Ulff...that tree photograph, outstanding.
nibutto great series, creative work.
samuli, you and the 2/135 and boats go together well.
Rodluvan, you seem to have a handle on the 50P, is that one of your favorite lenses?
akul, nice work, when I think of NY, I don't normally think of all that open space!
user222 wrote:
Rodluvan, you seem to have a handle on the 50P, is that one of your favorite lenses?
I have to say it is although it's the less extreme of all (50mm will do that). I find it captures colors very well and it's a joy to use, both in size and operation. Definitely the bargain lens in the ZF line-up (well, perhaps side by side with the 2/35).
nibutto...that is a classic mirror shot. lol
rodluvan...color and light is so nice in that first one.
luka...thx! nice ones.
david that is pretty cool. love the texture of the water.
Thanks. No, it's nature light from the window. I shot it at f1.4. My boy was leaning on the couch playing his iPad and refused to face my way so I just shot the shoes
Rodluvan, that old woman in 85P picture definitely didn't like her picture taken based on her expression
darbo, very creative colours, first I hated it but after seeing it few times I kind of like it.
Akul, "35 /2 @f4" (building, your last post on previous page) good presentation of 2/35 rendering.
More tourist stuff (based on some browsing of Flickr seems that everyone ever visited Malta has shoot these two) from Malta holiday, few first Filfla island and last one Blue Grotto.
Carl Zeiss APO-Sonnar T* 2/135 @ f/11, 1/1600s, ISO 100, polarizer
Really nice to shoot this kind of scene with real APO lens, not even hint of magenta in the highlights. APO correction is better than the of Leica APO-Elmarit-R 180mm f/2.8.
Carl Zeiss APO-Sonnar T* 2/135 @ f/4, 1/50s, ISO 100, polarizer
Carl Zeiss Distagon T* 2/28 @ f/5.6, 4s, ISO 100, polarizer
I hadn't heard about the different bokeh with the 50mm MP so I'll have to give it more thought. I agree about 35 and 50 being so close that I'm not sure it would be wise to get both.
I still don't really understand the focus shift problem with the 85mm f1.4. If I'm focusing and shooting at 1.4, and it looks sharp, why would the focus shift? It's already wide open.
