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Archive 2010 · 5D2 looks "digital" compare to 5D?

  
 
RDKirk
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p.2 #1 · 5D2 looks "digital" compare to 5D?


jeremy_clay wrote:
Or shoot thousands of frames a week with both and are attuned enough to their images and style to see the difference.



So what is the difference? What does "organic" mean in this context?



Jun 13, 2010 at 06:42 PM
chez
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p.2 #2 · 5D2 looks "digital" compare to 5D?


yauyi wrote:
What Peter described sounds more like a monitor/display issue, if you change your display property from the Color section from 32bit to 16bit(or lower) you'll see a heck lot more of those type of harsh transition!!


I don't know about that. I have a nice calibrated monitor and I see that yellow ring around the sun. I've also noticed a very rapid transition from bright to specular highlights and it takes a lot of careful processing when trying to recover any details in those areas. I find film ( medium format ) gives me way more latitude in the highlights.

As far as the 5D / 5DII are concerned, they both produce wonderful images and when printed, the results are stunning.



Jun 13, 2010 at 06:43 PM
RobertLynn
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p.2 #3 · 5D2 looks "digital" compare to 5D?


Imagine an image coming from a digital camera, looking like an image that came from a digital camera.

What's the big deal to look like film anyway? I've seem the kodachrome and ektachrome and provia in use. Yeah, they look sweet but it's a different media.

A digital sensor isn't a piece of film. Period.

It's like the folks at Line 6 (guitar amp company) saying that the Mesa Rectifier sound they have is the same as a real Mesa Rectifier. It isn't and it will not be. Two different types of media.

If you want film look, shoot film. Sorry if I'm coming off as a jerk, but seriously we should expect different digital sensors to look different from each other. It's not like a film camera where you put provia in each one so each exposure regardless of camera was provia. These are different cameras with different sensors.


Edited on Jun 13, 2010 at 07:25 PM · View previous versions



Jun 13, 2010 at 07:21 PM
Peter Figen
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p.2 #4 · 5D2 looks "digital" compare to 5D?


I KNOW that you are discussing the 5D vs. 5DII. I was just pointing out one of the very things that makes a certain type of image look "digital". It's there on the image I mentioned and if you'd never shot and drum scanned film and had seen any different, you might not know that there was any other option. I have. It's also about recognizing the subtle things that separate good images from great images, and at the same time learning to get the most out of the equipment you have. I mentioned Iridient because Raw Developer often allows one to avoid or at least minimize one the things that cause images to look digital. The last sentence assumes that looking digital is bad, and in the case of harsh highlight transitions, it is. If you're shooting high ISO available light, like I was doing last night, then it's no contest, digital, even with it's artifacts, is far better than any film I know about.


Jun 13, 2010 at 07:23 PM
wickerprints
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p.2 #5 · 5D2 looks "digital" compare to 5D?


This has to be one of the most ridiculous threads I've seen in a while.

First of all, define what it means for an image to look "organic." Describe in specific terms what qualities such an image has, and how those qualities distinguish it from an image that purportedly lacks it.

Second, the people who claim film gives a different "look" compared to a digital sensor are speaking in trivialities. Of course they are different. At what point did the film get represented as a RGB data set for you to make a valid comparison? For those of you who think that a digitally scanned transparency yields more fidelity, you're full of s*** because once you use a analog-to-digital device to rasterize the source, you are basically doing the same thing that you did with a digital sensor. Yes, you could fine-tune the scanner to pick up certain characteristics present in the film. But you could do the same thing with the sensor. The basic principles of the recording technology are the same, be they CCD or CMOS.

If you maintain that the film scan looks better--not because it is more faithful, but because it possesses those undefined characteristics that were given the label "organic"--it's because you are picking up the imperfections intrinsic to the film exposure. What you are liking are the artifacts from using film (e.g., grain, saturation).

As for comparing sensors-to-sensors, the only real difference you will see is from various implementations of the sensor in terms of color fidelity, dynamic range, noise control, pixel density, etc. If the combination of these factors leads to a more "organic" look, whatever that means, then buy that sensor. Nobody is stopping you.

I mean, really...buy whatever the hell floats your boat. Buy a freaking Lensbaby or a Holga or a Leica M9 + Noctilux or a Rebel or a P&S. 99.9% of an image has more to do with your choice of subject, exposure, composition, and aesthetics--in other words, who you are as a photographer, what it means to engage in the process of taking pictures, and what energy you bring to it--and that last 0.1% might have to do with these technical minutiae and navel-gazing discussions over "organic" vs. "digital" or "3D" vs. "everything else." Frankly, that last 0.1% is not worth arguing over. And it is most certainly not anything worth boasting about or exalting as if such things were the very definition of a superior photograph.

