NightOwl Cat wrote:
If you keep the horizon center in the fisheye, it usually keeps things well in hand.
graytrekker wrote:
That 16mm fisheye seems to works really well for you on your Sony - the distortion looks well controlled in your images. I have never worked with anything wider than my 20mm . f2.8 AI-S - do you have to "de-fish" in post processing?
Alternatively point it upwards and add to an already distorted/curved building.
