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Archive 2023 · Why was the larger Z mount necessary, exactly?

  
 
NikonClio64
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p.7 #1 · Why was the larger Z mount necessary, exactly?


Lance B wrote:
I don't see how the term "the Z mount *CAN* allow lenses to be made smaller and lighter" morphed into "the Z mount means *ALL* lenses will be made smaller and lighter". It is about flexibility and less constraint which allows Nikon the freedom to design lenses that can encompass more benefits with way less drawbacks. Also, better IQ just doesn't mean central sharpness, we are talking negligible CA, lower distortion, better edge to edge sharpness just to name a few benefits that the Z mount allows designers to address. Both Canon and Nikon adopted a wider mount and
...Show more

Lance B wrote:
I am not sure what you are actually getting at. However, I will restate what I have already said, "There is *NO* doubt that having a wider mount and shallow mount depth allows freedom. This is indisputable, it's just that whether they utilize it all the time and want to utilize it for a particular design is another matter. Better to have the ability and not always require it than to not have the ability and require it.".

No one here is an actual lens designer. The Z mount was designed by lens designers to allow for design freedom.
...Show more

Agree with @Lance B I cannot see any reliable comparisons trying to compare lenses across systems - guessing at the why's and wherefores of complex optical features in schematics of distinctly different optics for different mounts is unlikely to reveal much if anything about why Nikon arrived at the Z mount (!)

I ignore all such arm waving, as one who has invested centrally in Nikon glass and I'm very definitely not going to any other camera system, besides adding selected Z Nikkors to my excellent F-mount system :-)

Those seeking technical answers about the Z Mount have the answers in interviews from Nikon engineers. Nikon's senior engineers have emphasized the advantages of the Z Mount are to "prioritize overwhelming optical performance". As you rightly point out the Z mount enabled its symmetrical design of the 14-30 f4S, so it avoided the huge bulbous front element of a Ultrawide with a retrofocus design.

In the wider context, the Z Mount facilitates the distinctly symmetrical designs we see in many S Line Nikkors, including the U-Wide zooms, which are in fact designed smaller, according to Akihiko Obama:

"...The Z-mount is actually a great contributor to the downsizing of the camera, of the mount itself, and in pursuing high-performance optical functions, as well as enabling the filter attachment."

https://www.imaging-resource.com/news/2019/03/29/mount-wars-z-mount-really-does-help-lens-design-and-af-nikon-tech-interview :

"...The biggest consideration by far was what the large diameter and short depth would do for optical quality, in terms of center resolution, corner-to-corner sharpness, reduced shading (vignetting), reduced optical aberrations and improved AF coverage. My impression was that huge-aperture capability was something that largely came along for the ride....."

In yet another Interview - senior Nikon engineer, Fujiwara San emphasized :
https://dc.watch.impress.co.jp/docs/interview/1239336.html

"From the standpoint of optical design, the shorter the better, so the optical designers demanded that it be made shorter. It gets harder. We had to make the body cover thinner and thinner, which made it difficult to ensure rigidity. After careful consideration of the need for space for a mechanical shutter and the thickness of the cover glass of the image sensor, we came to the conclusion that 16mm was the ultimate solution.....
......In the case of the Nikon Z mount, we chose a mount with a large diameter because we prioritized overwhelming optical performance, but other companies have adopted a smaller mount that can appeal to its compact size and light weight to compete with single-lens reflex cameras. I think"

The designers of the pair of Z Macros also emphasize improved features in several areas of their designs:
https://qicai.fengniao.com/536/5365367.html



Edited on Sep 03, 2023 at 02:14 PM · View previous versions



Sep 03, 2023 at 03:39 AM
NikonClio64
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p.7 #2 · Why was the larger Z mount necessary, exactly?


Nikon's technical leadership has been very clear - as already stated in this thread - ad nauseum - they invested considerable effort in designing the Z System specifications for the company to leverage its future optical investments. Nikon's objectives embrace video technology as much as for still imaging.

