The Angleo Pelle case came like a flash from Italy. Really nice overall, great protection, my only gripe is the leather is four times as thick as the Luigi which guards my M9
BTW Chas, that Nokton is not so creamy as the f1, but look around and you will see some interesting comparisons which can flatter the now 700ish CV 50/1.1 But I\'ve given it little love since I bought a Sonnetar. Still I do take it to night events. But for personal stuff the tiny Sonnetar rules
While Mandler is lionised, for good reason, I prefer Karbe by a country mile, with a few caveats. Your 28 cron, the 50 Lux asph, SEM 18, 21, 24 and that unbelievable .95, even my 90/2.5, these are spectacular achievements to my eye. Digital features have dominating talking points since the turn of the century, while in truth, Karbe has revolutionized lens design in fundamental ways. Canikon have their constant aperture zooms, superb and remarkable, but for pure prime performance....I love the modern Leica glass, and the less numerous zeiss attempts to compete. I nearly bought a ZM 35/1.4 for 1650 yesterday.... I just love what Edward and others are doing with it.
The Angleo Pelle case came like a flash from Italy. Really nice overall, great protection, my only gripe is the leather is four times as thick as the Luigi which guards my M9
BTW coogee, that Nokton is not so creamy as the f1, but look around and you will see some interesting comparisons which can flatter the now 700ish CV 50/1.1 But I\'ve given it little love since I bought a Sonnetar. Still I do take it to night events. But for personal stuff the tiny Sonnetar rules
While Mandler is lionised, for good reason, I prefer Karbe by a country mile, with a few caveats. Your 28 cron, the 50 Lux asph, SEM 18, 21, 24 and that unbelievable .95, even my 90/2.5, these are spectacular achievements to my eye. Digital features have dominating talking points since the turn of the century, while in truth, Karbe has revolutionized lens design in fundamental ways. Canikon have their constant aperture zooms, superb and remarkable, but for pure prime performance....I love the modern Leica glass, and the less numerous zeiss attempts to compete. I nearly bought a ZM 35/1.4 for 1650 yesterday.... I just love what Edward and others are doing with it.
The Angleo Pelle case came like a flash from Italy. Really nice overall, great protection, my only gripe is the leather is four times as thick as the Luigi which guards my M9
BTW coogee, that Nokton is not so creamy as the f1, but look around and you will see some interesting comparisons which can flatter the now 700ish CV 50/1.1 But I\'ve given it little love since I bought a Sonnetar. Still I do take it to night events. But for personal stuff the tiny Sonnetar rules
While Mandler is lionised, for good reason, I prefer Karbe by a country mile, with a few caveats. Your 28 cron, the 50 Lux asph, SEM 18, 21, 24 and that unbelievable .95, even my 90/2.5, these are spectacular achievements to my eye. Digital features have dominating talking points since the turn of the century, while in truth, Karbe has revolutionized lens design in fundamental ways. Canikon have their constant aperture zooms, superb and remarkable, but for pure prime performance....I love the modern Leica glass, and the less numerous zeiss attempts to compete. I nearly bought a ZM 35/1.4 for 1650 yesterday.... I just love what Edward and others are doing with it.
The Angleo Pelle case came like a flash from Italy. Really nice overall, great protection, my only gripe is the leather is four times as thick as the Luigi which guards my M9
BTW coogee, that Nokton is not so creamy as the f1, but look around and you will see some interesting comparisons which can flatter the now 700ish CV 50/1.1 But I\'ve given it little love since I bought a Sonnetar. Still I do take it to night events. But for personal stuff the tiny Sonnetar rules
While Mandler is lionised, for good reason, I prefer Karbe by a country mile, with a few caveats. Your 28 cron, the 50 Lux asph, SEM 21, and that unbelievable .95, even my 90/2.5, these are spectacular achievements to my eye. Digital features have dominating talking points since the turn of the century, while in truth, Karbe has revolutionized lens design in fundamental ways. Canikon have their constant aperture zooms, superb and remarkable, but for pure prime performance....I love the modern Leica glass, and the less numerous zeiss attempts to compete. I nearly bought a ZM 35/1.4 for 1650 yesterday.... I just love what Edward and others are doing with it.
The Angleo Pelle case came like a flash from Italy. Really nice overall, great protection, my only gripe is the leather is four times as thick as the Luigi which guards my M9
