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Archive 2012 · ND Grads VS digital blending

  
 
dereksurfs
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p.3 #1 · ND Grads VS digital blending


Can't we all just get along?

Seriously though, how about getting back to the original question.

Derek



Jun 25, 2012 at 05:11 PM
dsjtecserv
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p.3 #2 · ND Grads VS digital blending


gdanmitchell wrote:
Sort of like saying, "All HDR photographs look terrible because all of the photos that look like they used HDR look terrible to me," when other photos do use HDR, but in a way that is subtle and not "terrible."


A great percentage of my shots are done with exposure fusion, which per Jim's definition is "HDR". I wonder if mine are among the "vast majority..."

Anyway, I wonder what we call it when "HDR" or other "automatic" forms are used, but then supplemented by manual blending to further refine the image? Hybrid HDR? That's one reason why to me it makes sense to group all methods of combining multiple images together, since various techniques may be used, singly or in combination to create the desired blend.

Interesting conversation...

Dave



Jun 25, 2012 at 05:20 PM
dsjtecserv
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p.3 #3 · ND Grads VS digital blending


gdanmitchell wrote:
Interesting points. Like you, I'm ultimately interested in the quality of the photographic image and less interested, at least on the aesthetic level, in trying to assign value to the image based on what techniques were or were not used. (I'm not totally immune to that, and in some cases it can be relevant.)

I'm not so sure what you imply when you write that "methods using more than one exposure are qualitatively different from other ones." I'm thinking that you did not mean that as a contradiction to what you wrote in your first paragraph about the value of the
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The methods themselves are qualitatively different (and for that matter so may be the results). but the value of the image is evaluated and determined independently of the methods used to create it. there's no contradiction.

And, by the way, my backwards point in asking the question was essentially to lead to the conclusion that the techniques are simply techniques and that, for the most part, they are not what determine the value of a photograph.


No, certainly not. Just when we are talking about techniques, its good to have a common language.

Dave



Jun 25, 2012 at 05:25 PM
chez
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p.3 #4 · ND Grads VS digital blending


JimFox wrote:
Ha ha, you know me Harry, I am not shy. BTW, the bold underlined part was not intentional, I probably shouldn't try typing so much using the iPhone. But I stand by what I say, until real recent 99% of all HDR shots posted here could be called out as such because the HDR process leaves telltale signs. Only recently have we seen more HDR photos have been done so that we can't tell, but often even with that the HDR image is then manually blended into another shot where it was used to help recover blown highlights in the
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Actually Jim, I am going to be doing a project of old buildings and barns and will be deliberately shooting and processing them in HDR for that "grundge" look. I think it sort of goes hand-in-hand with those old time photos.

But I agree, for landscape the overcooked HDR look does not suite my fancy much either.



Jun 25, 2012 at 05:54 PM
Ben Horne
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p.3 #5 · ND Grads VS digital blending


dsjtecserv wrote:
I used to hold out for the broader, generic definition of HDR against some who maintained that the term only applied to a process using a 32-bit intermediate file. To my mind the concept of "high dynamic range" photography should apply any time more than one source file, each including a different range of scene luminance, were combined in a way to create a pleasing rendition of the larger tonal range in the final output medium. By that definition, "HDR", exposure fusion, manual blending of multiple images, and blending multiple images with luminosity masks would all fall under that umbrella.
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I shoot most of my images on color negative film these days, which has an exposure latitude greater than a single digital capture. I can then create several different optimizations of the scan (one for the sky, the other for the foreground) to give me all the dynamic range I could possibly ask for. I'm curious where this falls in the HDR debate. The image is coming from a single file, yet have have a very high dynamic range. :-)





Jun 25, 2012 at 06:16 PM
kurt765
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p.3 #6 · ND Grads VS digital blending


Interesting to hear the talk of HDR here. HDR technology came out of the visual effects industry in movies (which is my day job). HDR images are images that have a high dynamic range that are usually stored in the radiance file format (.hdr) or nowadays can also be in an EXR or something. HDRs are generated usually by combining multiple exposures in order to capture all available highlight and shadow information. You then have an image file that contains all of that range. Think of it as a super RAW format that can combine all the exposure range of multiple RAW files. This has been useful in the visual effects business because we take HDR panoramas and map them onto spheres which can then provide lighting for our CG scenes. The HDRs allow us to match the lighting ranges in the real world and mimic that when we want to add a CG car into your car commercial (you might be surprised how many cars you see in car advertisements that are totally CG). But anyway, back to HDR photography.