"...the Nikon Z line-up has many lenses that have a very good feature-set for video. We are looking at the possibility of introducing video-specific lenses, based on market needs, and currently studying this area."
https://amateurphotographer.com/latest/photo-news/nikon-looking-at-the-possibility-of-introducing-cine-lenses/

Is the Z Mount necessary? The answer is a resounding Yes, according to Nikon's technical experts. It frees up design space for several parameters, not only optical but also mechanical features in Z Nikkors

This interview is probably the most explicit about the underlying technology of the Z System, and the engineers emphasize several of the advantages in the new Z mount :
https://www.nikon-image.com/sp/z9_specialinterview/02_zmount/



Sep 03, 2023 at 03:39 AM
bs kite
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p.7 #3 · Why was the larger Z mount necessary, exactly?


NikonClio64 wrote:
Nikon's technical leadership has been very clear - as already stated in this thread - ad nauseum - they invested considerable effort in designing the Z System specifications for the company to leverage its future optical investments. Nikon's objectives embrace video technology as much as for still imaging.

"...the Nikon Z line-up has many lenses that have a very good feature-set for video. We are looking at the possibility of introducing video-specific lenses, based on market needs, and currently studying this area."
https://amateurphotographer.com/latest/photo-news/nikon-looking-at-the-possibility-of-introducing-cine-lenses/

Is the Z Mount necessary? The answer is a resounding Yes, according to Nikon's technical experts. It frees up
...Show more

From my perspective, Nikon's addition of cine lenses will be even more exciting! I'm a nature documentarian and after purchasing the Z8 I find myself shooting video more than stills (too much so ).

Robert




Sep 03, 2023 at 05:48 AM
AcuteShadows
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p.7 #4 · Why was the larger Z mount necessary, exactly?


Lance B wrote:
I am not sure what you are actually getting at. However, I will restate what I have already said, "There is *NO* doubt that having a wider mount and shallow mount depth allows freedom. This is indisputable, it's just that whether they utilize it all the time and want to utilize it for a particular design is another matter. Better to have the ability and not always require it than to not have the ability and require it.".

No one here is an actual lens designer. The Z mount was designed by lens designers to allow for design freedom.
...Show more

I don't disagree with what you're saying. As I am seeing this discussion, there is general agreement that Nikon is using the larger diameter. Differences are related to whether Nikon does use the Z mount in order to make lenses smaller, or if Nikon could do so, and whether Nikon uses the Z mount in order to make lenses better. Thus, in my view, your post seemed to answer a question that was already settled in the discussion.



Sep 03, 2023 at 08:58 AM
sjms
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p.7 #5 · Why was the larger Z mount necessary, exactly?


or if whether Nikon uses the Z mount in order to make lenses better.

in my opinion/perspective that is what the true nature of Nikons course of action is. to make what they believe is a overall improved system



Sep 03, 2023 at 01:16 PM
Buckeye2604
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p.7 #6 · Why was the larger Z mount necessary, exactly?


Interesting topic. Too bad a Nikon engineer is not a member of the forum.
I do also find it interesting that some think Nikon’s trinity 2.8 zoom lenses are very large and heavy. That’s a fallacy likely formed by some recency bias.

Nikon 24-70 2.8S - Feb 2019
805g / 126mm

Equivalents at time of release:
Sony - 886g / 136mm
Canon - 900g / 126mm

Sony released the GM ii version 3 years later. Canon and Nikon are still on first version.

Nikon 14-24 2.8S - Sept 2020
650g / 124.5mm

Equivalents at time of release:
Sony - 847g / 137mm (12-24) & 680g / 122mm external zoom (16-35)
Canon - 840g / 127mm (15-35) external zoom

Sony releases the 16-35 GM ii version 3 years later. Canon and Nikon are still on first version. At the time of release, Nikon touted the 14-24 as “The world's shortest and lightest f/2.8 ultra-wide zoom”.

