I jwent with the 35 f/1.4 VCM and the 50mm f/1.2 for the best of both worlds. The 35 for a smaller/lighter/wider lens and the 50mm f/1.2 for when I want the more shallow depth of field and a bit more compression. The rendering of the 50 f/1.2 is really nice, so I think I am sticking with it.