To look at an HDR on an 8 bit or 10 bit LCD monitor you are going to miss a lot. You're not going to have beautiful detailed skies AND detail rich non-crushed shadows. That's because the HDR contains all the info, and just like your original exposure on a RAW file, your monitor is not going to be able to show the full range. Therefore, you have to compress that dynamic range so that you can fit all the range of the HDR into the comparatively tiny colorspace that your computer monitor or print can actually display.

Different software does this with different methods and with varying success. Let me give an example using Photomatix since that's something I own (though OSX tells me I haven't used it in over a year, ha!).

In my very first trip to Death Valley I captured a number of scenes using a full 7 exposures off a 1Ds II because I thought I'd experiment with HDR photography. And of course I didn't have grad ND filters.

Here's a single exposure with all settings rest to default in Lightroom 4.1:



Here's a shot in Zabriskie Point looking at the Sun with a halo merged into an HDR.



The computer monitor and png file format cannot handle the dynamic range, so it looks like that. But, the data is there! We just need to extract it in a way that is meaningful and aesthetic way. Let's try tone mapping using the "details enhancer" method. This is an extreme application of this technique to highlight some of the artifacts that can result. Basically the software is taking all the range available in the HDR and creating as much localized contrast as possible. As a result, the values of elements in the scene are swung wildly to artificially create this contrast to exaggerate "detail" that is in the scene.



I have the impression from reading on various forums that this is the technique that most of us react negatively to. In subtle effect you can make less grungy images that can be more compelling. This is actually using the "grunge" preset. This looks like total crap to me. I think when you say "HDR" a lot of people think of this crap. Some people really like it, but I hate it.

The other method is to use the HDR data to try to create a compressed image - compressing the dynamic range into something displayable and printable like normal photography. This can create a far more realistic image, not unlike what we try to do with grads and darkening down sky and lifting shadows, etc. Here's a 1 minute example:



This looks far better and far more realistic. With some work, you can make it look better, balancing out the sky and foreground, or using this in combo with single exposures, or whatever.

In photography the goals of simple exposure blending and HDR can thus be identical: to balance out the extreme dynamic range of reality into the narrow range of a print or monitor. Different tools for the same goal. Most HDR software is doing the work for you. Manually blending exposures in photoshop is going to involve a lot more choices - like "do I want the lighthouse to stay light when I darken the rest of the sky?" etc.



Jun 25, 2012 at 07:30 PM
JimFox
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p.3 #7 · ND Grads VS digital blending


chez wrote:
Actually Jim, I am going to be doing a project of old buildings and barns and will be deliberately shooting and processing them in HDR for that "grundge" look. I think it sort of goes hand-in-hand with those old time photos.

But I agree, for landscape the overcooked HDR look does not suite my fancy much either.



Hey Harry,

Now for a project like thar HDR can be really cool. There are times for me when that HDR look is cool, just typically it doesn't apply to Landscapes for me. My main point though was to put out there this forums definition of what constitutes an HDR shot. Without our using a common definition, it will just cause even more chaos.

Jim



Jun 25, 2012 at 07:39 PM
RobDickinson
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p.3 #8 · ND Grads VS digital blending


I either use an ND filter or HDR in photomatix (typically not exposure fusion). I've done some manual blending from two or 3 images but sometimes it gets too tricky.

This image I initially mixed in photomatix to see how it looked , wasnt happy with the defaults so spent a while in photoshop trying to blend the 3 exposures into 1, got close to how I wanted but had some troubles on some boundaries. Went back to photomatrix and adjusted until I got very close to my photoshop manual blend , then finished it off in photoshop with a few tweaks.