Nikon 70-200 2.8S - Jan 2020
1360g or 1440 with tripod foot / 220mm

Equivalents at time of release:
Sony - 1480g or 1545g / 220mm
Canon - 1070g or 1200g / 146mm external zoom

Sony releases the GM ii version in late 2021. Canon and Nikon are still on first version.

Advancing to lighter and smaller lenses has been a trend for some time. As technology advances, designing such lenses will become easier to achieve. Of course, each manufacturer will balance compromises to reach their design goals, whatever they might be.



Sep 03, 2023 at 06:08 PM
philip_pj
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p.7 #7 · Why was the larger Z mount necessary, exactly?


So far we have not seen Cosina take advantage of the large mounts offered by Canon and Nikon. The Z lenses they have brought to market for Nikon FF have all been repurposed directly from Sony/Leica M derivatives, small throat or no. APOs at 35mm and 50mm included.

Their recent 50mm f1.0 is a case in point - the design is identical for Leica M and Nikon Z, apart from beefing up the lens body for the Nikon mount and the extended length (the irony). It went from 485 grams and 74mm x 55mm (VM) to the Z specs of 600 grams and 68mm x 67mm. That 67-55 mms difference in length equates to the difference in FFD for the two mounts: 16mm (Z) and 28mm (M).

Mount diameters are: Leica M (44mm); Sony E (46mm); Canon (54mm); and Nikon Z (55mm).

How good is this 50/1? Good enough for many M faithful to sell their superfast 50mm lenses. Because Cosina has abandoned Sony users, they now only offer this one to Leica, Nikon and Canon users. But some Sony people add a good adapter to the M lens and work with a 520 gram 50/1.

Fred's revew:

'After shooting with the Voigtlander 50mm f/1 Nokton for about a week, I came to the conclusion that it’s one of the sharpest 50mm F/1 lenses ever produced. I put this lens through some demanding technical tests, and it's clear to me that Cosina prioritized resolution, contrast and size for this optical design.

Let's start with resolution: Many have been asking for an affordable and fast 50mm lens with a floating mechanism, capable of achieving high close up performance and the Voigtlander 50/1 Nokton delivered. As demonstrated in the side by side comparisons, it clearly outperforms the mighty Leica 50/0.95 Noctilux at close and long distance by a good margin, especially when positioning the subject away from the center area.
In regards to compactness: It's small and light for a 50mm F/1 lens measuring only 55mm in length and weighing 482 grams.'

I'd like to see Nikon make a stylish lens like this one, but could not find one in their catalog. There was a 50/1.2 however - it is a 1090 grams, 82mm filter thread, seventeen element (!) item.

They also have a 58/0.95 but it is similar in dimensions and weighs three times the 50/1 from Cosina rather than twice the weight for the 50/1.2. So that is the current picture of the lenses in the marketplace for Nikon users of MF high end superfast optics around 50mm. FWIW.

https://en.wikipedia.org/wiki/Lens_mount



Sep 03, 2023 at 07:34 PM
1bwana1
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p.7 #8 · Why was the larger Z mount necessary, exactly?


Buckeye2604 wrote:
Interesting topic. Too bad a Nikon engineer is not a member of the forum.
I do also find it interesting that some think Nikon’s trinity 2.8 zoom lenses are very large and heavy. That’s a fallacy likely formed by some recency bias.

Nikon 24-70 2.8S - Feb 2019
805g / 126mm

Equivalents at time of release:
Sony - 886g / 136mm
Canon - 900g / 126mm

Sony released the GM ii version 3 years later. Canon and Nikon are still on first version.

Nikon 14-24 2.8S - Sept 2020
650g / 124.5mm

Equivalents at time of release:
Sony - 847g / 137mm (12-24) & 680g / 122mm
...Show more

I read the scope of the question asked by the OP as not directly wanting to compare against other lens offering by other companies lens by lens. Rather it is to understand how necessary it was for Nikon to develop the new mount, and If necessary why?