These kinds of debates are a convenient way for a certain segment of enthusiasts to talk about photography without having to actually possess any creativity.

The surest sign of an insecure photographer is someone who thinks that it is somehow important--or even relevant--that an image should look "film-like" or "3D" or some other nebulous quality, in order to be a good photo.



Jun 13, 2010 at 08:01 PM
J_Andrew
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p.2 #6 · 5D2 looks "digital" compare to 5D?


wickerprints wrote:
This has to be one of the most ridiculous threads I've seen in a while.

First of all, define what it means for an image to look "organic." Describe in specific terms what qualities such an image has, and how those qualities distinguish it from an image that purportedly lacks it.

Second, the people who claim film gives a different "look" compared to a digital sensor are speaking in trivialities. Of course they are different. At what point did the film get represented as a RGB data set for you to make a valid comparison? For those of you who think that
...Show more

++++1



Jun 13, 2010 at 08:28 PM
LightShow
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p.2 #7 · 5D2 looks "digital" compare to 5D?


Well said wickerprints, best no BS post I've seen in a while.
Re. the un-even transition around the sun,
It's an 8bit jpg sized for the web, not a 16bit tiff.*shakes head*



Jun 13, 2010 at 10:01 PM
SLD
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p.2 #8 · 5D2 looks "digital" compare to 5D?


wickerprints wrote:
This has to be one of the most ridiculous threads I've seen in a while.



There're couple more out there, lol...

Some people just worried about their gears too much than their ability of using it, and I believe that most the time they even didn't know what they were talking about...



Jun 13, 2010 at 10:10 PM
I Am Luna
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p.2 #9 · 5D2 looks "digital" compare to 5D?


!LOUD NOISES!


Jun 13, 2010 at 10:21 PM
jeremy_clay
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p.2 #10 · 5D2 looks "digital" compare to 5D?


wickerprints wrote:
These kinds of debates are a convenient way for a certain segment of enthusiasts to talk about photography without having to actually possess any creativity.

The surest sign of an insecure photographer is someone who thinks that it is somehow important--or even relevant--that an image should look "film-like" or "3D" or some other nebulous quality, in order to be a good photo.



My only income is photography. The 5D/5DII difference exists, and for those of us who work with these files for a living will agree. It many not be something immediately measurable in a brickwall test that I know this forum loves, but you naysayers are flat wrong. Sorry. Check my URL(s) if you're bored, but as someone who has extensively used both of these bodies for hundreds of thousands of clicks, the difference is there.
If it doesn't matter to you (general forum "you"), then great; it's a very capable cam which produces awesome images. Why everyone wants to shout down this conversation and condemn it is beyond me (especially considering the convos some of them have been involed in regarding gear).



Jun 13, 2010 at 10:46 PM
gdanmitchell
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p.2 #11 · 5D2 looks "digital" compare to 5D?


yauyi wrote:
While I was doing research on new lens and camera (5D2,1D4,7D,etc) I came across a few posts where people claimed that the 5D2 file looks "digital" and not as "organic" in comparison to the 5D Personally I have not use the classic 5D before so I have no idea what it means about not being organic. Can someone please explain(or show me) about these digital and organic look and what causes it? Is such claim for real or was it just an imagination and a side effect from drinking too much Coolaid??


I shot a 5D for a couple years and have now shot the 5D2 for over a year and a half. I still have the 5D and I sometimes use both cameras together.

Some people think that the older thing is always better than the newer thing in some way. I don't understand the psychology behind this, but it is a strange thing.

Frankly, when I have both 5D and 5D2 images in ACR I cannot tell which are which without checking the pixel dimensions.

Any time someone resorts to terms like "organic" or "film-like" to describe the "magical qualities" of some piece of gear, be skeptical. Very skeptical.

Dan



Jun 13, 2010 at 10:57 PM
jfulton
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p.2 #12 · 5D2 looks "digital" compare to 5D?


From www.picassomio.com:

http://www.picassomio.com/discover/paintings/glossary-of-terms-paintings.html

"Organic
Natural, or referring to nature in shape or form. Organic is the opposite of synthetic. "

I tend to loosely use the "digital" look to mean "hyper-real."

organic





Edited on Jun 13, 2010 at 11:16 PM · View previous versions



Jun 13, 2010 at 11:09 PM
Peter Figen
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p.2 #13 · 5D2 looks "digital" compare to 5D?