Dyers Pass sunset by robjdickinson, on Flickr

This I used a .9 hard GND (hitech) I love using hard nd for seascapes but you do get the issue with anything protruding from the horizon. I could try exposure blending but I'm usualy shifting round and shooting quickly and more often than not dont think about it.


West coast style by robjdickinson, on Flickr

This shot I specifically didnt want to shoot in multiple frames because I thought it would end up looking too cgi, I wanted a more natural look so I used filters. Another tog at the location was talking about hwo digital always blows out the sun so I decided to keep the sun circle visible as the central point of the image. It ended up being quite tricky to shoot and the shadows are fairly noisy.


Lyttleton re-edit by robjdickinson, on Flickr

Currently I use 85mm Hitech filters but these arnt big enough for the 17-40 let alone the 24tse. So I will be looking to buy some 100mm Lee filters. I often hand hold 1 filter on the run but for the 24 I will more likely be much slower an more careful about how I set shots up. Looks like it will be a $1k or so NZ investment... I'm willing to consider that because I dont see exposure blending to be the right tool for a lot of what I shoot.



Jun 25, 2012 at 09:00 PM
Todd
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p.3 #9 · ND Grads VS digital blending


WOW, I did not think I would get this much info from this post. You all have been VERY helpful and have provided me with many options and much to think about. I appreciate the info and sample photos.... I looked at the LEE filters the holder....Too pricey for me. Plus I did not find an adapter ring that would fit a 77mm lens. I have the Kokin gray filter to get me by, but it is sub par.

Todd



Jun 25, 2012 at 11:13 PM
Fo Tollery
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p.3 #10 · ND Grads VS digital blending


JimFox wrote:
I believe in most cases because in general the HDR look is so horrible.......,



The real question on that one is.......how do we know 75% of the regular forum posters in this forum aren't utilizing an HDR tool of their choice and just aren't saying so. And have learned to do so effectively enough that halos haven't become major compositional elements and clouds aren't all so dark/heavy that one can only assume a major storm event is in the offing. Though I highly doubt that's the case, it is possible.

I don't.....I'm a blender (who has tried at least a couple different HDR tools but couldn't produce anything I preferred over a blend). But if I did, I'm not sure I'd tell on myself.



Jun 25, 2012 at 11:24 PM
RobDickinson
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p.3 #11 · ND Grads VS digital blending


Todd wrote:
WOW, I did not think I would get this much info from this post. You all have been VERY helpful and have provided me with many options and much to think about. I appreciate the info and sample photos.... I looked at the LEE filters the holder....Too pricey for me. Plus I did not find an adapter ring that would fit a 77mm lens. I have the Kokin gray filter to get me by, but it is sub par.

Todd


77mm adapter (theres a non wide angle too):
http://www.bhphotovideo.com/c/product/87147-REG/LEE_Filters_WAR077_Adapter_Ring_77mm.html


Edit:-

Most of my HDR's you would never know. And what is HDR really? I often locally adapt contrast/brightness for the same effect but from a single image without typical HDR processing, for the same result.



Jun 26, 2012 at 12:34 AM
Ruahrc
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p.3 #12 · ND Grads VS digital blending


I have to respectfully disagree with Jim and Dan's arguments. The strict definitions of HDR proposed above come across as a little dogmatic, with some clear undercurrents of simply not wanting to be associated with producing "HDR" images primarily to appear "elite", "old school", or "better than others".

Saying that exposure blending is not a form of HDR "because we did it before the term HDR (misused as tone mapping) became widely used" is arbitrary, and kind of like saying that "selective cross pollination and hybridization of plants" is not a form of genetic engineering, only because ancient peoples developed and domesticated crop plants thousands of years before modern genetic techniques were developed. Especially if you consider the history of HDR techniques in photographic and video imaging, and realize that tone mapping has been around longer than you think. See a brief review on wikipedia: http://en.wikipedia.org/wiki/High_dynamic_range_imaging#History_of_HDR_photography and note that modern tone mapping was developed in the early 1990s, and similar concepts in digital image processing put forth almost a decade before that. Please raise your hand if you were actually out there manually blending digital captures back then, and then you might have some shred of validity in saying the manual blending of exposures using layers predates tone mapping and is a more "authentic" form of HDR. (and keep in mind that photoshop did not add layer support until 1994)