In my view it was necessary for Nikon to develop a mount other than the F mount to more fully take advantage of what mirrorless cameras have to offer. I firmly believe that Nikon did the right thing doing so.

It likely wasn't necessary for Nikon to go as big with the mount as they did. Other manufactures have shown with their mirrorless lenses that high performing, small. and light (per category) lenses can be designed and manufactured with smaller mounts.

Currently, Nikon lenses tend to be heavier than the current releases (in the same category) from some other manufactures. As has been pointed out, Nikon is in its first generation of mirrorless lenses. The full potential of the Z mount probably has not been realized at this point. But speculating on what the next generation may look like provides no solid way to evaluate at this time. We can only reference the current status from all the manufactures. The claims that the Z mount is superior to other mounts remains unsubstantiated at this time. This extension of such a claim is not from Nikon, but from the fan base. Although Nikon does nothing to temper this extension, and sometimes seems to loosely play into it. That is marketing, no big deal. Nikon is not alone in this kind of thing.



Sep 03, 2023 at 07:41 PM
Alistair1
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p.7 #9 · Why was the larger Z mount necessary, exactly?


Ripolini wrote:
According to "official" specifications, Sony a7CR and a7C II claim 7 EV image stabilization vs 6 EV of Nikon Z8 (A7RV claims 8 EV ...).


Unless they have managed to fully compensate for the rotation of the planet (unlikely), a claim of of 7EV comes from the marketing department.



Sep 03, 2023 at 08:34 PM
1bwana1
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p.7 #10 · Why was the larger Z mount necessary, exactly?




Alistair1 wrote:
Unless they have managed to fully compensate for the rotation of the planet (unlikely), a claim of of 7EV comes from the marketing department.


Like Nikons misinterpreted claims the claim by Sony may not be properly understood.

The actual text od Sony's spec sheet/press release says "7 stepsiv" not "7 stops". Is that a typo or a new way of rating stabilization. Not clear yet.



Sep 03, 2023 at 10:03 PM
1bwana1
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p.7 #11 · Why was the larger Z mount necessary, exactly?



philip_pj wrote:
So far we have not seen Cosina take advantage of the large mounts offered by Canon and Nikon. The Z lenses they have brought to market for Nikon FF have all been repurposed directly from Sony/Leica M derivatives, small throat or no. APOs at 35mm and 50mm included.

Their recent 50mm f1.0 is a case in point - the design is identical for Leica M and Nikon Z, apart from beefing up the lens body for the Nikon mount and the extended length (the irony). It went from 485 grams and 74mm x 55mm (VM) to the Z specs of 600
...Show more


Imagine that. A top performing super fast APO 50mm f/1.0 lens designed with a 44mm mount. The M Mount version is tiny, the Z mount version much larger and heavier but still tiny when compared to Nikon's similarly fast and performing lenses.

These evaluations from experts known well here on FM that we know and trust.



Sep 03, 2023 at 10:10 PM
AcuteShadows
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p.7 #12 · Why was the larger Z mount necessary, exactly?


1bwana1 wrote:
Imagine that. A top performing super fast APO 50mm f/1.0 lens designed with a 44mm mount. The M Mount version is tiny, the Z mount version much larger and heavier but still tiny when compared to Nikon's similarly fast and performing lenses.

These evaluations from experts known well here on FM that we know and trust.


Yet the Nokton 50mm f/1.0 and the Noct 58mm f/.95 are very different lenses (CA, vignetting, quality of bokeh - which, in the case of the M version of the Nokton, benefits greatly from the Leica sensor).

The Nokton is not a bad lens, for sure. But the purpose of the Z mount was not to build ultrafast small lenses with tons of vignetting. It is neither necessary nor in any way helpful for that.

