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p.2 #15 · do i REALLY need to take the 16-35/4 for landscapes? | |
MintMar wrote:
I recently fell in love with fisheye for the reeeeeeeeeeeeally wide. I travelled to the North, to Iceland, with friends.
I knew I'd be really wheezing behind decade or more younger and more fit guys, who also won't be weighed down by kilograms of the Canon gear because they shoot smartphones, so after getting the idea, getting the vintage EF 15/2.8 FE and a bit of a "training" in Austria, I gradually reduced my gear down to R6/2. 15FE, EF 24-70/2.8 L II and 70-300 DO IS. Plus the 320EX flash because it was small and it had a video light.
In the end, bar a few places where I would not dare to whip out the FE, because close to the waterfall there was a constant cloud of water spray, I was so glad I took the FE instead of 16-35/4 which was also one of the alternatives.
The 15FE is ye olde lens (although mine is one of the last batches from 2011) with with no WR sealing, so it may be limited in humid areas, but there is 8-15L. 
Yes, the 16-35 is a well corrected zoom, and unless you have some nasty verticals that would be heavily distorted, you can shoot almost any angle, in the end, that thing is not wide enough. There is just one mm of FL at the end difference, but I'd never believe how much of the wide angle the rectilinear correction can take. In fact, after I returned, I thought perhaps I should shell out money for EF 11-24, but that thing is for all its cost still not as wide enough as the 15FE.
Yes, if you don't want weird and pronounced deformations, you need to shoot pretty much level, but many landscapes are naturally "curved" so the fisheye effect will be basically lost there, for a viewing angle that is unprecedented unless you stitch a panorama.
This is Hunafjordur with the rock called Hvitserkur, shot with the FE. The 16-35 could take perhaps 2/3 of the width.
https://syning.webpropag.cz/pix/hvitserkur.jpg...Show more →
At long last one other person posting about the EF 70-300 DO IS, a lens I cherished against all the negative vibes most folks voiced about it. Sure, the charts are not L class, but for travel photography not greatly oriented towards telephoto pictures, it is an excellent compromise of weight, volume and capabilities. Despite many stellar accomplishments in the new RF range of lenses, there is still nothing equal to it either. See some pictures from 2011, with an 5D and a 40D: https://www.lamanchatx.com/Travel-Photography/Peru/Machu-Picchu-Color. Corrections were made with Aperture.
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