IMHO, one should simply specify the specific technique used in the image, if the photographer so chooses to divulge his methods. HDR is not a technique, rather a term to describe a family of techniques that achieve a similar goal, and so if you want to describe the technique(s) used to create a photo, state the specific techniques and not generalized catch-all terms. So if an image is exposure blended or a fusion of several exposures, state such. If an image was tone mapped, say it was tone mapped. If GND filters were used, then say that. Simply using the blanket term "HDR" is not sufficient to describe what was done to an image. These are all just tools at our disposal, just like a lens or a filter in our gear bag, and I hope to think that we would not be judging images here based on the technique used rather the quality of the outcome.

To finish, this whole debate on phraseology reminds me of a quote I once read. Unfortunately I no longer know the source (but it is highly possible I originally read it here on FM)

"n00bs argue about camera bodies, amateurs argue about glass, and the pros just let their images to the talking"

Norman



Jun 26, 2012 at 12:18 PM
JimFox
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p.3 #13 · ND Grads VS digital blending


RobDickinson wrote:
77mm adapter (theres a non wide angle too):
http://www.bhphotovideo.com/c/product/87147-REG/LEE_Filters_WAR077_Adapter_Ring_77mm.html

Edit:-

Most of my HDR's you would never know. And what is HDR really? I often locally adapt contrast/brightness for the same effect but from a single image without typical HDR processing, for the same result.



Hey Rob,

If no one can detect that you used HDR then that's great, and hopefully that will be true of more and more photographers. The desire I would hope for most of us that no matter what the method that is used, that the end result is simply a pleasing and natural looking photograph.

Jim



Jun 26, 2012 at 12:50 PM
JimFox
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p.3 #14 · ND Grads VS digital blending


Ruahrc wrote:
I have to respectfully disagree with Jim and Dan's arguments. The strict definitions of HDR proposed above come across as a little dogmatic, with some clear undercurrents of simply not wanting to be associated with producing "HDR" images primarily to appear "elite", "old school", or "better than others".

Saying that exposure blending is not a form of HDR "because we did it before the term HDR (misused as tone mapping) became widely used" is arbitrary, and kind of like saying that "selective cross pollination and hybridization of plants" is not a form of genetic engineering, only because ancient peoples developed and
...Show more

Hey Norman,

Thanks so much for your thoughts. And disagreeing is your right, it's a variety of thought that makes the world go round. As to your premise that those who won't use HDR are elitist, at least here in FM Landscape I would say generally speaking that isn't true. The reason why the majority of us don't use HDR is simply we have been manually blending shots for years and we can achieve the look we want best from it. As seen from Robs comments and some others, they have gotten proficient at using HDR so that the telltale signs of using it are not seen. That's great!

The whole reason that this got brought up was the OP asked which was better Grads or Digital Blending? As to what makes digital blending. And you may think the definition is too strict, but to avoid confusion, we use the term HDR to refer to the automated process, and for those that blend digitally by using layer masks manually, we call that Manual Blending. It's pretty simple, and especially with newer photographers.

As to your ending qoute, if you think only noobs argue about camera bodies, you certainly haven't spent any time in the Nikon or Canon forums... Lots of pure craziness going on in those forums...

Jim



Jun 26, 2012 at 01:10 PM
gdanmitchell
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p.3 #15 · ND Grads VS digital blending


At the risk of beating a dead horse...

I'm actually not trying to be dogmatic about coming up with a ton of ways to explain all of the various ways in which we deal with high dynamic range subjects. I wrote about that in an earlier post in which I pointed out that if the term HDR had been used to apply broadly to methods of dealing with high dynamic range scenes other than using a GND filter, we would have to expand it to encompass a very large range of perhaps surprising techniques including things like selecting a particular grade of film, dodging in post to "bring back" shadow detail, and much much more.

