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The Perfect Lens Selection

  
 
Donbioh
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p.1 #1 · The Perfect Lens Selection


What's your lens setup? Which lenses do you own, and do you have a strategy behind them? Doubling the focal lengths, etc.?

I currently have the following lenses:

Ultra-wide angle:
Sony 16mm 1.8 G

Wide angle:
Sony 24mm 1.4 GM

Ultra-compact:
Sony Zeiss 35mm 2.8

Normal:
Sony 35mm 1.4 GM
Sony 50mm 1.2 GM

Telephoto:
Sony 85mm 1.4 GM II
Sony 135mm 1.8 GM

Each lens has its advantages, but in the end, there are a lot of lenses, and I'm considering optimizing a bit.

I document my family's everyday life 100% of the time, and 35mm and 50mm are my favorite focal lengths.

How do you do it?



Jun 11, 2025 at 12:34 PM
wordfool
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p.1 #2 · The Perfect Lens Selection


My only strategy has been to buy lenses that I need for particular use cases as I encounter them. For example, I built up a set of fast (f/1.4 or f/1.8) primes from 20mm-135mm because over the years I've had gigs where my trusty f/2.8 zooms were just not fast enough for the light levels (I do a lot of film set photography, for example, and have to contend with DPs who seem to be anti-light). My two zooms over 200mm were bought purely for wildlife photography and get used during specific seasons every year.

Unless you have "the need for speed" I think f/4 or f/2.8 zooms are probably far more useful for everyday photography and in recent years have improved enough to be almost on par with many primes in terms of image quality. Having said that, I used to be entirely a zoom lens person but have come to appreciate how primes give me a different creative perspective on photography.



Jun 11, 2025 at 12:50 PM
aCuria
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p.1 #3 · The Perfect Lens Selection


You can analyze this based on what is optimal (to you) for different purposes, and how much of a delta you are willing to accept between having optimal lenses for every situation, or re-using lenses that are optimal in other situations

For example… this is what I think is optimal and where I think I am making compromises

### General low light photography
- Optimal: 14/1.8, 16/1.8, 20/1.8, 24/1.4, 35/1.4, 50/1.4
- Compromise: 35/1.4GM
- Explanation: compromise by having a singular lens for low light instead of multiple. 35mm is chosen to pair well with 70-200

### Sports Photography:
- Optimal: 50-150/2, 70-200GMii, 300/2.8, 400/2.8, 600/4 depending on sport
- Compromise: 70-200GMii, 200-600G
- Explanation: high cost of long primes

### Portrait Photography:
- Optimal: one or more of: 35GM, 50GM, 85/1.2, 105/1.4, 135GM, 50-150/2
- Compromise: 35GM, 70-200GMii
- Explanation: 70-200/2.8 replaces multiple primes

### Landscape Photography:
- Optimal: 12-24GM, 24-70GMii, 100-400GM
- Compromise: 16-35G, 70-200GMii
- Explanation: reach favored over f/2.8 for landscapes

### Bird & Aerospace Photography
- Optimal: 600GM
- Compromise: 200-600G, 100-400GM, 300GM + 2x?
- Explanation: high cost of long primes, weight of 600mm lenses

### Medium to large sized wildlife Photography
- Optimal: 300GM
- Compromise: 70-200/2.8 + TC
- Explanation: high cost of long primes

### Vlogging
- Optimal: 16-35G PZ
- Compromise: Other Sony wide zoom
- Explanation: Low weight, power zoom, Sony lenses work better with active stabilization

### Travel Videos (One Lens)
- Optimal: 16-35G
- Compromise: Sony brand zoom lens

### Travel Photography (One Lens)
- Optimal: 24-70GMii or 20-70G
- Compromise: 16-35G
- Explanation: the 16-35 is needed for the travel videography use case

### Travel Photography (2 lens)
- Optimal: 16-35G, 70-200/4Gii
- Compromise: 16-35G, 70-200GMii
- Explanation: f/2.8 not needed, lower weight preferred

### Event Photography
- Optimal: 12-24GM, 35-150/2-2.8
- Compromise: 16-35G, 70-200GMii
- Explanation: in optimal case, having 12-16mm is more useful than 150-200mm. Additionally the 16-35G is a compromise over the 16-35GMii because it is not able to zoom while burst mode is engaged.

### Macro Photography
- Optimal: Macro lens
- Compromise: 70-200 & extension tubes



Jun 11, 2025 at 01:09 PM
rd4tile
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p.1 #4 · The Perfect Lens Selection


aCuria wrote:
You can analyze this based on what is optimal (to you) for different purposes, and how much of a delta you are willing to accept between having optimal lenses for every situation, or re-using lenses that are optimal in other situations

For example… this is what I think is optimal and where I think I am making compromises


No love for the 28-70 f2?