"First of all, define what it means for an image to look "organic." Describe in specific terms what qualities such an image has, and how those qualities distinguish it from an image that purportedly lacks it."

It's kinda like pornography - you know it when you see it.

"Second, the people who claim film gives a different "look" compared to a digital sensor are speaking in trivialities. Of course they are different. At what point did the film get represented as a RGB data set for you to make a valid comparison? For those of you who think that a digitally scanned transparency yields more fidelity, you're full of s*** because once you use a analog-to-digital device to rasterize the source, you are basically doing the same thing that you did with a digital sensor. Yes, you could fine-tune the scanner to pick up certain characteristics present in the film. But you could do the same thing with the sensor. The basic principles of the recording technology are the same, be they CCD or CMOS."

Maybe if you're using a piece of crap CCD scanner that can't record the entire range of the scanned film, but use a good old fashioned analog photomultiplier tube and you'll see a huge difference. A high end scanner does a pretty damned good job of recording the subtleties of film gradations, particularly at the high end of the tonal scale.

"If you maintain that the film scan looks better--not because it is more faithful, but because it possesses those undefined characteristics that were given the label "organic"--it's because you are picking up the imperfections intrinsic to the film exposure. What you are liking are the artifacts from using film (e.g., grain, saturation)."

The above statement only says to me that you've never seen a really great film scan. What I've been referring to specifically is the way film transitions from highlight detail into specular highlight vs. the digital does. And yes, you certainly can see that on a good scan from someone who knows how to get the most out of their drum scanner. It's the same difference between how a digital amplifier clips the sine wave when pushed too far vs. a tube amp which is much much smoother. Musicians ands audiophiles can hear the difference just as easily as someone with trained eyes can see the difference.

"As for comparing sensors-to-sensors, the only real difference you will see is from various implementations of the sensor in terms of color fidelity, dynamic range, noise control, pixel density, etc. If the combination of these factors leads to a more "organic" look, whatever that means, then buy that sensor. Nobody is stopping you."

There's no arguing with that.

"I mean, really...buy whatever the hell floats your boat. Buy a freaking Lensbaby or a Holga or a Leica M9 + Noctilux or a Rebel or a P&S. 99.9% of an image has more to do with your choice of subject, exposure, composition, and aesthetics--in other words, who you are as a photographer, what it means to engage in the process of taking pictures, and what energy you bring to it--and that last 0.1% might have to do with these technical minutiae and navel-gazing discussions over "organic" vs. "digital" or "3D" vs. "everything else." Frankly, that last 0.1% is not worth arguing over. And it is most certainly not anything worth boasting about or exalting as if such things were the very definition of a superior photograph."

You're coming across angry because there are people who can see things that perhaps you can't at this moment. That's fine. There are people who can see the differences and those differences do affect how they perceive their images.

"These kinds of debates are a convenient way for a certain segment of enthusiasts to talk about photography without having to actually possess any creativity."

Dude, I don't see a web site under your name with your images out there to see. Mine is out there in the open for anyone to look at. Judge for yourself.

"The surest sign of an insecure photographer is someone who thinks that it is somehow important--or even relevant--that an image should look "film-like" or "3D" or some other nebulous quality, in order to be a good photo."

Statements like this are, well, I won't even go there...



Jun 13, 2010 at 11:10 PM
gene A.
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p.2 #14 · 5D2 looks "digital" compare to 5D?


I just picked up a 5DII Saturday and shot two jobs with it this weekend. I have three 5D's that have seen alot of use, well past the number of exposures these bodies are rated for. I'm sure I am very used to the output of the 5D's but I could tell the diffrence between the 5D and 5DII"s on the monitor instantly. They have more contrast and saturation than the old bodies and I think its very obvious. I am hoping to tone it down through camera settings before my wedding and Bar'Mitzvah next weekend. I'm surprised everyone here is playing down the difference I think its pronounced.

Now don't get me started on the difference in button functions, after shooting a few hundred thousand frames with the old bodies its really annoying, and the flash metering is also different, but still sucks.



Jun 13, 2010 at 11:11 PM
deepbluejh
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p.2 #15 · 5D2 looks "digital" compare to 5D?


This is really only an issue when you start peeping at the pixel level. Yes, the difference is real and it's there. No, it doesn't actually make a huge difference in real life usage. On the "whole image" level, you can process to suit your preference. On the pixel level one camera may look more digital than other, but the end consumer is very unlikely to notice a difference unless the print is *huge*.

I understand what you're saying and yes I have seen it too, but I really don't think it's a huge deal if you know how to properly process your images.



