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I can't recall ever having felt the frustration factor produced by the combination of the 550EX and TWO DIFFERENT 10D digital SLRs. I've spent hours combing through this and other web sites, trying to discover the "magic bullet" that would, once and for all, eliminate the single-most frequent problem I have with this demonic photographic combination: underexposure. Here's how the advice usually goes:
Advice #1: Shoot in manual mode on the camera. Well, I've received some good results with the combo of 1/125 or 1/60 and 5.6 and no diffuser. However, use an f8 aperture and you're in the dark...literally.
Advice #2: Use an omnibounce. Just did that yesterday, in both upright and 45-degree positions, and I couldn't buy a good histogram. Was shooting a chef in his restaurant (marginal ambient light), and with ISO at 400 and settings at 1/60 and f4, I had quite poor results and was barely able to use levels to bring them up to something that my newspaper (I'm a freelancer) would accept.
Advice #3: Use the FEL control. Haven't gone to this method extensively yet, but it does seem to be a fairly fussy ritual to focus on something dark or mid-tone, press FEC (*), watch the surprised reaction of subjects wondering if you've already taken the shot, recompose, and then shoot. Yech! (But it does in most cases give me the best histogram.) And kiss the grandkid candids goodbye.
Advice #4: Boost output with the FEC control. Fine, but reliance upon this assumes that you'll have two or three chances with a subject--which is fine if you're dealing with especially compliant subjects. Once again, concerning the grandkids, fuhgedabowdit.
Advice #5: Bounce the light. Fine, if you're always in rooms with white walls, and a low, white ceiling.
Advice #6: Trust the LCD rather than the histogram. Say what? My LCD displays for the chef shots were spectacular...until I opened them in Elements.
I would deeply appreciate any suggestions as to how I might rise from hell at least to middle earth if not heaven with my 550/10D combination. Meanwhile, I remain rather puzzled by the generally high regard with which this combination is held in the reviews section of this web site.
Thanks much.
Floyd Lawrence
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