Nokton f/1.0 forum topic: https://www.fredmiranda.com/forum/topic/1741370/0



Sep 03, 2023 at 10:48 PM
ilkka_nissila
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p.7 #13 · Why was the larger Z mount necessary, exactly?


Alistair1 wrote:
Unless they have managed to fully compensate for the rotation of the planet (unlikely), a claim of of 7EV comes from the marketing department.


The EV figures for stabilization that Sony would quote probably reflect the results of the CIPA test, which only requires a very low level of sharpness to be achieved and does not test the ability of the system to produce images that are truly sharp. Think about holding a small print at arm's length and then ask random people if the image is sharp. If 50% or more people consider it "sharp" then it passes the test at that shutter speed. However, most of the people who use expensive cameras want images that are sharp to the level of the individual pixels of the image, i.e. similar to what one would get using a tripod. When this criteria is used, completely different results are obtained.

Fotomagazin's test using various cameras and 70-200/2.8 lenses was published a few years ago. Nikonrumors shows the summary table for 200mm here:

https://nikonrumors.com/2021/07/22/nikon-z7ii-ibis-compared-with-other-cameras.aspx/#more-159371

The A9II + 70-200/2.8 GM (V. 1, not the current one) gave "very good" sharpness down to 1/50s, while the Nikon Z7 gave "very good" sharpness down to 0.6 seconds exposure time. What the specific criteria are that Fotomagazin used I don't know since I don't have a copy of the magazine where the test was published.

Duade Paton's 180-600 vs. 200-600 test however illustrated very clearly how different the performance of the two stabilization systems is when using a long lens.



Move to 6:54 in the timeline for the beginning of the comparison in stability. In this case Paton seems specifically interested in hand-held videos and the stability of those but anyway the difference is quite startling. Sony is supposed to be technology leader in cameras and Minolta invented the sensor-moving stabilization (which Sony got by acquiring Konica-Minolta's camera business and various brands have since produced their own versions of it) so it's surprising that Sony hasn't been able to put in a better stabilization performance here. I can't believe that the optical stabilization of the lens is the issue here (since both the 70-200mm's and 180(200)-600mm point as Nikon having the lead here, and my own experience with Nikon DSLR and mirrorless products suggests that the very high level of stabilization is specifically achieved by combining in-camera and in-lens VR systems as that kind of viewfinder stability is certainly not seen in the Nikon DSLRs. I tested my VR 300/2.8 G II with the Z6 II and D850 and was shocked how hard it was to hand-hold the 300 with the D850 after using it on the Z6 II for a bit, the viewfinder images was just bouncing around a lot with the DSLR and returning to the Z camera it became rock steady again. (Many here probably know how much I like the optical viewfinder but in this aspect the Z wins by a country mile thanks to the advanced stabilization technology they've been able to put in the FX mirrorless offerings). I thinkk that the narrow mount (and image circle of the lenses) could be holding Sony back, since they're certainly not known to lack in engineering ability or resources. Considering Sony's long experience in video cameras (from what I've read their camcorders with long zooms are highly regarded for stability) it is even more baffling how they could let the comparative newcomer (Nikon) get the upper hand in the video stability when using long lenses hand held.

If someone can demonstrate evidence that refutes Paton's findings (or those of Fotomagazin) by all means present them. No, don't quote figures from the CIPA stabilization test as it only considers the lowest imaginable standard for sharpness in the determination of how many stops the stabilization helps with hand-held stability.



Sep 04, 2023 at 02:18 AM
1bwana1
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p.7 #14 · Why was the larger Z mount necessary, exactly?




ilkka_nissila wrote:
The EV figures for stabilization that Sony would quote probably reflect the results of the CIPA test, which only requires a very low level of sharpness to be achieved and does not test the ability of the system to produce images that are truly sharp. Think about holding a small print at arm's length and then ask random people if the image is sharp. If 50% or more people consider it "sharp" then it passes the test at that shutter speed. However, most of the people who use expensive cameras want images that are sharp to the level of the
...Show more

Sony claims it's new stabilization system as demonstrated in the newly released A7CR (7 step) is effective down to the one pixel level. I don't think That is the CIPA rating standard. Since the A7CR is a 60 megapixel sensor that should mean criticle sharpness at 7 steps. I will wait to see it myself before judging that.



