Studio photographers pay a lot of money to create soft light while all a nature photographer has to do is wait for a foggy day. While fog creates it's own challenges, I enjoy taking photos on a foggy day. This green heron was the first decent subject I spotted on my recent visit to the Marine Nature Study Area in Oceanside, NY.
Comments and suggestions welcome,
Morris
1) Preening
X-H2SXF500mmF5.6 R LM OIS WR + 1.4x lens700mmf/8.01/900s1600 ISO+0.7 EV
2) Shaking something off and the feathers went flying
X-H2SXF500mmF5.6 R LM OIS WR + 1.4x lens700mmf/8.01/850s1600 ISO+0.7 EV
3) Preening
X-H2SXF500mmF5.6 R LM OIS WR + 1.4x lens700mmf/8.01/850s1600 ISO+0.7 EV
4) Scratching an itch
X-H2SXF500mmF5.6 R LM OIS WR + 1.4x lens700mmf/8.01/850s1600 ISO+0.7 EV
5) Into the air
X-H2SXF500mmF5.6 R LM OIS WR + 1.4x lens700mmf/8.01/850s1600 ISO+0.7 EV
6) Flying over the marsh
X-H2SXF500mmF5.6 R LM OIS WR + 1.4x lens700mmf/8.01/850s1600 ISO+0.7 EV
7) Back to preening
X-H2SXF500mmF5.6 R LM OIS WR + 1.4x lens700mmf/8.01/850s1600 ISO-0.7 EV
8) Blastoff
X-H2SXF500mmF5.6 R LM OIS WR + 1.4x lens700mmf/8.01/900s1600 ISO-0.7 EV
9) Flying away
X-H2SXF500mmF5.6 R LM OIS WR + 1.4x lens700mmf/8.01/900s1600 ISO-0.7 EV
