Gary, I love the \"hands\" last page, and your last is really nice too
Reims: great to hear the SL is working well with M The 50 cron just smokes at that range (your last), and Puts says it beats the 50lux ASPH close up, which is really saying something. What a design
Mitch, TY for the comments, I let it go to 800, maybe I should cap at 640. I agree on that first color shot: to my taste the M9 often delivers a rich and subtle palette.
Rene, great imagination
Werner, color graveyard outstanding
Lenticular, that 25 looks very good. It\'s funny, the Sonys oversell on the LCD, while the M9 can undersell and delight once you really get to look at them. Very good in strong light. Re \"Putin\" This is the look you get after teaching skiing 45 seasons. I first met him in 1983
Rocky, love that last one, inspiring.
Joakim, the 006 is looking very rich.
Gary, I love the \"hands\" last page, and your last is really nice too
Reims: great to hear the SL is working well with M The 50 cron just smokes at that range (your last), and Puts says it beats the 50lux ASPH close up, which is really saying something. What a design
Mitch, TY for the comments, I let it go to 800, maybe I should cap at 640. I agree on that first color shot: to my taste the M9 often delivers a rich and subtle palette.
Rene, great imagination
Werner, color graveyard outstanding
Lenticular, that 25 looks very good. It\'s funny, the Sonys oversell on the LCD, while the M9 can undersell and delight once you really get to look at them. Very good in strong light. Re \"Putin\" This is the look you get after teaching skiing 45 seasons. I first met him in 1983
Rocky, love that last one, inspiring.
Joakim, the 006 is looking very rich.
