Shutterslam 
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You can just post the original in a subsequent reply (if you want).
I saw the original. Closer crops almost always work better (to isolate the subject) unless there's a specific reason to incorporate negative space into a composition (which can also be very effective if used properly).
One of the many challenges I find with product photography have nothing to do with lighting the subject itself, but the background. With the exception of flatly lit catalogue photography, I always try to incorporate some sort of gradiated background with the subject, either in the form of a spot light, or complimentary color gradiation to either add a mood or some drama.
Cheers
ss
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