Silence speaks volumes, my very late understanding of the limitations I was placing upon myself with processing software is likely a ho-hum topic, and that is OK.
LR makes challenging light/exposure a pleasure to work with because it is fast! Other than noise it does not do much in the development arena that Capture NXD would not do, but getting instant feedback enables a lot of freedom.
No more to say, here are my last theatrical shots before the pandemic, processed for the kind of theater it was.
Another blasphemy: I do not like to use the 80-200mm 2.8 ED ais in theater because it has a lot of out of focus/bright edge artifacts, some remain at 4.0. The 50-300mm at 4.5 is the better lens for this use optically and also adds that extra reach.
Silence speaks volumes, my very late understanding of the limitations I was placing upon myself with processing software is likely a ho-hum topic, and that is OK.
LR makes challenging light/exposure a pleasure to work with because it is fast! Other than noise it does not do much in the development arena that Capture NXD would not do, but getting instant feedback enables a lot of freedom.
No more to say, here are my last theatrical shots before the pandemic, processed for the kind of theater it was.
Another blasphemy: I do not like to use the 80-200mm 2.8 ED ais in theater because it has a lot of out of focus/bright edge artifacts, some remain at 4.0. The 50-300mm at 4.5 is the better lens for this use optically and also adds that extra reach.