While it is true that a myriad of techniques can be applied to deal with the inability of almost all photographic systems to deal with the largest dynamic range subjects that we might want to photograph - e.g. all might be said to be ways of handling a "high dynamic range" - going that route either renders the term virtually meaningless or makes it mean a very, very different thing from what it already is predominantly taken to mean.

Yes, there is a logic to trying to re-make the terminology so that it is broader, but the current term "HDR" as an understood and useful meaning that refers to an identifiable approach to dealing with subjects of high dynamic range by a) making multiple exposures of the subject and then b) letting software automate the process of c) increasing local dynamic contrast by using data from the multiple exposures.

Practitioners of the alternative processes (GND filters, exposure blending, pushing in post, etc.) do not regard what they do as being equivalent and there are good reasons of this. The term "HDR" has a commonly accepted and understood meaning, and not only is it unnecessary and perhaps not useful to expand it to include other very different processes, but trying to force language to do things that it doesn't want to do tends to be unsuccessful. (In essence, HDR is taken to apply to a technique - e.g. this is what it does on my iPhone and on lots of other photographic devices and software that use the terminology.)

And it certainly isn't about categorizing things into categories of good or bad. HDR is a technique that can be applied in good and less good ways. The same can be said about exposure blending, the use of GND filters, dodging/burning, and more.

Take care,

Dan

Ruahrc wrote:
I have to respectfully disagree with Jim and Dan's arguments. The strict definitions of HDR proposed above come across as a little dogmatic, with some clear undercurrents of simply not wanting to be associated with producing "HDR" images primarily to appear "elite", "old school", or "better than others".

Saying that exposure blending is not a form of HDR "because we did it before the term HDR (misused as tone mapping) became widely used" is arbitrary, and kind of like saying that "selective cross pollination and hybridization of plants" is not a form of genetic engineering, only because ancient peoples developed and
...Show more



Jun 26, 2012 at 01:51 PM
Ruahrc
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p.3 #16 · ND Grads VS digital blending


I guess what I was getting at was that the use of the term "HDR" to define specifically the use of tone mapping algorithms is a little misleading, as the term HDR should be more correctly interpreted as the family of techniques that achieve a similar goal- an increase in the captured dynamic range of a particular scene.

That is why I suggest encouraging the use of specific terminology- i.e. tone mapping + exposure fusion for what you call "HDR", exposure blending or manual blending of exposures for layer mask work, etc. By using the most accurate and specific terms, the chance for confusion and formation of stereotypes is minimized.

Norman



Jun 26, 2012 at 02:10 PM
dereksurfs
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p.3 #17 · ND Grads VS digital blending


C'mon guys. Do you really think these terms matter to anyone outside a photography forum such as this? I mean seriously? Who really cares? We could call just as easily call it 'Monkey Business' and it wouldn't matter as long as we know what we are talking about.

I think the real bee in the bonnet of some is a secondary issue all together having more to do with HDR's image (no pun intended) or perception in the digital community. The value of using HDR automated tools and potential for improving Dynamic Range seems to be increasing. A number of posters have demonstrated what they are able to achieve and it looks promising which is great. But that really is a separate topic all together.

A suggestion I have is to create a "Show me your latest Landscape HDR image" thread. We have very similar threads on the Alternative Lens forum which showcase certain alternative glass. I think that might help to demonstrate the latest capabilites of using these HDR tools.

Just my 2c on the matter,

Derek



Jun 26, 2012 at 02:13 PM
roguecoolman
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p.3 #18 · ND Grads VS digital blending


*woosh* Poor Todd, all he wanted to know was filter vs digital blending

I'll chime in, while I am not in any way as accomplished as those who have posted above me or after me. But I can share with you the same question I had when I started out with landscape photography.

I started with GND's because every interweb searches told me it was necessary for landscape photography. So naturally I spent money buying first cokin, then hitech and finally now settling with Lee. As I started to use the filters more and more I experienced first hand some difficulties that wasn't apparent to me.

1. I had to make sure the filters were clean (duh) or else I'd get really bad flare
2. If I filter stacked different filter manufactures lee + hitech, I get really strong color cast
3. Soft Vs Hard, uh oh tree lines and mountain tips are darker than they should.