Sep 04, 2023 at 05:47 AM
bs kite
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p.7 #15 · Why was the larger Z mount necessary, exactly?


ilkka_nissila wrote:
The EV figures for stabilization that Sony would quote probably reflect the results of the CIPA test, which only requires a very low level of sharpness to be achieved and does not test the ability of the system to produce images that are truly sharp. Think about holding a small print at arm's length and then ask random people if the image is sharp. If 50% or more people consider it "sharp" then it passes the test at that shutter speed. However, most of the people who use expensive cameras want images that are sharp to the level of the
...Show more

For my nature work, I find I'm now doing more video than stills. There are fascinating stories in video. For years, I've wanted to find a way to record smooth video while handholding a supertele. I use my Z8/200-500 for nature video clips but I now resort to a tripod. At a little over 5 pounds it is just too heavy. The 180-600 is 1/2 pound lighter but probably still too heavy for doing handheld video ...... say... longer that a few seconds (we will see). And yes, it *is* possible to record short, fairly smooth video clips while handholding the 2-5.... but in truth, I am still bracing on anything that is near me.

Maybe I've missed something in all the confusion about synchronization, IBIS and on and on. I think Nikon specs show my 200-500 VR to be 4.5 stops. And I think Nikon specs the 180-600 at 5 or 5.5. Could be wrong on either of these. If anyone sees I am please correct it. Thanks.

I called Nikon about this and "my main man" there interrupted me as I was leading up to the question. In other words, he avoided my eventual question. He just does not know.

I honestly doubt 180-600 handheld video stabilization will hold up to what this man is characterizing in this video. *But I sincerely hope I am wrong*. I'll be elated if the 180-600 actually has the handheld stability he shows and claims in the video.

I'm going to wait and see what others have to say. Meantime, I'll gladly work off my Induro, carbon fiber tripod. No problem.

Robert

I believe Nikon does lead in long lens stabilization. But is it as good as they say it is?




Sep 05, 2023 at 04:49 AM
SNJOps
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p.7 #16 · Why was the larger Z mount necessary, exactly?




AcuteShadows wrote:
Sony does not offer the quality of the f/1.8 S prime lenses at that price point. (It also does not offer an equivalent to the 58mm f/.95 Noct.)

Nikon Z mount lenses also have minimal color shift, presumably due to low variance in angles of incidence across the frame. I actually don't know about the amount of color shift for Sony lenses, but I would assume it is similar to Nikon F mount lenses, which are inferiour to the Z mount lenses in this regard. (Color shift renders the periphery of a image in a somewhat bluish/turquise tint, which can
...Show more

Sony’s f1.8 FE and G primes tend to be more mid range lenses in terms of price but can vary on IQ. They have the following options.
20mm f1.8 G - slightly cheaper than the Nikon S and as good or better.
35mm f1.8 FE - much cheaper than the Nikon S but no idea how they compare.
55mm f1.8 ZA - slightly more expensive than the Nikon S but I would guess the Nikon is better.
85mm f1.8 FE - much cheaper than the Nikon S but no idea how they compare.

Its true that Sony doesn’t offer a 58mm f0.95 but that lens is out of reach for 99% of shooters anyway. Nikon does much better in long fast telephoto primes but again these sell in low numbers. Lenses like the 14mm f1.8, 24mm f1.4, 35mm f1.4, 50mm f1.4, 135mm f1.8, 16-35mm f4, 20-70mm f4, 70-200mm f4 Macro plus all of the 3rd party options are what are found in many kits.



Sep 05, 2023 at 07:34 AM
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