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p.1 #20 · Voigtländer: Where to start? | |
Chiming in with some thoughts on the various Voigtlanders I've used in the past couple years:
15/4.5 Super Wide-Heliar III: Great little lens. Plenty sharp, vibrant colors. Strong vignetting. Sunstars! Enjoyable and challenging to frame with.
21/3.5 Color Skopar: Tiny, light, straightforward, a joy to use. Not much "wow" factor considering the max aperture and focal length, but the rendering is pleasant and the sharpness is good enough. More great sunstars--actually, most CV lenses have standout sunstars at smaller apertures. A great pocket companion to a 35/40/50.
21/1.4 Nokton: Fantastic IQ and rendering--real wow factor here. I tried to make this one work for a while, but ultimately for how sparingly I actually wanted to use 21mm, it was just too bulky and got left at home.
40/1.2 Nokton: My beloved, my favorite lens of all time. I've been using it for 2 years in E- and M-mount, I've tried a few dozen other lenses in that time, and nothing can usurp this bad boy. The focal length (actually ~41.5mm) looks and feels incredibly natural and honest. The rendering? Like two great lenses in one: ethereal and captivating below f/2.8, modern and sharp above. It's flawed, with strong vignetting and CA wide open, focus shift, and field curvature; consider it testament to its (subjective) greatness that despite those things, it remains my daily driver over even GM and Zeiss lenses.
35/1.2+50/1.2 Noktons: Both fantastic, with in fact slightly better IQ than the 40 (sharper, less vignetting, 11 vs 9 aperture blades for rounder specular highlights). The 50/1.2, with its slight compression and extra sharpness, actually edges out the 40/1.2 for my favorite rendering. But I could never gel with 50mm and find the 40 far more versatile while being 95% of the way there optically. The 35 felt a little less special than the 40+50, I think because the magic at wide apertures is just naturally better suited to a more compressed subject. But if 35mm is "home" for you, I'd certainly recommended it.
75/1.5 Nokton: I think this is my second- most used lens now, and I can recommend it to anyone willing to try a manual portrait lens. It's got all the Nokton color and personality with just the right amount of compression. It has a subtle, ethereal portrait glow at f/1.5, cleans up noticeably at f/2, obviously by f/2.8. I find myself reaching for this one more and more, and hope its recent cross-mount release will open more people up to it.
110/2.5 Macro AL: Sharp and vibrant, long focus throw, big and heavy, decidedly niche. I don't really care about macro and have never gelled with primes longer than 85mm; this lens wasn't meant for me.
ILCE-7M3 Voigtlander COLOR-SKOPAR 21mm F3.5 Aspherical lens 21mm f/3.5 1/400s 100 ISO -1.0 EV
ILCE-7M3 Voigtlander NOKTON 35mm F1.2 Aspherical lens 35mm f/1.6 1/60s 125 ISO -1.0 EV
ILCE-7C Voigtlander SUPER WIDE-HELIAR 15mm F4.5 III lens 15mm f/4.5 1/30s 2000 ISO -1.3 EV
ILCE-7C Voigtlander NOKTON 40mm F1.2 Aspherical lens 40mm 1/320s 100 ISO -0.3 EV
ILCE-7M3 Voigtlander NOKTON 40mm F1.2 Aspherical lens 40mm f/1.2 1/80s 100 ISO
ILCE-7M3 Voigtlander NOKTON 21mm F1.4 Aspherical lens 21mm f/2.0 1/60s 400 ISO -1.7 EV
ILCE-7M3 Voigtlander NOKTON 50mm F1.2 Aspherical lens 50mm f/4.0 1/100s 100 ISO -0.7 EV
ILCE-7CM2 Voigtlander NOKTON 75mm F1.5 Aspherical lens 75mm 1/125s 800 ISO +0.3 EV
ILCE-7C Voigtlander NOKTON 40mm F1.2 Aspherical lens 40mm 1/8000s 100 ISO 0.0 EV
ILCE-7C Voigtlander NOKTON 75mm F1.5 Aspherical lens 75mm 1/60s 125 ISO -1.3 EV
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