Jun 11, 2025 at 02:13 PM
Jeffrey Behr
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p.1 #5 · The Perfect Lens Selection


My lens set got much smaller after returning from a trip last week.. There I took the 5 Batis primes plus a Tamron 50-300/4.5-6.3.. THAT turned out to be TOO MANY LENSES for this chubbyoldfart81YO.. Now I bring the Batis 18 superwide, the excellent Sony 24-70/2.8 GM II, and the Tamron long.. Three lenses and the Sony a7RV = just under 6 pounds, and optical performance, etc., is excellent all around.


Jun 11, 2025 at 02:35 PM
Surfnsun
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p.1 #6 · The Perfect Lens Selection


Here’s my current kit:
• 35mm f/1.4 GM
• 50mm f/1.2 GM
• 70-200mm f/2.8 GM II

Starting with the 35GM as my favorite FL; it just matches how I see the world, whether I’m shooting indoors or out. The 50GM is an absolute monster outdoors. It's sharp, fast, and just nails it every time. And when that can’t reach, the 70-200 GM II steps in with outstanding performance and versatility.

Simple, tight setup that covers everything I need.



Jun 11, 2025 at 03:07 PM
Knut.
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p.1 #7 · The Perfect Lens Selection


My current favourite:

Batis 18mm
Voigtländer 35mm Apo
Sigma 65mm Apo (Voigtländer 65mm Apo if I need macro)
Batis 135mm

Lenses are spaced very equaly - differences in FOV: 1,65x - 1.75x - 2,0x
- I’m a big fan of 65mm, a slightly longish normsl
- The only lens I find slightly weak (but only weak in comparison to the Apos) is the 18mm.



Jun 11, 2025 at 04:11 PM
Steve Spencer
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p.1 #8 · The Perfect Lens Selection


Donbioh wrote:
What's your lens setup? Which lenses do you own, and do you have a strategy behind them? Doubling the focal lengths, etc.?

I currently have the following lenses:

Ultra-wide angle:
Sony 16mm 1.8 G

Wide angle:
Sony 24mm 1.4 GM

Ultra-compact:
Sony Zeiss 35mm 2.8

Normal:
Sony 35mm 1.4 GM
Sony 50mm 1.2 GM

Telephoto:
Sony 85mm 1.4 GM II
Sony 135mm 1.8 GM

Each lens has its advantages, but in the end, there are a lot of lenses, and I'm considering optimizing a bit.

I document my family's everyday life 100% of the time, and 35mm and 50mm are my favorite focal lengths.

How do you do it?


I have several different set of lenses. One set I currently use is the Voigtlander 21 f/1.4, the Voigtlander 40 f/1.2, and the Zeiss Loxia 85 f/2.4. Those are close to 2X apart. One way to think about lenses being 2X apart is that you can crop the wider lens and still have about the same sensor size as a micro 4/3rds camera--so still quite capable for most uses. So, my 40 f/1.2 with a 2X crop has the look (same angle of view a depth of field) as an 80 f/2.4 lens. So, in practice I can use that lens for everything that I might use a 40mm to 85mm lens and still have the possibility for less depth of field than an f/2.8 zoom.

In the near future I will probably adjust that set just a bit for a little more wide angle coverage. I will probably go with the Zeiss Batis 18 f/2.8, Voigtlander 35 f/2 APO, and the Voigtlander 75 f/1.5. That should provide excellent coverage of landscapes and architecture below 75mm and good portrait, landscape, and architecture coverage between 75mm and 135mm equivalent with cropping. So in three pretty small lenses I can cover the equivalent of 18 to 135mm.

In the less near but still foreseeable future, I will probably move to a four lens set that would provide even broader coverage, but with less cropping. For that kit I foresee having the Sony 16 f/1.8, the Voigtlander 28 f/2 APO (if they make it in Sony E mount, which I hear they are likely to do), the Voigtlander 50 f/2 APO, and the Voigtlander 90 f/2.8 APO (that I would convert from Leica M mount as I don't think they will make it in Sony E mount). That kit can cover the equivalent of 16 to 150mm with less cropping and still fantastic coverage for landscape and architecture, with still acceptable to me portrait coverage and very good close up coverage. All in a package that weighs about the same as the 3 lens kit, but this kit hardly ever needs more than an APS-C crop and then only just a tiny bit more, so less sacrifice due to cropping. Note these lenses are about 1.7X apart.

