+1 @ each lens stands on its own ... that\'s the entire point.
You want an MF look, get an MF lens. Pretty simple, imo.
But, as to ALL MF lenses ... they all project from a different distance/angle than their FF or crop counterparts (Trigonometry 101) ... nothing subjective about that. Whether or not others want to believe that this impacts the MF \"look\" ... or believe that it is attributed to the size of the film/sensor everyone has to make that assessment for themselves.
Btw, if we use MF glass on digital MF vs. MF glass on film MF, (i.e. different size of capture area from same projected image) ... does the MF \"look\" change again based on the capture area ... or does the drawing style / \"look\" remain the same, just a larger area of capture/fov?
+1 @ each lens stands on its own ... that\'s the entire point.
You want an MF look, get an MF lens. Pretty simple, imo.
But, as to ALL MF lenses ... they all project from a different distance/angle than their FF or crop counterparts (Trigonometry 101) ... nothing subjective about that. Whether or not others want to believe that this impacts the MF \"look\" ... or believe that it is attributed to the size of the film/sensor (which btw opens the issue of MF on digital vs. MF on film @ different size capture area from same projected image), everyone has to make that assessment for themselves.
+1 @ each lens stands on its own ... that\'s the entire point.
You want an MF look, get an MF lens. Pretty simple, imo.
But, as to ALL MF lenses ... they all project from a different distance/angle than their FF or crop counterparts (Trigonometry 101) ... nothing subjective about that.
+1 @ each lens stands on its own ... that\'s the entire point.
You want an MF look, get an MF lens. Pretty simple, imo.
But, as to ALL MF lenses ... they all project from a different distance/angle than their FF or crop counterparts (Trigonometry 101) .. .nothing subjective about that.
Jul 03, 2013 at 11:54 AM
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