Specularist Offline Upload & Sell: Off
|
luminosity wrote:
William, it was the cover of National Geographic, and I doubt that it became highly sought after for a couple reasons. One is that not many people were aware of what lens was used, and still are not, and the other is that even if it had been highly sought after, it's the opposite of the 28/1.4 in that there are hundreds of thousands of copies floating around (perhaps a good deal more than that).
I think William was referring to the portrait, not the lens.
I have a 105 mm f/2.5 AIS and I'm usually very happy with its performance. Below about f/4 the Zeiss 100 mm Makro-Planar is probably much sharper, but by f/5.6 I doubt there's much in it (the Nikkor is extremely sharp across the frame by f/5.6).
The Nikkor has colour fringing caused by both longitudinal and lateral chromatic aberration, whereas the Zeiss seems to have basically no lateral chromatic aberration. For reasons not clear to me, the Zeiss suffers from particularly strong colour anomalies in high-contrast out-of-focus areas.
Of course the Zeiss retains a very high performance in the close-focus range, something the Nikkor can only dream of.
I know the Zeiss is an accomplished lens but it is clearly not perfect. There are many good lenses around this focal length (e.g. the 105 mm Nikkor above, various third-party macros, Leica APO-Summicron 90 mm ASPH, APO-Macro-Elmarit 100 mm, the Sonnar and Planar 100 mm lenses for Contax, etc.). In this context Zeiss haven't convinced me with the expensive 100 mm Makro-Planar.
|