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Peter Figen wrote:
Thanks Karl. I've often felt the same way too, but after spending time with someone I almost always come away with some sort of appreciation of what they're trying to do, and go find Gangster's Paradise on YouTube and you see what a brilliant track it is. And then, every once in a while, I'd come away from a shoot with someone I thought I admired and discovered they were either just jerks or way too drunk or both, but for the most part it's been a positive experience meeting and photographing all these musicians over the years.
Gangster's Paradise is very self-aware and introspective:
"Tell me why are we, so blind to see
That the ones we hurt, are you and me?"
Also, just for fun, watch "Amish Paradise" on YouTube and then read about the back and forth between Coolio and Weird Al.
Your reflection on some of your subjects reminded me of my industrial book project at Art Center. For it I spent 6 weeks on the set of the Sonny and Cher Comedy Hour. I wasn't a big fan of them. However, they were going through a rough patch and Sonny was pretty much at loose ends. I was using Leica Rangefinders on the set and Sonny noticed. He was an avid photographer and shot Leica. During breaks he'd come over and talk shop, plus discuss life and how he ended up with a TV show.
I'll share one funny anecdote regarding Cher. I tried to cover from beginning to end of their day. Once morning I was waiting for them to arrive. Since they had dressing rooms, they'd just roll out of bed, pull up their jeans and head to Studio City. As Sonny pulled his Mercedes convertible into their parking space, I was there shooting away. Cher got out and said: "Doug, would you mind helping me out? I'd love it if you would carry in my makeup bag for me." I wasn't about to say no to a big star asking for a favor. She handed it to me and in about four steps I realized she'd graciously and effectively disarmed me.
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