Some of the Sony GM lenses are very nice (I particularly like the 24 f/1.4 GM and 85 f/1.4 GM OG), but I don't like the rendering of several of them (35 f/1.4 GM, 50 f/1.4 GM, 85 f/1.4 GM, & 135 f/1.4 GM) but that is just my taste, so I would have a hard time building a kit from just Sony GM lenses. That said, I do find a full set of fast AF lenses available for Sony that I like. Those include the 16 f/1.8 G, 20 f/1.8G, 24 f/1.4 GM, 35 f/1.2 (Viltrox or Sigma), 50 f/1.4 Sony/Zeiss ZA, 85 f/1.4 GM, and 135 f/1.8 Sony/Zeiss A-mount (that adapts quite well with the newest Sony A mount adapter). I just have a hard time imagining them as a kit as all but the wide angle lenses are quite big.

I think if I was going to build an AF kit I would build something like my 3 or 4 lens kits with a 3 lens kit of the Zeiss Batis 18 f/2.8, Sigma 35 f/2 DG DN, and the Sigma 65 f/2 DG DN or a 4 lens kit with the Sony 16 f/1.8 G, Viltrox 28 f/1.8, Sigma 50 f/2 DG DN, and the Sigma 90 f/2.8.

Edited on Jun 19, 2025 at 02:34 PM · View previous versions



Jun 11, 2025 at 06:05 PM
gocolts
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p.1 #9 · The Perfect Lens Selection


I have a few best practices, but they don't really have to do with FL spreads.

- I prefer small slowish zooms with the exception of the 70-200 2.8. Specifically the 16-35PZ & 28-60. Reason being that value size vs. f/2.8 for their use as travel lenses. I supplement with a wide prime, FL depending on location.
- The 70-200 2.8 II is a must. Works well with TC's, and can do all the things 70-200's can do such as sports, both indoor and outdoor.
- The 50 1.2 is my go-to family portrait session lens. Subject isolation and narrow DOF for single shots, and wide enough for most group shots, so no need to change lenses and can work fast.
- I like wide lenses fast lenses, such as the 14GM. In the right circumstances can give you a look that no phone camera can easily replicate, even on a small screen.



Jun 11, 2025 at 06:37 PM
JD07
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p.1 #10 · The Perfect Lens Selection


These days my kit is:
Sigma 24-70 f/2.8 DN Art,
Tamron 70-180 f/2.8 and
Sony 35GM, and
recently acquired Samyang 18mm f/2.8.

I used to have a much larger lens kit (when I shot Canon DSLR) but really the 24-70, 70-180 and 35/1.4 cover me pretty well for just about anything I am realistically likely to shoot. (That doesn't stop me from continually thinking about adding a Sigma 65mm f/2 or possibly Sony 55mm f/1.8 though.)

FWIW if I was going all primes, or almost all primes, I'm pretty sure I would go with 20mm (or thereabouts), 35mm, 65mm and 135mm / 70-200.

Edited on Jun 12, 2025 at 10:49 PM · View previous versions



Jun 11, 2025 at 10:57 PM
 


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ruthenium
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p.1 #11 · The Perfect Lens Selection


The question of "The Perfect Lens Selection" is understandable, yet it can be said to be incorrect.
There are different applications (genres) of photography, and there are different CAMERA SYSTEMS (rather than lenses alone) that can be considered "perfect," ideal, or most suitable. I can give some specific examples, however these should be understood as personal opinions rather than strong claims.
For one example, I believe that OM-1 II & M.ZUIKO DIGITAL ED 90mm F3.5 Macro IS PRO might be one of the best, if not the very best, camera systems for macro photography. For another example, later this year I would like to add GFX100S II & FUJINON GF20-35mm F4 R WR camera system that, arguably, might be one of the best camera systems for landscapes and related photography. Yet another example can be the aforementioned OM-1 II with the M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO lens that is suitable for those who need access to FF 600mm FL for wildlife photography while travelling light or when going on extended hiking trips. Sony A1 I/II with the 70-200mm F2.8 GM lens can be ideal for some sports and people photography, et cetera...
I don't believe that a single Sony camera is an ideal tool for everything, and the only critical piece is picking "the perfect" lens. Sensors of different sizes and the corresponding pro bodies can offer distinct advantages (and disadvantage - nothing is perfect, really) that should be an important part of any serious consideration, along with the consideration of the lenses.



Jun 12, 2025 at 01:42 AM
armstrong.photos
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p.1 #12 · The Perfect Lens Selection


Not long ago i'd've said my kit was the 20 1.8, 28-70 f2, 85 1.4ii, and 135 1.8, with a 50 1.2 in the works. BUT i bought the 50-150, and now my 85 and 135 are sitting on the shelf, and I am very happy with just the 20 + 28-70 + 50-150. If they can make a 20-40 f2 "wide" lens I'll pick that up, and the 20 + 28-70 will join the shelf...


