Started to seriously process old negs with the PB-6, Z6, 55mm 3.5 and flash. Setup similar to the photo below but with more diffusing on the flash.
Using NX-D to process negs, it is fun to do it all backwards, my corrections are linear, would be nice to find custom curves. I am willing to buy adobe sw to improve my output. One of the complexities seems to be tonal change with exposure adjustments. I can get well exposed sunlit negs to look nice.
Will keep recording RAW NEFs as I can improve conversion later.
Any recommendations?
In my many lives I used to design optics and algorithms for fluorescent indwelling catheters to measure blood gases continuously as a fiber optic radial artery catheter.
These photos are from a clinical trial at Stanford Medical center.
30 years have passed but still selected photos to hide identities, except for mine.
Kodak Ektar 1000, Z6 at iso 100,flash verbotten, no noise reduction, wanted the film grain as it was. F2SB likely a 50mm 1.4.
Started to seriously process old negs with the PB-6, Z6, 55mm 3.5 and flash. Setup similar to the photo below but with more diffusing on the flash.
Using NX-D to process negs, it is fun to do it all backwards, my corrections are linear, would be nice to find custom curves. I am willing to buy adobe sw to improve my output. One of the complexities seems to be tonal change with exposure adjustments. I can get well exposed sunlit negs to look nice.
Will keep recording RAW NEFs as I can improve conversion later.
Any recommendations?
In my many lives I used to design optics and algorithms for fluorescent indwelling catheters to measure blood gases continuously as a fiber optic radial artery catheter.
These photos are from a clinical trial at Stanford Medical center.
30 years have passed but still selected photos to hide identities, except for mine.
Kodak Ektar 1000, Z6 at iso 100,flash verbotten, no noise reduction, wanted the film grain as it was. F2SB likely a 50mm 1.4.
