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 p.3 #14 · Voigtlander 35mm f/1.2 Nokton X-mount Review | |
Fred Miranda wrote:
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Final Thoughts:
After using the Voigtländer 35mm f/1.2 Nokton extensively for a few weeks, I have to say that this lens has a unique character in its image quality, reminiscent of the classic double Gauss designs found in the original Leica 35/1.4 Summilux optical design. There are other lenses designed for the M-mount that offer similar performance and rendering, and they can also be adapted to Fujifilm cameras. However, the Voigtländer 35mm f/1.2 Nokton is faster and optimized for Fujifilm APS-C sensors. Additionally, it comes with electronic contacts that provide handy features like auto-magnification, EXIF data transfer, and distance recording.
One standout feature of this lens is its distinct rendering, which gives your photos a timeless and unique look. While it exhibits significant coma aberration when shooting wide open, it actually adds a unique and artistic character to the images.
The lens excels at correcting color aberrations and distortion, all packed into a remarkably compact design that's a joy to use in the field.
The build quality and feel of the lens are equally impressive. It's well-built with precise tolerances, ensuring durability and visual appeal. The focusing ring offers just the right amount of resistance, and the aperture mechanism produces satisfying 'clicks' for every third of a stop.
I'm already a fan of this optical design, and I'm pleased that Cosina developed this lens specifically for Fujifilm users who value manual focusing. Despite minor imperfections in coma correction, focus shift, and flare resistance, this lens offers solid performance, making it a must-have for Fujifilm photographers who value these qualities.
Pros:- Compact design for an ultra-fast 35mm f/1.2 lens.
- Low distortion
- Impressive close-up capabilities with a minimum focus distance of 0.3m.
- Outstanding build quality with precise construction, adding to its overall appeal.
- Electronic communication for EXIF data, auto-magnification, distance, and parallax compensation (X-Pro3).
- Aperture mechanism produces distinct 12-pointed sunstars.
- Virtually no lateral chromatic aberration and minimal axial chromatic aberration.
- Beautiful rendering reminiscent of classic designs.
Cons:- Coma correction is less than ideal.
- Noticeable focus shift, necessitating focusing at the working aperture.
- Short focusing throw may require more precise handling for focus adjustments.
...Show more →
Thank you so much for these amazing reviews, Fred. I just discovered them and read this and the 27mm f2 with great attention.
I realise that ultimately the choice between two lenses is extremely personal, but unfortunately I live in a country where trying stuff out is basically impossible, and wished to ask for your opinion and/or suggestion.
When I shot Fuji I really enjoyed shooting 3rd party manual focus lenses, especially the Mitakon 35mm f0.95. The two deterrents that got me to stop using that combination were the size/weight and the absence of electronic contacts.
Both the Voigtländer lenses I'm interested in deal with those two issues.
As far as my needs go, the greatest benefit of the 27mm f2 would be the focus tab and the hard stop at infinity. As for the 35mm f1.2 the greatest benefit is that I tend to prefer the 50mm focal length and that it has the kind of character that really suits my liking. The f1.2 is a nice addition as it would make this more usable in darker environments.
I've never had the chance to shoot with a lens with a proper focus tab, so I can't tell how important it is for building up extra fast reflexes when out on the street. I also cannot tell whether the infinity hard stop would be a big deal for me or not. All I know is I'd want a single manual focus Voigtländer lens and that I'd have it stuck on my camera and thus probably after a few months be quite used to it.
I would welcome your advice as to which way to go with. Any tips would be great!
Cheers, and happy holidays,
Vittorio
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