Jun 13, 2010 at 11:33 PM
yauyi
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p.2 #16 · 5D2 looks "digital" compare to 5D?


Hey Deepbluejh, do you remember from where did you saw the difference? curious mind trying to see what the Pro are talking about....


Jun 13, 2010 at 11:36 PM
Mirek Elsner
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p.2 #17 · 5D2 looks "digital" compare to 5D?


I don't know about the "more digital" or "more film like", but the 5D2 has higher resolution and makes better (more natural) looking lager prints compared to 5D.




Jun 14, 2010 at 12:03 AM
wickerprints
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p.2 #18 · 5D2 looks "digital" compare to 5D?


Peter Figen wrote:
It's kinda like pornography - you know it when you see it.


That's not a definition.


You're coming across angry because there are people who can see things that perhaps you can't at this moment. That's fine. There are people who can see the differences and those differences do affect how they perceive their images.


And you're coming across arrogant because you want to see things that make no difference to me--and by the looks of it, quite a few other people as well--when it comes to answering the question, "what is a meaningful photograph?"

My whole point is not that the differences do not exist. I even SAID as much but it is typical snobbery to go about talking as if they actually MATTER in a way that has any relationship to the artistic process of making a photograph. Because if things you can't even define matter to you--or anyone else--then sure, you took a sucky photo. But not for the reasons that you think.

Dude, I don't see a web site under your name with your images out there to see. Mine is out there in the open for anyone to look at. Judge for yourself.

I don't publish online out of choice, not out of lack of ability. What I do put out there every now and then is my business. Your insinuation that I don't parade my name and my work about because I am unwilling to open myself to critique only reflects your insulting and combative attitude, and ultimately confirms the truth of what I said. I didn't single you out in my previous post, never even implied that anything I wrote was even directed at you. And yet you took my comments personally.

Statements like this are, well, I won't even go there...

Maybe because I've dared to call certain people out on their pretentiousness regarding making compelling images and for some strange reason, you think that has something to do with you?

I think it is terribly tragic that in some individuals' eyes, photography is reduced to a technical exercise about which lenses and bodies and systems capture some nebulous effect, as if the ability to catch this "look" is what gives their images value. And not because I feel it must be a miserable existence for the afflicted photographer, but because I feel bad for all the others out there who buy into this misguided attitude and automatically think they cannot take a compelling and beautiful image that reflects their unique aesthetic vision, simply because they don't have the "right" equipment. In the face of this, do things like CA, field curvature, and 1 stop dynamic range even matter? Do you really believe that the great photographic legacy of all who have come before us amounts to taking pictures with the greatest possible fidelity and detail?

Art is not limited by your tools but by your imagination.

Edited on Jun 14, 2010 at 07:59 AM · View previous versions



Jun 14, 2010 at 01:54 AM
wickerprints
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p.2 #19 · 5D2 looks "digital" compare to 5D?


jeremy_clay wrote:
My only income is photography. The 5D/5DII difference exists, and for those of us who work with these files for a living will agree. It many not be something immediately measurable in a brickwall test that I know this forum loves, but you naysayers are flat wrong. Sorry. Check my URL(s) if you're bored, but as someone who has extensively used both of these bodies for hundreds of thousands of clicks, the difference is there.


Again, my point is not that there is no difference. My point is that whatever such differences you see are not what makes the photograph "good" or "bad."

And I have seen enough of your work to be nearly able to pick your stuff out even if you didn't identify it. Your work is notable and excellent, but for reasons entirely separate from this discussion about intangibles like "organic" and "3D." Frankly, it'd be insulting to reduce your stuff down to that, when it is plain as day that what makes your images compelling is your attention to your subject--in particular, the way you execute the technical details in a synergistic fashion to emphasize what you saw in that moment.

That is not to say you would have the exact same results had you used a camera phone. I'm not suggesting that the camera phone is a viable substitute for your bread-and-butter. But if you DID use a camera phone, I have complete confidence that you have the vision to find a way to do something equally amazing with it.

It is a bit as if you were a concert pianist, and although you normally play on a top-of-the-line Steinway or Yamaha, someone handed you a kid's toy piano. You're not going to play Lincoln Center with it, but you can still do things with it that a novice cannot. In fact, some people might rope you off in an art gallery.

Your personal vision is where the heart of photography lies. Not in some magic lens or emulsion.



Jun 14, 2010 at 02:30 AM
ultrapix
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p.2 #20 · 5D2 looks "digital" compare to 5D?


5DII looks digital?
Yay, something looking for what it is

I love mine; had the original version, loved that one too



Jun 14, 2010 at 02:32 AM
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