At first just using filters for all of my landscape work was fine for me. I just tried to take the photo to the best of my ability and if I had to sacrifice to gain something (like dark mountain tips to subdue the sunset or sunrise), then so be it.

Then later on, I did more reading and saw more professionals post their work (like here on FM), I started to wonder how come they are able to capture every thing perfectly. So I read up on HDR first, because when I googled multi exposure or blending that was what came up. So obviously the first thing that came up was hdrsoft and I spent money again. I used that software for a bit but it never appealed to me. I am not saying it's wrong or right, just for me it was not my cup of tea. To each their own.

then I learned blending using CS and layer mask technique. I started out simple just pure gradient mask, and it worked for some situations but because my CS skills were very bad thats all I had. then as I increased my knowledge, I began this process for my own photography.

1. Use filter and make sure I get enough shadow detail and highlights without the blinkies. Sometimes I would take more than 1 exposure.
2. Then when I imported in, I would see if my filter shot was what I liked or what I saw, and if not I would blend multi exposures of that.

Now you might ask, well then why in the world did you not just take multi exposures without filters if you are just going to do it digitally anyways. For me the answer was, I was not confident in my blending skills, so I wanted something that I know did work (which was filters) and needed a SAFE/BACKUP capture. I needed to know that I can come away from the scene with a keeper and not have to import in later with a facepalm.

I suspect as I grow more knowledgeable I may go more digital and less filter but for now thats pretty much how i break up my process. I would say almost 50/50 for now.

Todd, I don't think you are going to find a 100% consensus for which technique is better. I think the people here have posted from their experience why they use one over the other or both. I think the underlying element is it is "from their experience". So I highly recommend you go this route and experiment for yourself. Try both and see what limitations you have and where you would like grow. You might develop your own process that is different but it works for you that's fine. If you go filters, I would recommend you start with hitech filters before jumping in LEE because I had to explain to my wife why this is more expensive than that



Jason



Jun 26, 2012 at 03:03 PM
gdanmitchell
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p.3 #19 · ND Grads VS digital blending


dereksurfs wrote:
The value of using HDR automated tools and potential for improving Dynamic Range seems to be increasing. A number of posters have demonstrated what they are able to achieve and it looks promising which is great. But that really is a separate topic all together.


But one that was part of the earlier discussion in this thread...



Jun 26, 2012 at 03:16 PM
Alex Nail
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p.3 #20 · ND Grads VS digital blending


Right I'll sing the praises of exposure blending and explain why I don't use grads! (By the way it's my opinion that both are equally good methods and the ideal is to use both dependant on the situation). I have come across a couple of snobs in the past who have told me if I'm not doing it in camera with a single shot then I am 'faking' the image, but that is a completely different argument. On the topic of automated exposure blending, which I also term HDR (distinct from manual exposure blending) I remain very unconvinced that it is as useful at achieving realistic results for landscape as either of the other 2 techniques. Specific scenarios sure...but in general you're fighting a losing battle. Lightroom 4 has greatly impressed me with its ability to lift shadows and darken highlights in a tasteful way. Its the best HDR type effect I have seen.

So....I digitally blend because:
- When hiking I don't want or need an extra piece of kit to look after, keep clean and carry
- Filters are expensive and breakable, a bad combination
- There is more opportunity to screw your shot up (by using the wrong filter/transition location)
- It would slow me down - Shooting a bracket sequence is fast, painless and repeatable via a custom mode
- You can create whatever transitions you want with exposure blending. With grads you are limited to combinations of linear filters
- Using a polariser becomes slightly more troublesome and the polarisers are more expensive (as are solid NDs)
- I think the potential image quality benefits grads offer are extremely negligible, so given the above points, it really comes down to whether you want to spend time in front of a computer. Given that I don't take huge numbers of shots requiring blending

Here's an example of an exposure blended panorama.

http://www.alexnail.com/blog/wp-content/uploads/2012/02/processing.jpg



Jun 26, 2012 at 03:39 PM
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