Jun 12, 2025 at 02:38 AM
Donbioh
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p.1 #13 · The Perfect Lens Selection


The new 50-150mm is an outstanding lens. If I had that lens, I could go for at least 135mm. I wouldn't be so sure about the 85mm, because there's still quite a difference between aperture 1.4 and aperture 2.0. Besides, I think the 50-150 GM is a bit over-sized for my family photography at playgrounds, children's birthday parties, etc. :-)

I like the look of an aperture of 1.4, and I also photograph my family a lot indoors, where the light is often not the best, and aperture 2.8 is simply not ideal. The ISO then rises significantly, and the resulting image isn't as beautifully isolated as with a 1.4 lens. After all, indoors, you only have short distances between the subject and the wall or other objects in the house.

But yes, it depends on what you're photographing. I've also had school projects where things had to be done quickly, and a 28-70 and a 50-150 would certainly have been a clear advantage.

But these lenses also need to be carried, and when I see how light my 1.4 and 1.8 lenses are, it's quite pleasant. When I need something small, light, and unobtrusive, I quickly attach the Sony Zeiss 35/2.8 to my camera. This won out over the 40G, for example, which I tested at the same time.



Jun 12, 2025 at 03:29 AM
JohnJ
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p.1 #14 · The Perfect Lens Selection


Simple.
16-35/28
24-70/2.8
70-200/2.8
Walk away.

Most pro's can comfortably fulfil most jobs with just those three lenses. I did for many years. However there are dozens of lenses which can do any specific job better. Take your pick.



Jun 12, 2025 at 04:34 AM
Seabassius
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p.1 #15 · The Perfect Lens Selection


My photography is mainly family and landscape travel when the time allows. I have a variety depending if I need to go light or don't mind the weight. I've assembled a used kit (except the Tamron):
Sigma 14-24 2.8
Sony 24 1.4 GM
Sony 24-105 G
CV 40 1.2
Sony 40 2.5
Tamron 50-300
Sony 85 1.8
Sony 200-600

Still debating on replacing Sony 85 with Sigma 90 and the Tamron 50-300 with the 70-200 Gii Macro, butt this works well. Also the Samyang 135 1.8 for indoors kids events.



Jun 12, 2025 at 06:58 AM
akashyap
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p.1 #16 · The Perfect Lens Selection


I like nice rendering AF prime lenses spaced out evenly, with 1 manual focus lens. This kit serves 100% of my family photography and videography needs, I’m actually very happy with it.

24 f1.4 GM
35 f1.2 Voigtlander
45 f2.8 Sigma
85 f1.8 Batis

I have a shared album of my toddler and try to make at least 1 home video of her a year.

My landscape and adventure kit requires some work over time though. I add a Contax Zeiss 35-70 to the mix, but don’t have an ultrawide zoom, tele zoom lens, and I’d like to upgrade action cameras and drones.




Jun 12, 2025 at 08:57 AM
jp.gomez
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p.1 #17 · The Perfect Lens Selection


Wouldn't call it perfect but here's my current lineup:

20G (recently acquired replacing Tamron 20-40)
35GM
Tamron 35-150

I can trim it to just two lens 20 + 35-150 but 35GM is special I wouldn't part with.

Same goes for Sony 11 1.8, 35 2.8 ZA and 200-600. They all have special usage in my kit.

Edited on Jun 13, 2025 at 07:48 AM · View previous versions



Jun 12, 2025 at 12:02 PM
shadow9d9
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p.1 #18 · The Perfect Lens Selection


Favorite lenses- 12-24 2.8, 300, 135.

New, soon to be used- 28-70 f2, 50-150 f2, 8-15 fisheye.

Other fun lenses- 100 stf.



Jun 12, 2025 at 12:38 PM
StoneCrop
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p.1 #19 · The Perfect Lens Selection


aCuria wrote:
You can analyze this based on what is optimal (to you) for different purposes, and how much of a delta you are willing to accept between having optimal lenses for every situation, or re-using lenses that are optimal in other situations

For example… this is what I think is optimal and where I think I am making compromises

### General low light photography
- Optimal: 14/1.8, 16/1.8, 20/1.8, 24/1.4, 35/1.4, 50/1.4
- Compromise: 35/1.4GM
- Explanation: compromise by having a singular lens for low light instead of multiple. 35mm is chosen to pair well with 70-200

### Sports Photography:
- Optimal: 50-150/2, 70-200GMii, 300/2.8,
...Show more

This post is so brilliant, I think someone should sticky it so that everyone looking to build a kit of good Sony Glass can come here first and save 500 threads of asking essentially the same questions…
Not that this will be the answer for everyone, but it really encapsulates a lot of thinking and condenses it into an easy to digest form. Well written!



Jun 12, 2025 at 09:59 PM
KarmaKramer
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p.1 #20 · The Perfect Lens Selection


Shooting weddings I primarily use GM35/85 Sigma, I love both those lengths. Have other lenses but they’re used much less.


Jun 12, 2025 at 10:20 PM
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