photojournalists back in the film days when I was a newspaper photographer. I was one of the few Canon users at that time but all my fellow shooters packed the 180/2.8 in their Domke canvas shoulder bag.
Nice fall scene Ross. The 180 2.8 AIS has been a fan fave on this thread too. I have had a green Domke F-6 for over ten years, its gone all over the world. The shoulder strap finally was so tattered I just recently replaced it with the same exact model. The bag looks very non-descript, that's what I like about it.
Thanks Samy. Nice to have another Domke user here. I like your shot of the storks!
I’ve been going through my RAW files from a 2012 trip in Utah where I carried several manual focus Nikkors. Here’s one with with the AI-S 85mm f/2 on the D800, autumn in Zion Canyon.
saph wrote: Ross Martin wrote:
From a past fall shoot in Utah, with the 180mm f/2.8 AI-S. This lens was legendary among photojournalists back in the film days when I was a newspaper photographer. I was one of the few Canon users at that time but all my fellow shooters packed the 180/2.8 in their Domke canvas shoulder bag.
Nice fall scene Ross. The 180 2.8 AIS has been a fan fave on this thread too. I have had a green Domke F-6 for over ten years, its gone all over the world. The shoulder strap finally was so tattered I just recently replaced it with the same exact model. The bag looks very non-descript, that's what I like about it.
Thanks Samy. Nice to have another Domke user here. I like your shot of the storks!
I’ve been going through my RAW files from a 2012 trip in Utah where I carried several manual focus Nikkors. Here’s one with with the AI-S 85mm f/2 on the D800, autumn in Zion Canyon.
saph wrote: Ross Martin wrote:
From a past fall shoot in Utah, with the 180mm f/2.8 AI-S. This lens was legendary among photojournalists back in the film days when I was a newspaper photographer. I was one of the few Canon users at that time but all my fellow shooters packed the 180/2.8 in their Domke canvas shoulder bag.
Nice fall scene Ross. The 180 2.8 AIS has been a fan fave on this thread too. I have had a green Domke F-6 for over ten years, its gone all over the world. The shoulder strap finally was so tattered I just recently replaced it with the same exact model. The bag looks very non-descript, that's what I like about it.
Thanks Samy. Nice to have another Domke user here. I like your shot of the storks!
I’ve been going through my RAW files from a 2012 trip in Utah where I carried several manual focus Nikkors. Here’s one with with the AI-S 85mm f/2 on the D800, autumn in Zion Canyon.
Dec 17, 2024 at 10:52 AM
Previous versions of Ross Martin's message #16708979 « Manual Focus Nikon Glass »
