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Archive 2016 · Sierra Portfolio

  
 
claudefiddler
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p.1 #1 · Sierra Portfolio


This picture of the Devil's Crags was taken from Observation Basin in 1988. I used a Gowland 4x5 with VPL negative film. The same as Joel Meyerowitz. I made an 8x10 Vericolor print positive which was used for drum scanning at Evercolor in Worcester, Mass. at the time. John Wawrzonek made the scan. The smoke clouds were caused by a raging fire west of Kings Canyon. The spot is twenty six miles into the range and I'm eight days into a two week trip with my wife Nancy. This was the second picture in 1985 three years I made that I felt meant something.



© claudefiddler 2016


Devil's Crags from Observation Basin



Edited on Jul 06, 2016 at 08:27 AM · View previous versions



Jul 04, 2016 at 11:54 PM
wbrad
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p.1 #2 · Sierra Portfolio


Stunning photo Claude. I love the golden reflection and the smoke haze really adds to the atmosphere of the image.

Wayne



Jul 05, 2016 at 03:34 AM
DaleBerlin
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p.1 #3 · Sierra Portfolio


Beautiful capture Claude. Voted.


Jul 05, 2016 at 07:52 AM
Dave Dillemuth
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p.1 #4 · Sierra Portfolio


An outstanding image. Speaks to having a real connection with a place.


Jul 05, 2016 at 10:40 AM
sachman
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p.1 #5 · Sierra Portfolio


Just stunning!


Jul 05, 2016 at 11:45 PM
OregonSun
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p.1 #6 · Sierra Portfolio


An instant classic, I can see why this photo felt important to you.

Heron



Jul 06, 2016 at 12:48 AM
dgdg
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p.1 #7 · Sierra Portfolio


Another great scene Claude.
That sounds like a wonderful hike.
You didn't do much photography in between? I bet you have some gems filed away.

David



Jul 06, 2016 at 08:07 AM
claudefiddler
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p.1 #8 · Sierra Portfolio


Thanks for the compliments. I don't have any pics squirreled away from 1985-1988 unfortunately. I never, hard to believe, made more than one composition from any one place. Part of this was using a 4x5, film cost, how much effort was needed to move around, etc. I would go on a ten day trip and make 6-10 pictures. I spent a lot of time map reading figuring out lighting and possible big landscape compositions. Of course I did respond to what was there when I got to any one place.

I walked around a potential scene and let things soak in. During this meditation I left the camera in camp.






Jul 06, 2016 at 08:38 AM





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