Kit Laughlin Offline Upload & Sell: Off
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p.2 #14 · Any switchers from 5D to D700? | |
I just processed ~400 Raw shots for my next book today (Canon 5D, 24–70/2.8). I have over 1700 images from the same photographer, same models, same lighting setup, but from six months ago. Today's shots are the pickups (that is, the images I need to finish the book; these we missed from the previous week-long shoot).
The point? The photographer, a good friend, used the D3 on the first shoot, a camera completely unknown to him until ten minutes before the shoot; the 5D plus lens is his own camera (he has worked with this over the last three years).
In today's images, about 10% are soft, and the red channel is blown on about 25% of the images (can be recovered, though). On the last shoot, same setup, no soft images and no blown red channel.
Personally, I have shot over 10,000 images with both bodies (nearly 20,000 with my old 5D). The D3/D700 sensor is, IMHO, a better mousetrap. The 24–70/2.8 Nikkor (used on the 1700-odd images) is sharper and has less CA in the very difficult lighting setup we are using, as well. (We are coming as close to blowing out the white material background as we can, to mask all images, so the graphic designers can drop out the BG completely if they want, while keeping decent skin tones; anyone who has tried to do this with studio strobes will know how hard this is to do).
The D3 files are—frankly—better overall. I think the 5D has really set the standard for FF until now, but I feel the D3/D700 files have more latitude in PP. We are only using 12 bit—for the size reproduction (BW, half page max), I can't see a difference.
So, to the OP, buy a D700 with confidence. Built-in flash, weather sealing, 3" LCD, and better ergonomics to boot. Come back to the Dark Side; you won't regret it. cheers to all, KL
Edited on Aug 04, 2008 at 04:55 AM
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