3. Nikkor H.C Auto 50/2, which I think has the best corner sharpness among Leica R 50/2, Leica R 60/2.8, Minolta MD 50/2, Minolta MD 45/2, Minolta MC Rokkor-PF 58/1.4 and MC Rokkor-PF 55/1.7 (my tests show these lenses can cover 4433 sensor while working under smaller apertures at longer distance to infinity)
5. Olympus OM Zuiko 55/1.2, which I think almost cover the GFX sensor (can shoot close distance at larger apertures and there is only very little vignette when shoot with smaller aperture at longer distance to infinity) .
The backgrounds on your 85/1.8 looks quite a bit less busy than I remember mine from shooting on my 5D. Was your photo with the bicycle shot with a diffusion filter as well?
Thanks for linking to your review, too. The lens has always been a great value, and that's certainly even more true on GFX!
I went out yesterday to South Beach to have dinner and test my "new" P67 90-180mm zoom. After fighting S.E. Florida traffic for two hours to get there, I finally arrived! I also tested my Canon 16-35mm f2.8 mkIII to see how it performed while I await the return of my GF 20-35 next week. The P67 90-180mm is a manual focus beast, but quite manageable on a tripod. I just received a totally mint copy from a seller in Japan. I paid just under $400 delivered. Overall impression is very good. It's a little soft upon pixel-peeping, but some unsharp mask application essentially eliminates that. In other words, not a problem. Manual focus is very good on this lens - super smooth and usable. It fills a niche for these focal lengths. I've also got a P645 150-300mm arriving next week as well as the P645 A 300mm f4 that I just received (and will test shortly). For landscape work and similar, I expect I will be using these lenses alongside my GF lenses with a lot of success. I can't give you any details on the focal length on the 90-180 due to the dumb adapter (and not noting its focal length when I was out). I also added one image as a reference, shot with the GF 45-100 last night as well.
All raw files processed in DxO 6 Elite and Photoshop.
Those look impressive, how does the EF 16-35mm compare with the Fuji 20-35. I am undecided which one to buy. I have a fringer EF adapter and the 16-35mm is considerably cheaper.
