Mongrel wrote:
Very cool shot…
Love your treatment, lighting, composition…
Your processing really makes this a unique image.
Thanks, Usually the image will give me a feeling or direction in which to take it. I really play and follow those feelings instead of trying to process it in what most would consider realistic fashion. If I could paint, I would, but alas I’m terrible with a oils and watercolors so this is my outlet to create my art. It has been this way even before digital when I would use touling to take the edge of an image, pencil and crocein scarlet on the emulsion side to retouch the negatives, D&B, unsharp and contrast masks along with split filtration during print exposure and then finally selective bleaching and toning in the final print development.
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KE_Photo wrote:
John Webb wrote
Not a composite, in the corner of a small room of a B&B next to an armoire which was 90 deg to model. Created a vignette in post to separate at well as adding atmosphere/light camera right. Lighting was indirect natural light coming in directly behind and slightly right of camera position. Used a Rotolight Neo I as key highlighting models face and leg. OK guess I was wrong - I had read the part about the B&B room before - I was mostly referring to the wall texture and color. It looks a lot like it was filled in with something in post - a technique I use sometimes. If that's how it actually was it certainly is photographer friendly!
Wall texture was present but I did alter it’s luminosity and moved it from warmer yellow tones to more of the cooler teal tones. Not sure where you read about the B&B before but none of the images from that shoot had any composite work done/added in the post processing.